Showing posts with label Vampires. Show all posts
Showing posts with label Vampires. Show all posts

Saturday, September 5, 2009

Don't you know what the night can do?

I'm blessed. When I need it, the right song comes on the radio. When I'm down, the right words are always spoken. And when I forget, there's something that always reminds me.

Special thanks to Chris Petite for showing his support for myself and for Monster Cops. And to David Koss for letting us use his studio those many years ago to shoot some scenes for the first Monster Cops movie THE MIDNIGHT SPECIAL, and for taking this awesome pic.

I made a movie with two crappy cameras and really great cast. Let's see what I can do with a much better camera and a really great cast.

Successfully cleaned out all the nonessential, now I can breathe and think clearly enough to get rolling on this untitled vampire movie. Although my wife has indeed given it a title, but I don't like it. Sadly, it's starting to grow on me. We'll see.

This week, more fund raising for Bobby's Closet. Now, working on details for the Vampire shoot this month.


Saturday, August 29, 2009

Fuck Me Gently With a Chainsaw

Yes, yes, the title alludes to that classic high school murder flick HEATHERS. Great movie. Written by Daniel Waters. Where the hell is Daniel Waters? Dan, if you're out there drop me a line bud. Miss you dearly we need good writers desperately.

Apparently Heather's maybe resurrected as a TV show. As much as I'm sick to death of all the adaptations, remakes, and reboots, if Heather's has to come back I might prefer it as a TV series. Especially if you don't hold back on the murder, cussing, and dark humor the movie so gleefully celebrated. Slap this badgirl on HBO or Showtime and you'll have a decent series ala Sopranos, Sex In The City, or The Wire.

I have to admit I've become more of a TV hound than a movie goer. I don't watch too many flicks in theaters nowadays. Having worked in the movie theater industry for so long, I have become an elitist. I know how a movie should be shown, how it should be watched, and how a theater should be run.

For the past few years I've seen the decline of the movie theater experience, what with horribe cell phone etiquette, people who talk more than watch, and movie theater management that doesn't do anything about it. And after you pay for overpriced tickets to struggle through the incompetence you end up watching a fairly horrible and unoriginal movie.

Now it's not all bad, there have been some really great films to come out in the last few years, but many of them I choose to experience in my own home theater, away from the crowds. Which is a shame, because I use to love those crowds. I miss those old late night screenings, the excited crowd anticipating a great movie experience. If I were in Austin at the Drafthouse, or at any number of specialty theaters that still know how to show a movie and the crowds still know how to enjoy a flick I would be fine. But a normal friday night at the local cineplex with the kiddies on their phones, and folks who walk in late, not the makings of a great cinematic experience.

In the past 10 years I've found alot of the really great writing and great cinematic storytelling to be found on TV. The West Wing, Sopranos, Lost, The Wire, Heroes, House, The Office, Arrested Development, and many many other shows have evolved from normal TV dramatics to real heartfelt, thought provoking story telling.

If your someone I've talked to before about The West Wing, I've most likely talked about my favorite episode (I think I may have blogged about it as well.) The final episode of the second season. It's called Two Cathedrals. Such a well written episode, and an ending I thought I would only really see in a movie. Lost is another great example. The series has several great episodes, but the pilot alone rivals many big budget summer blockbusters.

I'll always love the movies. But the really great movie style stories are no longer just limited to the cinema. There are really great stories and visions yet to be expressed both in the theaters and on tv, and now also online through web series, and even through video games.

Maybe one of these days I'll find my way back to the theater. Right now I've got netflix and a decent home movie theater to tide me over.

So much to look forward to. House returns this Monday. Yes, I am excited. I think they have a real opportunity to throw House into some comical/dramatic situations ala One Flew Over The Cuckoos Nest.




And as much of a tightwad I am about money, I'm anxious to shell out some bucks for some upcoming DVD releases.  One of my horror fav's from the 80's is finally heading for DVD. NIGHT OF THE CREEPS.












 Also the long awaited Halloween movie TRICK R TREAT heads to DVD as well.











Still working on BOBBY'S CLOSET, in the fundraising / preproduction stage.  Also I'm planning on shooting a VAMPIRE movie in September. Oh how I'd love to have this Vamp Flick ready to go before November. We'll see.

Until then, I'm awaiting the wide angle lens I purchased, and am already working on the score for said Untitled Vampire Movie.  I'm seeing pumpkins hitting the store shelves, the weather seems to be cooling down, and the local Halloween store is already open.  I'm determined to make this a good Halloween, which I will wholly celebrate by making a movie.

More later on the Vamp flick and Bobby's Closet.

Sunday, September 7, 2008

Vampire Brides, Take 1

The Dead By Dawn episode requires three Vampire Brides. 2 of which I had cast for sure. The third, I'm still looking for actually. I wanted to stick with the traditional look of the Vampire Brides (aka Dracula's Brides) each girl very beatiful but with different looks. Normally each girl has different hair color, dark, red, and blonde. I have a few choices right now for a blonde, but I have yet to actually talk to those choices. We'll see how it works out.

Let's focus on the two we've got. Kelsey Granger, our dark haired vamp. And Cat Degroot, our red head. I was going to wait til I had found the blonde and shoot the three altogether, but Kelsey had to head back to school soon, so I decided to go ahead and shoot Kelsey and Cat together. Now I didn't have the location I wanted yet so I had to do something I was trying to avoid. Green screen.

Green screen means shooting your actors in front of a green (sometimes blue) screen, and then do composite work in editing. Meaning I remove the green screen from behind the actors, and then place any background I need behind them. I've seen it done very well, and I've seen it done badly, and I've done it both well and badly. Either way, for a project like monster cops where I'm trying to get the most realistic feel possible, using a green screