Fuck Me Gently With a Chainsaw

Yes, yes, the title alludes to that classic high school murder flick HEATHERS. Great movie. Written by Daniel Waters. Where the hell is Daniel Waters? Dan, if you're out there drop me a line bud. Miss you dearly we need good writers desperately.

Apparently Heather's maybe resurrected as a TV show. As much as I'm sick to death of all the adaptations, remakes, and reboots, if Heather's has to come back I might prefer it as a TV series. Especially if you don't hold back on the murder, cussing, and dark humor the movie so gleefully celebrated. Slap this badgirl on HBO or Showtime and you'll have a decent series ala Sopranos, Sex In The City, or The Wire.

I have to admit I've become more of a TV hound than a movie goer. I don't watch too many flicks in theaters nowadays. Having worked in the movie theater industry for so long, I have become an elitist. I know how a movie should be shown, how it should be watched, and how a theater should be run.

For the past few years I've seen the decline of the movie theater experience, what with horribe cell phone etiquette, people who talk more than watch, and movie theater management that doesn't do anything about it. And after you pay for overpriced tickets to struggle through the incompetence you end up watching a fairly horrible and unoriginal movie.

Now it's not all bad, there have been some really great films to come out in the last few years, but many of them I choose to experience in my own home theater, away from the crowds. Which is a shame, because I use to love those crowds. I miss those old late night screenings, the excited crowd anticipating a great movie experience. If I were in Austin at the Drafthouse, or at any number of specialty theaters that still know how to show a movie and the crowds still know how to enjoy a flick I would be fine. But a normal friday night at the local cineplex with the kiddies on their phones, and folks who walk in late, not the makings of a great cinematic experience.

In the past 10 years I've found alot of the really great writing and great cinematic storytelling to be found on TV. The West Wing, Sopranos, Lost, The Wire, Heroes, House, The Office, Arrested Development, and many many other shows have evolved from normal TV dramatics to real heartfelt, thought provoking story telling.

If your someone I've talked to before about The West Wing, I've most likely talked about my favorite episode (I think I may have blogged about it as well.) The final episode of the second season. It's called Two Cathedrals. Such a well written episode, and an ending I thought I would only really see in a movie. Lost is another great example. The series has several great episodes, but the pilot alone rivals many big budget summer blockbusters.

I'll always love the movies. But the really great movie style stories are no longer just limited to the cinema. There are really great stories and visions yet to be expressed both in the theaters and on tv, and now also online through web series, and even through video games.

Maybe one of these days I'll find my way back to the theater. Right now I've got netflix and a decent home movie theater to tide me over.

So much to look forward to. House returns this Monday. Yes, I am excited. I think they have a real opportunity to throw House into some comical/dramatic situations ala One Flew Over The Cuckoos Nest.

And as much of a tightwad I am about money, I'm anxious to shell out some bucks for some upcoming DVD releases.  One of my horror fav's from the 80's is finally heading for DVD. NIGHT OF THE CREEPS.

 Also the long awaited Halloween movie TRICK R TREAT heads to DVD as well.











Still working on BOBBY'S CLOSET, in the fundraising / preproduction stage.  Also I'm planning on shooting a VAMPIRE movie in September. Oh how I'd love to have this Vamp Flick ready to go before November. We'll see.

Until then, I'm awaiting the wide angle lens I purchased, and am already working on the score for said Untitled Vampire Movie.  I'm seeing pumpkins hitting the store shelves, the weather seems to be cooling down, and the local Halloween store is already open.  I'm determined to make this a good Halloween, which I will wholly celebrate by making a movie.

More later on the Vamp flick and Bobby's Closet.

Visual Effects: 100 Years of Inspiration

Grounds For Divorce

Elbow with the BBC Concert Orchestra.

I could listen to this all day. Actually I do listen to this all day. Especially this version.

The Patron Saint Of Indie Moviemakers.

Malone: OK, pal, why the mahaska? Why are you carrying the gun?
Ness: I'm a treasury officer.
Malone: Alright. Just remember what we talked about now.
[Malone walks away]
Ness: Hey, wait a minute! What the hell kind of policemen you got in this god damn city? You just turned your back on an armed man.
Malone: You're a treasury officer.
Ness: How do you know that? I just told you that.
Malone: Who would claim to be that who was not? Hmm?

The Untouchables. Written by David Mamet


I used to feel the need to define what it is I wanted to do. Moviemaker? Of course. Actor? You bet. Writer? Duh. But back in the day it was always, What am I first? Am I an actor that makes movies and writes music on the side? Am I a director that sticks himself in his own movies and just happens to do music.

The fact is the way I define myself now is I am an entertainer and creator. Too general? Sure. But I feel more comfortable with that generalization, because to define what I do and what my goals are is a wide scope. How exactly do I define a comedy show that involves short films, blues harmonica, and puppets? Oh and by the way I'm working on a Sci-Fi, Adventure, Fantasy, Monster movie about a Closet. I'm work on my web series Monster Cops, I love making shorts and vlogs, I write a lot of stand up comedy (which apparently no one will ever see), I make music, scores, write songs, play harmonica and sing, and I have very defined goals in each of those categories.

As far as making movies is concerned I cannot say that I am completely just a director. There are still many old schoolers and film schoolers out there who cannot grasp the movie maker as an auteur. Before my way of making movies is the way it is because I have no money. I cannot afford to follow the regular studio format of producing movies. But now, my different indie way of making movies is how it is because it is the most efficient and the most comfortable to me, just as much as it is because I hear it and see it. And when I say hear it and see it that means I know exactly what the look and feel is, I even know what the score is because I make music. It's more comfortable for me to say moviemaker than just writer, director, or composer.

Lately the phrase "building a movie" is used by me alot. I don't just write the entire script, and then story board it, and then shoot it, then edit it, and score it. I write a 10 page scene, I immediately write out what the shots are going to be, I storyboard that scene, immediately switch over to the music software to get the basic notes down of what that music is going to be in that scene, and then go back to writing again. I find that I'm not wearing many different hats for long periods of time, I'm really wearing one hat doing everything at once, because I'm building the movie as a whole. I score as I write as I plan shots. I always hear many of the old schoolers talk about how they have no idea what the score will be like, or how they didn't realize what kind of movie it was going to feel like until they heard the score, or finally saw it edited. That's fine if you have a revelation of what a product might be that you may not have realized, but how do you not already have some idea of what you are making and what it's going to feel like when you start.

There is a sense with many movies that were made just because they were following guidelines. It's why so many movies don't work. They find a script, rewrite it, hand it over to an editor who may not have ever read the script, and then hand it over to a composer who has a completely different take on the movie. And it's like a crap shoot as to whether you'll have a solid movie. Now not to completely dog the traditional method. It's sometimes a good thing to have a director with a vision hand it over to a seasoned editor and then scored by a passionate composer, all with different takes on the feel. Some of the greatest movies were made that way, and perhaps someday I can collaborate on such an effort. But what I'm talking about is the pattern some movies fall into where it's just lazy filmmaking. If you're not doing it with passion and drive then what is the point?

For me it is a step further than just passion and drive. It does stem from being forced to do things on my own, and because I've gotten use to it. But I think it's really because the movies I want to make are always pretty much complete in my head. I know it, hear it, and see it completely from an audience members point of view, and I have the ability to accomplish those goals thanks to the affordable technology of today.

So aside from my little rant about my way of moviemaking, what this is really all about is truely defining what it is I am within my goals. Nowadays it's really not that important to me to truely define anything other than what the true essence and final vision for any given project is.

If someone would just give me a shot, I could really make something that will blow you away. But I can't wait for that shot. I believe you have to give yourself your own shot. Let's not wait for something great to happen. Let's make something great happen. Let's create our own opportunities. And you can do that, because in the end, you are, just as we all are, a creator.


Ness: [looking at a gold chain Malone is holding] What is that?
Malone: Ah, I'm among the heathen. That is my call box key, and that... is my St. Jude medallion.
Ness: Saint who?
George Stone: Santo Jude. The patron saint of lost causes.
Malone: And policemen.
Ness: Well, which are we, gentlemen - policemen, or lost causes?

The Untouchables. Written by David Mamet

Lethal Weapon

As always, when I'm not writing or editing, I am surfing the web for remnants of my childhood. I stumbled upon the Lethal Weapon 4 trailer, which of course requires me to blog about the Lethal Weapon series.

The Lethal Weapon series was one of my biggest influences. 1 and 2 were huge to me. 3 was a bonus, and in the late 90's when 4 came out, it seemed like it was the last glimpse of all that old school 80's fun. It was really the last time I saw that kind of magic on the big screen. It was such a great combination of action, comedy, and drama. The end of Lethal Weapon 2 always makes me tear up.

Lethal Weapon was chock full of greatness. It all started with Shane Black's amazing screenplay for Lethal Weapon 1. The chemistry between Gibson and Glover, the snappy dialogue, the wisecracks, Donner's great action direction. Can't think of too many movies lately that make me feel the way the Lethal Weapon series made me feel. 4 was my least favorite, but it was still very much a Lethal Weapon movie with every bit of charm and charisma that I miss so much in movies today.

This trailer really captured that feel, that magic, and that fun. Plus I love Chris Rock and Jet Li.



I have to say though, at the time I was very much into John Woo and Hong Kong cinema, which had an overall different vibe than movies like Die Hard or Lethal Weapon. Specifically I was in love with the gun cross. If you were a fan of action and gun play, you were like me and you absolutely loved the gun cross, a staple used in so many John Woo movies.

So when Lethal Weapon 4 came out and I watched the scene posted below, I totally freaked out. It was absolutely amazing to see director Richard Donner put in a Hong Kong action move in a scene with two of my favorite action characters, Riggs and Murtaugh, against Jet Li as well. Honestly the best part of the movie for me. I still watch it in awe. It's like my worlds collided and I was quite happy with the impact.



The above clip also features that final fight between Jet, Riggs, and Murtaugh. Great scene, very well done. I always complained that Riggs was downplayed quite abit in his fighting ability in this. He's Special Forces, he used some great moves in the first movie against Gary Busey, so I was a little disappointed watching him throw wide swings and not being able to keep up with Li's character, but I digress.

After the fight scene, we see a great example of the kind of empathy and drama that Lethal Weapon gives you. Riggs drowning, Murtaugh searching for him, eventually saving his life. The score by the always amazing Michael Kamen always helps (I could and probably will do an entire blog on Michael Kamen alone). But the Lethal Weapon series in general is a great example of that unique complexity I love so much. So many people can easily throw this series in the buddy cop, mindless action category. The truth is amidst the action and shootouts, there were real characters here that we root for and care for. Riggs and Murtaugh had a connection, they had heart.

In a movie that could easily have been one action set piece after another, we actually find great humor, some solid dramatic feeling, and a unique charisma. It's action with heart and soul. And that's the kind of stories I want to tell. Those are the kinds of stories and movies I lean towards. Again I have to go back to my usual examples. Back To The Future is more than just a comedy. The Iron Giant is so much more than a cartoon. The Goonies is so much more than just a kids adventure. The Abyss is more than just some underwater scifi flick. These movies pay respect to the categories they are filed under, but when you watch them, when you experience them, there are deeper layers there to experience.

If you go back and really watch the Lethal Weapon series, you may be surprised to find some real heart warming drama in what you'd think was just an action movie. It's something more than what it seems.

And that's what I'm trying to make. Something much more than what it seems.

I remember when the poster for Lethal Weapon 2 came out. Even Warner Brothers Marketing knew to acknowledge that special magic that Lethal Weapon had. They even put it on the poster.



I want that kind of magic in my movies.

Smile Pretty and Watch Your Back

Forgive the title of this blog post. I don't think it actually has anything to do with anything in this posting. It's lyrics from an Ani Difranco song, which I was just listening to. I would've used other lyrics had I actually been listening to music that had lyrics, but the majority of my shuffle is movie scores. Hey, it's what happens when I'm writing. I just happen to throw in some Ani Difranco, also some Nine Inch Nails, Tupac, and Billy Joel, but Ani seems to be the one that pops up the most.

The script for Bobby's Closet is complete. Has been for a few weeks now. The business plan is also complete. So what are the next steps? Here we go:

- Explain to everyone what Bobby's Closet is.
I've started work on the official site that will help explain the concept and plot. Feel free to check it out here http://www.bobbysclosetmovie.com The site is very preliminary, not much on it, but I hope to have more art, vlogs, and blogs up very soon.

Here's the basic plot in case you're just that lazy to click the above link.
PLOT: There is an ancient box that contains mystical powers. Powers to open doorways to other dimensions, and bring to life anything that is not within our reality. When this box is placed inside a closet containing sci-fi and horror movie memorabilia, movie monsters begin to come to life and enter the real world, threatening our reality. Using Sci-Fi Movie weapons and their movie trivia know how, it's up to 2 Movie Geeks and 1 Female Vampire Hunter to stop the monsters, and close the box inside Bobby's Closet.

- Preliminary Casting.
We've got all three principal parts cast. Chris Plouffe will be playing JERRY. Brandon White will be playing AL. I actually wrote both parts with them in mind. I've gotten to know their skills and talents working with them on Monster Cops. We've had a few readings and they've been nailing them. I think I've made some wise choices in casting so far. I also wrote the part of psycho killer LAWRENCE POTTER for Richard Gaither. Gotten to know him working on Monster Cops as well, I know he is more than up to the task. I most recently cast our female lead. April Crum will be playing the vampire huntress JADE. She did an amazing job in her audition, she really nailed the lines and some of the fight choreography. Excellent job on her part. This movie is going to be quite fight heavy, and her previous martial arts experience is a plus.

We'll be doing more preliminary casting soon. I hope to have the majority of the movie cast before we even get complete funding in place.

- Get going on the Concept Art.
Both Brandon White and April Crum are skilled artists. I'm having them work up some concept art to help display the look and feel of this movie. We need to convey how this movie combines fantasy elements with horror elements. Show off the look of the Vampire Hunter Jade, what Bobby's Closet looks like, and really show off what alot of these futuristic military weapons will look like in some of these battle scenes.

Raise The Money!
The full business plan is complete and so is the script. We are about to start really seeking out sponsors and investors as well as begin crowd sourcing. And by crowd sourcing I mean offering up presales and perks to those willing to pay. For example for 40 dollars not only will you be one of the first to get a DVD copy of the movie, you'll also get a credit in the film, access to free merchandise (shirts, posters, etc.), and you'll have a chance to win prizes and props from the movie. We'll come up with other perks as well, but crowd sourcing is a newer and great way for alot of indies to get the funding they need. The full budget that needs to be raised is $50,000.00. Let's hope this works out for us (fingers crossed).

I hope to have a full budget in the next few months. It would be great to get started in October. Nothing like shooting a horror movie in October. I'm fully prepared to wait as long as it takes to get the money together, but we'll do what we can to get it together and shoot this thing soon.

There's actually another feature film that I am currently writing. The name of that one is VICTIMS. It's a bit more in the Horror Genre, but does include quite a bit of thrills, action and humor. The budget for that one is not quite as large as Bobby's Closet. So it's a possibilty we could shoot that one first. We'll see what happens. I'll work on that script as I prep for Bobbby's Closet and raise the necessary funds.

I posted on the Monster Cops blog about the delay on those episodes since I am working on The Victims script and fundraising for Bobby's Closet. But I do hope to have a Monster Cops episode and a few webisodes up before Halloween. I've actually gotten quite a few messages about MC, and I am flattered and happy to know so many people are paying attention to Monster Cops. Thank you all so much.

I know I've been posting about these upcoming Vlogs, but I've even been too busy to do that. But I know I've got one coming up soon. Thanks to everyone for their support and all of their questions.

Wish me luck on fundraising. More on that later.

A full cast list will be posted soon for either feature, but if anyone is interested in auditioning and you're accessible to the Winston Salem area of NC, please email me your headshot, resume, and any links to videos of your work.

Holy crap, I forgot I put some Cheap Trick in this shuffle, sweet.

Sorry, here's my email: pumpkinking13 @ msn . com

Much more later.

- P

Todays lesson, napkins are important and never underestimate the power of the audience.

No one said this was going to be easy.

The Mystery Box

I saw this a while back and I've actually watched it several times since then. J.J. Abrams speaking a TED (Technology, Entertainement, and Design). Alot of what he says here I believe in. Great presentation, and what a great story about the Mystery Boxes. This made alot of sense to me when I first saw it, but very much so now, since I seem to be working very closely with a Mystery Box myself.

Directed by John Hughes

Amazing Video Tribute created by Paul Proulx.

Really captures Hughes brilliance as a writer and a director.

John Hughes

I really can't believe it. You were a big influence on me and so many others. Your movies helped me through some tough times, and pretty much helped define the 80's. Without your work I would be nothing. I learned alot about comedy, about pathos, and certainly about life, all through your writing, directing, and producing.

Thank you for making movies that made me want to make movies.

Thank you John Hughes.

John Hughes dies age 59.

 

 
 

  

 

  

  

Don't You (Forget About Me)

This one's for John Hughes. You made my teenage years so much cooler, and the 80's one of the greatest decades ever. I won't forget. I promise.

Simple Minds - Don't You (Forget About Me)

Shared via AddThis

Magic

First off I'd like to congratulate April Crum. She is officially cast as the VAMPIRE HUNTER JADE in the feature film Bobby's Closet. She is also a very talented artist, and we'll be utilizing her talents in that regard as well. This movie is going to require alot of artwork, fake movie posters, faux comic books, etc.

I'm quite anxious to talk about Bobby's Closet. Many people have messaged me about it. I know I haven't explained too much about the plot, and I'm glad so many of you are curious to know what this feature is about, and what it is I've been writing. I'm working on a VLOG that I hope to finish soon.

This Vlog will hopefully not only fill you on the plot, but the look and feel I'm going for. In preparation for it, I've been watching and listening to Back To The Future and it's sound track. Although Bobby's Closet could be classified as horror, and does contain monsters, I want it to have that magic that Back To The Future had. Also BTTF had that complex classification. Sure it's a comedy, but there are strong elements of Sci-Fi and suspense. Those last 15 minutes always keep me on the edge of my seat. And boy what a cool ending. Bobby's Closet is also a comedy, with strong elements of sci-fi and horror and adventure that will hopefully keep you on the edge of your seat.

There was that specific feel from a lot of those movies from back then, The Goonies, Close Encounters, Raiders, Ghostbusters, etc. They all had this charm, this essence, this kind of Magic. Movies nowadays are still magical, of course, but back then movies really made me feel like anything was possible. I'm sure it's mainly because I was an impressionable kid, and much of this is about nostalgia. But I think that's what it kind of comes back to. We end up spending much of our adult lives trying to recapture and relive our childhoods. Why? Because I think we miss that feeling we knew before we grew up. That feeling that told us that anything was possible, and magic was real.

I believe that anything is possible. That the happiest, grandest, most magical visions are yet to be experienced. Movies make me feel that way, and I want to make movies that make you feel that way too. That's exactly what I'm going to do with Bobby's Closet.

The Incident

Nothing to see here. Just me obsessing over LOST. Season 5 ended months ago, and I'm going through withdrawals. I'm posting the cold open and the last scenes, just so I have a place to watch them over and over again, as I search for clues and insight into the enigma that is LOST.

January can't come fast enough, if the season does indeed start up by then.





I don't have the heart to post Juliet's end scene. It's so disturbing to me. I really love Juliet. I swear there better be a decent resolution for her.

Good preproduction meeting last night. Now working on Casting sheets and Set and Location sheets. Soooo much work to do for Bobby's Closet.

Back and Forth

I'm secretly a soldier in the Dr. Steel army. Love this song. And Nurse Gen is adorable.

Just wish there were more episodes from this web series, but then again, I'm sure someone else is out there saying the same thing for Monster Cops. Hey, we do what we can with the time and money we've got. When you're a no budget indie, it's always Back and Forth.



DR.STEEL'S OFFICIAL WEBSITE

Done and done. now at IHOP. later nap. then finish the script. start of business plan.

Im beginning to understand a little better what Monster Cops is and should be.

Up early. standing in line. woo hoo.

Trailer Round Up

A few trailers I saw recently that really impressed me.

I love Patton Oswalt. One of my fav Stand Up Comedians, loved him in King Of Queens, loved him in Ratatouille. Here he takes a dramatic turn in a movie with a great concept.

BIG FAN




Ricky Gervais is fucking brilliant.

THE INVENTION OF LYING





What if everyone in the world were Vampires? Great premise, and it just looks amazing.

DAYBREAKERS

Wisdom

My Wisdom teeth. Never had em taken out. Every few years it seems like they wanna act up and grow, and give me over all pain.

That is what is happening now.

I am finishing up the final draft of Bobby's Closet, I am starting on the business plan, and planning out the full package, working on vlogs for it, and thinking about the official website, all in an effort to create buzz and start raising money to shoot this massive production .... all while I am in agonizing pain.

Ok, not exactly agonizing. When the ibuprofen wears off it's really just a throbbing ache/annoyance. But enough to be distracting. Good thing is, I am so driven to do this project that it's really not stopping me. But it is putting me in a very serious focused state. And also rather grumpy. I already don't want to do anything but work on Bobby's Closet, and now I'm ready to tear into anybody that stands in my way or distracts me. Which I guess is somewhat of a good thing, unless you're in my way and or distracting me.

I've been doing a lot of research as well. Preparing for the full workflow of producing another feature length film. I remember the struggles of working on my first two features. I remember the pains, and I understand much better now, what pains were necessary and what pains could have been avoided. It's the pains you go through that later give you that wisdom. It's that wisdom that I have now that gives me the confidence to do this project. There's a difference between knowing and REALLY knowing. I've been through this process enough times to know what needs to be done. Bobby's Closet will be made, and love it or hate it, the audience will see it.

Here's a video of Harold Ramis talking about Ghostbuster's 3. Not only is there insight into the anticipated sequel, but good old insight in general. There's wisdom in much of his words. Especially when he talks about making something with REAL people, and how some Hollywood movies start to look the same. What I'm trying to do with BOBBY'S CLOSET is to make something real that you can grab on to. To make something that doesn't look or feel like everything else. I'm trying to make something magical, amazing, adventurous, and overall with a true sense of REAL human emotion. Not another fx heavy blur of a project. Something the audience can REALLY connect with.



Thank you Mr. Ramis. Thank you for the Wisdom.

This business plan is kicking my ass today.

They don't teach you crazy in film school. Crazy is exactly what you'll need to pull this off.

Residue Evil Part 2: THE MONSTER

The third and final ad for the Old Spice Everclear assignment.



Monster created by Richard Gaither. Destroyed by Chris Plouffe. The Monster was played by Darin Chamberlin.

Monster Vs. Cops Cold Open (Rough Cut)

This is the cold open for the next Monster Cops Episode titled MONSTERS Vs. COPS. It's about 5 minutes and is a rough cut, missing some shots, also parts of it will be reshot. The complete episode will be about 20 minutes long.



For more please check out http://monstercops.com

Baby Steps

It does get frustrating when you can see the final result so clearly.  I know exactly how to make this movie, how it should sound, look, feel, and how to make you love it. I'm just so anxious to get there.  But there are steps that need to be taken, and you can't miss one.

The Script.
Working on a 3rd draft. I have a better understanding of all the plot points and I hope to have a final draft that I'm satisfied with in July.

The Budget.
I have a preliminary budget breakdown. I actually have two. One for 125,000 dollars, and another for 60,000 dollars. This won't be finalized until the script is finalized. This is just an estimation to see how low I can go with a budget and still be able to make something high concept. I did 2 different estimations the 125,000 is what we will aim for, and is a number that will give us plenty of room to maneuver. the 60,000 is the bare minimum, it's the bare essentials to get the movie made, marketed and distributed.  Hopefully we can achieve somewhere in between.

The Funding.
This cannot be achieved without the Budget and the Script. But like I said, I hope to have the Script (and therefore the Budget) finalized in July. Then we put together a proposal, a website, some concept art, the cast, and anything else that will help exhibit what this movie is about, and then we can approach people and sponsors for money. I really have no doubts in raising money. It's about being able to show what the movie is about, show that it is something that is worth investing in, and show how the money will be made back. That's what the following is for ...

The Package.
The Package (AKA The Proposal) Is everything we just named above. Everything that can be achieved to display the true passion about this story. To show that this will be a great movie, made by great and talented people, and show how it can and will make money. Once you've got as solid of a package as you can, you can start approaching investors. Which is really all just about numbers.

The Numbers Game.
That's exactly what it is, a numbers game. Approaching as many people as possible about trying to get your movie funded. Now the lower our Budget the less money we have to raise, and the easier it will be to get money back to the investor. And the more investors we approach the more the odds are someone will say yes to writing us a check. I figure you may get 1 out of every 10 people to look at your Proposal. Which means you'll need to approach 100 people just to get 10 interested. Out of that 10 you'll probably only get 4 who will actually write you a check. If we can get those 4 to write us a check for 15,000 each, then we'll have our 60,000, and we're off to the races.

In the end it's about presistence of vision. It is what keeps the movie rolling. And it is what will get our movie rolling.  If we don't get the money to make this movie, it will be noone elses fault but my own.

So, off I go to work on the script some more, and then to look at the budget and see what we can cut down, or possibly get for free. If we can find a large indoor location, with power and air that we can use as a makeshift studio, and build a whole set on, that would save us a ton of money. So if anybody in the Winston, Triad, area of NC knows of anything, please let me know.

Michael Jackson

Farrah Fawcett

The Back Lot

Come on help this guy out. He's got charisma.



This is fairly close to some of the same routes we'll be taking when we start fundraising. His budget is way lower than ours. His is $3,500. And I have every confidence he can make that happen. If the script and story is good and he keeps this kind of drive, he'll do it.

Check out this guy on indiegogo http://www.indiegogo.com/thebacklot

As for OUR current estimated budget for the feature, we're pretty much at $100,000. We MIGHT be able to pull it off for $73,000. I'm going through the script right now to see what we can cut or modify to get it back down to about 60 to 50,000. But that's later.

Right now I gotta make sure we're prepped for the reading Saturday, and I need to figure out just how many commercials we'll be shooting in the next few weeks. We probably won't get back to shooting Monster Cops til closer to August, but we will see. And I am still working on getting a new Vlog up for http://monstercops.com as well as getting the first segment done on HHM. I don't know how that project will go now that I'm hip deep in the feature.

It often helps just to put the titles together, see how you want your movie to start.

Music is from Lady In The Water by James Newton Howard.

Great Netbbok Ad

Very creative.

Phantasm II

I love it when fate gives you all the signs you need to keep you going. All I can think about lately is THE MOVIE. The feature film I'm going to shoot next. I keep refining the story over and over, and nothing else can get done (raising money, full casting, concept art) until the script is finished completely. It's almost there, trust me.

But as with all things creative, you do hit those stumbling blocks. Thankfully I've got angels on my side, and they like to throw little bits of inspiration at me to keep me going. This time around it was a video uploaded to YouTube. A video of a trailer for a movie that I used to worship.



I love this trailer. The Phantasm movies were a HUGE influence on me. The first one was very dated, very 70's, and a whole lot of fun. Years later into the 80's Phantasm II would finally arrive. This one was whole lot more fun and a much bigger adventure. Gorey at times, of course, but with plenty of action, and dark humor. I mean you just can't beat Reggie "The Ice Cream Man" Bannister. For me, him and his QUADRUPLE BARREL Shotgun are right up there with Freddy and his Glove, or Ash and his Boomstick.

I really love how this trailer starts off, the text, the voice over, and the end scene is great. I really needed to see this entire trailer to help me understand where I'm going with this script. A few holes needed to be plugged and I think this really did it.

I'm going to watch it again, and get back to writing, so we can get to raising money, and we can get to shooting.

Special thanks to BRINGBACKTHEEIGHTIES for posting this. Please check out his channel on YOUTUBE for more great videos and trailers.

Old Spice Infomercial

My second ad for Old Spice Ever Clear. I hope to get 2 more done and submitted. Enjoy.

Toy Story 3

So excited. Normally teasers for movies that you're excited about are disappointing, because they show you nothing. That's what they're supposed to do. Show you nothing and get you all excited about something. It's an announcement that it's on the way. But this one was pretty nifty. I love Pixar.

Serenity Fight Scene

Here's the rehearsal fight featuring Bridget Riley, from the the movie SERENITY.




And here's the actual fight featured in the movie featuring Summer Glau.

Conan gets his ass kicked.

I thought this was nifty. Late night feels a bit better with Conan back. I love that he's on the Universal lot.

Giant Monster

Great video list on classic giant monster movies.

When It's Cooking, It's Cooking.

So happy there are so many production opportunities coming up. At least ones that I feel. Assignments, contests, and video production jobs always come up, but I can't really seem to work on them unless I'm feeling it. This new Old Spice assignment over at Poptent totally hit me, and I had a ton of ideas. First off, they already have a great campaign, with ads featuring Bruce Campbell and Neil Patrick Harris, as well as having a solid comedic tone overall, I knew which way to take this project.

The ad I wrote was actually about 60 seconds long. I assumed when I got into post, I could work the magic and cut it down to the required 30 seconds. No such magic. Sometimes the editing just can't help the script. But I was able to cut together a different kind of commercial using the footage, and use the rest of the script (along with other ideas) to make a couple more ads. I really feel this assignment and hope it ends up paying well, but as always with any assignment or contest, it's about the fun first. If I didn't get an idea that I knew I would enjoy making, then the ideas wouldn't be worth doing. Plus it all adds on to the old portfolio, which will do nothing but help any shot at raising money for the feature film.

Here's the final ad entitled Residue Evil: Part 1 "Happenings". I wanted Brandon to play it like something was haunting him, in this case a generic deodorant the causes white clumps of residue.



This is titled Part 1 because I hope to have a Part 2 and 3 to this Residue Evil saga, basically paying homage to different genre's of Horror films. In this case this is very much a haunting. Wish we would have added in a few more supernatural type moments (Deodorant Floating, Deodorant spelling out DIE on a mirror), but overall I think it's alright. Getting good feedback so far, and in the end I just want to make you laugh, if not chuckle, while learning about the product, which I must say is pretty nifty.

Also got another video opportunity that I'm very excited about, because this one immediately gave me an idea that I'm very excited about doing. Definitely one I hope I can pull off the way I see it in my head. Again, so happy I'm getting assignments that I'm feeling creative wise.

Of course all this dealys Monster Cops for a few weeks, but it's cool. I need to let this episode sit for a while, the script I wrote for it wasn't sitting right with me, and this'll give me sometime to sort it out, as well as possibly get some new gear and guns, and get that giant monster up and ready for it.

Tomorrow, more work on HHM, the new project, work on details for Residue Evil part 2 and 3, work on the feature film. Somewhere in there there is working out and cleaning the house.

80,000 dollars

I'm working out the budget for the next feature film I plan on shooting, and I've whittled it down to about 80 grand. Originally it was at 500,000. Then I cut it down to 350,000.

But due toe certain events in the past week, I was inspired and remembered a few old tricks that would allow me to cut the budget down even further. 80,000 is where I'm at now. Minimal cast (sorta), just enough crew. FX heavy, of course, but that's not a problem for me and some of the folks I know. Jesus, look at what we've done with no money.

So a full fledged effort is underway to raise the money, that started tonight. Looking good so far, in that no one has said no. Granted no one has said yes yet, but we'll work on that. It'll be easier once the script, budget, business plan, cast, crew, and website are all completed. It's Thursday June 11th, and I'm aiming to have the money and be in production by October, if not before the end of the year. A bit ambitious, yes, but this one's got a good vibe to it. If anything we'll be shooting by next spring. I hope to have the full script, budget, business plan, and website in 2 months.

This particular movie is completely separate from Monster Cops. Different feel (sorta), different style. Monster Cops is documentary style and I'm very much married to that particular feel for each episode/short/movie. I'm prepping a script and budget for a new Monster Cops feature film, but it is estimated at 500,000 to 350,000 dollars. Low budget yes, but still alot of money.

This new flick is more of a cinematic style, a full fledged feature film. Estimated at 80,000 dollars, still alot of money, but 80,000 seems alot more possible to raise then 500,000. We shall see. I don't like talking about scripts before they're completed, but I will say that this movie is like (allow me to reference some of my fav movies and tv shows) a combination of Arrested Development, Evil Dead, Weird Science, and The Shawshank Redemption.

Got started on the first Old Spice Commercial tonight. Most of the dialogue and inserts are done. Now we've got to get the monster ready, and then it's all about filling in the action shots. It's going to be alot to cram into a 30 second spot. I'm anxious to edit it all together. Matter of fact I'm loading footage now, and will edit the first bit of it tonight. I've got 2 more to complete, and possibly even a 4th and 5th.

Also did some work on my coveted HHM project. Haven't really told anyone about it. I'll have this particular video and website out for everyone to peruse well before Halloween, most likely in August, preferably in July. Can't wait to get the full project out for people to see.

New Beatbox Vid

This guys got some skill.

MC VLog Zombie Day May 16th

The great Zombie shoot we had on May 16th and all it's gory glory. http://monstercops.com

Fighting

I hate how the weather sometimes puts me in this daze, like I don't want to do anything. MUST FIGHT IT!

I'm going to work out a bit to wake me up. Then eat something. Then we'll see how I feel. But TONIGHT I Must:

- Upload new vlog to Vimeo and Facebook.
- Update Monstercops.com accordingly.
- Make major headway on HHM.
- Work on MONSTER COPS MOVIE script.
- Work on Best Buy Ad.

Somehow, if I blog about it, it makes it more official and perhaps I'll actually get it all done.

Let's see how far I get. As usual, this will probably spill over into Thursday.

Nesquik Happy Place

Conceived, Shot, Produced, and Performed by Chris Plouffe and Brandon White. Edited by Patrick A. Prejusa. This video is not in anyway actually associated with Nesquik.

The Day The Robots Woke Up

Great concept, animation, story. Overall very creative.

The Day the Robots Woke Up
by SFLTV

Transforminators

More Videos at IGN.com

The Hurt Locker

Now this is what I'm talking about!

Death Star destroys Enterprise

Really great work.

$70 Zombie Movie winning audiences

This is how you do it. Congrats to the filmmakers. Show em how it's done.

http://www.cnn.com/2009/SHOWBIZ/Movies/05/21/Colin/index.html

It just doesn't stop.

New project. Well really old project that has been reborn thanks to new challenges.

Research is the only way out of this, or deeper into it. Planning starts now.

What a great storm.

Did You Know?

Gravity

Something Amazing

Inching my way towards a complete episode. The last one (Shadow Company) I really loved, but I need more horror. More Monsters, more Cops, and definitely an AHA moment. To borrow a phrase from Oprah. The AHA moment which I also call the Two Cathedral's moment. Two Cathedral's is the name of one of my favorite West Wing episodes. The end of that episode was very much an AHA moment, or more like a WOW moment.

That's what I want in this episode. I do indeed want to continue to make episodes and webisodes, and we will, even for no money. But I want this to be a final example of what I'm aiming for. I want this episode to really hit a home run. And what is that home run exactly? You should be wowed by what is accomplished with such a low (no) budget. And when the end titles hit you should say to yourself "Wow, that was amazing."

The deal with no budget means you are at the mercy of everyone's schedule as well as every part of life that you can't solve with a bit of money. If we had a budget, of course, we could pay everyone and buy things we need, as opposed to wonder about people's schedules and rig something together. Don't get me wrong, it's a blast to create from nothing, I do love it. But the thrill of doing something from nothing does at times collide with the storytelling process. I know what I want story wise, but I can't just make it happen with no money. I have to take a look at what I've got, can get, or might get, and write around it. Which means the end of this episode may not be exactly what I envisioned.

It's a compromise I've written about before. Writing around what you've got. Yes we are a talented group. Yes we can make alot happen. But we are still at the mercy of how reality evolves your creation. Alot of it is planned, but much of it is planned improvisation. Which often does alter that Wow moment. But you do your best and forget the rest.

Stress is a part of the problem. I've had to explain to someone recently, who didn't fully understand this process. They ask, Why was it so hard? Why couldn't I just get it done? Like all of creation, it takes time. I envy the sculptor who has only a rock and a chisel, or even clay and their hands. As a no budget moviemaker it's way more than that. I'm not just the director and writer, two jobs that require full attention. Besides that I have to be the production manager, the fx supervisor, the casting director, the editor, the mixer, the costumer, the caterer, the transportation, the prop builder, the composer, the marketer, the pr, the light designer, web master, PA, AD, DP, DOA, SOS, NWA and the list goes on. All of it with no money, and on a limited schedule.

I do indeed have people who help me. Thankfully every once in a while I will have someone else who can worry about the make up, squibs, fx. Everyone on set is always willing to help carry something, hold something, move something. You know who you are and I thank you. And as much of a big help that is, there are still many hats on my head. It's stressful, it's insane, and it'll make you wanna pull your hair out, have you seen my head?

So why do I do it. Because I believe in that WOW moment. I believe I can hit that home run. I believe I can make more than one person say "Wow, that was amazing." And in the end that's all I really want, just to show you something amazing.

We need more amazing in the world.

Zombie Day

WANTED: ZOMBIES

WHEN: Saturday May 16th at 6:00pm

WHERE: Northwoods Stables, Winston Salem, NC.

DIRECTIONS: Google Maps this address

Northwoods Stables
5225 Murray Road
Winston-Salem, NC 27105

Looking for anyone and everyone to play a zombie. We'll put you in make up. But if you wanna come dressed and ready to go, even better.

Wear something you don't mind getting messed up, you may be getting bloody and falling to the ground since we're going to kill most of you.

This will be used in Monster Cops Episodes and Webisodes.

Monster Cops is an Action/Comedy/Horror/Web/Short Film Series about a secret goverment agency dedicated to killing monsters. For more info on Monster Cops check out the official site http://monstercops.com

For more info visit:
http://www.monstercops.com/page.php?page=ZOMBIE_DAY


Any questions feel free to contact Patrick A. Prejusa at pumpkinking13@msn.com

Hail

Dream Dictionary Hail:


Hail:

A series of misfortunes lie ahead that could place your present goals in jeopardy. Look to the other symbols in the dream to judge which goals they are, or how to avert the misfortunes and save your projects.

Source: Astrocenter, http://astrocenter.astrology.msn.com/msn/DreamDictionary.aspx



Dream Interpretation
Hail, hailstorm
Hailstorms in the dreams are always a sign of dissatisfaction or a warning about family disputes or material losses. If you got caught in a hailstorm, disputes with your relatives, family members or people around you are inevitable. Observing a hailstorm from a distance signifies material losses in the near future or separation.

Source: Dream-Land, http://www.dream-land.info




Christian Dream Interpretation Dictionary - Hail
Hail: Soldiers of Christ; wonders; power; judgment that can only come from God; wrath; glory; chastening; to have a barrage of something hit one as an onslaught of something that can be distressing. (Is. 28:17; Hag. 2:17; Rev. 8:7; Ps. 18:12; 147:17; Job 38:22)


Currently listening to VAN HALEN - "When It's love."

Monster Cops Prod. Vlog March April 09

Mark and Stephanie

They got married yesterday, and I missed it. I am so sad Juli and I couldn't be there. I know you guys wanted us to, it just wasn't in the cards. All that aside, we are so happy for you guys.

That pic was taken in our old apartment, which I miss. I really loved that apartment.

Shinken

"You're not taking this very seriously are you? Otherwise you would be much further along than you are. You'd be closer to your goals."

Ya know, it's the same shit everywhere.

We've got to do something different.

HULU TUBE - PHASING YOU OUT OF YOUTUBE

FIGHT!

Monster Cops HorrorFest Screening

 

MONSTER COPS: SHADOW COMPANY

Screening at StarFest/HorrorFest

Sunday

April 19th

11:00 am

Denver Colorado

MORE INFO HERE

Monster Notes

Some examples of what I've seen that closely resemble what I have in my head. This ones for you Richard.

Mind you, if we could pull it all off for no money, then great. Later in the year we should try to build something as big as these things.


This is pretty close to what I had in mind. Bulk wise.



Amazing. Huge. If we could pull this off, great, but I think we understand the logistics of the materials we have. Perhaps later in the year.


The height of this one is very impressive.


The Lava Rock Monster



And of course the Stone Golem.


Now I'm just posting for the heck of it.

An amazing sunset Wednesday. I was driving when the sun caught me. It looked particularly spectacular that day. Driving towards it, as it went down, over the hill, the trees in the distance framing it. No one else was on the road, and it felt like this amazing spectacle was being performed only for me. It was quite literally breathtaking.

An amazing full moon tonight. Songs Of Love and Devotion, blaring. Music I hadn't really, REALLY listened to in over a decade. I turned it up as I drove, put the windows down, sped through the dark of night, watching the fullest moon I'd seen in a while dancing through the branches along this dark country road. It made me remember things I needed to remember.Someone's fire place is a blaze, and it almost smells and feels like fall going into winter. 

Exactly what I needed. What a great week so far.

Michelle, my dear, I got your email. I miss you dearly, and I am so very happy you and Mike are pregnant again.  I'll email you as soon as I can.

10-31 Project

 

This only fuels me. We'll see what we can do.

Embrace the challenges in appreciation for the way they compel you to get smarter, but without clutching them desperately.

I hate this day, but I love this movie

Just realized this is the same post I made last year. Thus a tradition was born.

Back In The Saddle

Writing the next Monster Cops episode. Or I should say re-writing. Cuz there is no such thing as writing, only re-writing.

Back in the saddle, trying to condense my 45 minute concept into 20 minutes, while trying to put in just the right amount of action, horror, monsters, and comedy. So here I go. I'm going to spend the next 30 minutes trying to edit down the 17 pages I've already got down. Hopefully in 30 minutes I will have 10 pages, or better yet 8.

Starting .... NOW

Ok so I successfully cut it down to 8. And I even had time to eat a bowl of cereal.

Yay me. Now I have to sleep and see if I can complete this tomorrow. Also still gotta work on Flappy Dog, Vlogs, and the Business Plan since I will seriously be raising money and approaching sponsors for Monster Cops.

My wife wants a live action Gumby movie starring Edward Norton.

Difficult Is Necessary

It's not traditionally worth it if there isn't a bit of a struggle. Ya wanna get to the next floor, well you're going to have to take the steps. And it shouldn't matter how out of breath you think you'll be when you get there, just get there. If that is indeed where you wanted to go.

I know it seems impossible at times, but I've learned to embrace the seemingly impossible. If you can do that then you can do anything. What you resist persists, and what you look at disappears. If you can look it in the eye, then it's not going to be a problem. Just another step in the direction where you're trying to go.

It's a struggle right now, sort of. Some would call it that. I call it a step. It's easy to look past all the dramatics of the so called struggle, when you know where it is you're trying to get to. I can see it. I could always see it. Sure I've lost my path at times, but I always knew where I was, and how to get back on track. Not once have I ever faltered in keeping my eyes on the prize. I know the direction. I'll get there.

Right now my biggest supposed struggle is time. More time to work. More time to create. More time to do the things I need to do to get where I need to be. This week has been a big struggle with it. But I know what to do. The first step is to realize that everything that is occurring is in my control. If I don't have enough time, it's because I'm not spending it wisely. I have let it get out of control. Yes there have been events out of my control, but it all comes down to what you do have control over, and that's how you react to those events out of your control.

It's about action as much as it is about reaction. You act to set things in motion, but if things get out of hand, then it becomes about how you react to it. I've reacted poorly this week, and because of that a lot of time has been wasted. It all goes hand in hand. Time management and the discipline of action/reaction. I have to master how to control my reactions, especially when you are reacting to surprise and spontaneity.

Remembering that we all get the same amount of time helps. We all get 24 hours in a day. It's all about how you spend it. Every second counts. They add up to minutes, that add up to hours, that add up to days. It's obvious yes, but it's so obvious that we often forget and we let time slip away. We let those wasted days build into weeks, then months, that add up to years in a life spent wondering where all that time went and how your goals and dreams slipped away. Don't let it happen.

Managing your time and the actions/reactions you make in that time is a discipline indeed. And if it's difficult, good. If you're out of breath doing it all and getting to that goal, it'll be worth it. Better to get through that struggle and be a bit out of breath then out of time.

ArchAngels, Dog Toys, Monsters, and a Monkey Hugging a Dog

It's just like I dreamed

Graveyard Hunt

Clip from an upcoming Monster Cops episode.

Horror Film Festival Round Up 2009 part 1

Because more than one person asked. Here is a list of just a few Horror themed film fests coming up that you can and should submit to.

In order of Deadline. Entry fees listed are either earlybird or regular dealine for short films only, so check the sites themselves for any later deadlines and fees for feature length or otherwise.

And to further help your fest entries, you've got to sign up at
http://withoutabox.com

I think I may have gone crazy submitting to all those fests with out the help of Withoutabox.com. And it comes with great perks too. If you submit through Withoutabox you may be eligible for an IMDB page.


Spooky Movie: The Washington, D.C. International Horror Film Festival
April 17th
Short Film
$25.00
http://www.thespookymovie.com/
Dear friends of Monster Cops. And I'm not just saying that because they helped get Monster Cops screened several times in a few different venues. They are very indie friendly.



TERROR FILM FESTIVAL
April 21st
Short Film
$40.00
http://www.terrorfilmfestival.net/


TORONTO AFTER DARK FILM FESTIVAL
April 24th
Short Films
$30.00
http://torontoafterdark.com/2009/


FANTASTIC FEST
May 6th
Short Films
20.00
http://www.fantasticfest.com/


FREAKSHOW FILM FEST
May 15th
Short Film
$35.00
http://freakshowfilmfest.com/


International Horror & Sci-Fi Film Festival
May 22nd
Short Film
$40.00
http://www.horrorscifi.com/


CHICAGO HORROR FILM FESTIVAL
July 1st
Short Film
$25.00
http://www.chicagohorrorfest.com/


THE NEW YORK CITY HORROR FILM
September 15th
Short Film
$30.00
http://www.nychorrorfest.com/


Again these are just a few. I can't reiterate the importance of signing up on Withoutabox.com DO IT!!!!

Context

In the end it's how everyone sees the bigger picture. So you've got that going for ya. But there's nothing wrong with trying to build a masterpiece out of tiny masterpieces. It's a headache, but hey, if it's what you gotta do then go for it.

Remember, there is nothing without the first step, and the first step is thought. Then thought on paper, and action guided by the written thought. Everything else will fall into place, even those little nit picky things you can't seem to stop nit picking over.

I mean you honestly usually end up doing what you said you were going to do in the first place. So just keep doing that.

Great things are not done by impulse, but by a series of small things brought together ~ Vincent Van Gogh


“To accomplish great things, we must not only act, but also dream; not only plan, but also believe.” - Anatole France


What really matters is what you do with what you have. ~ Shirley Lord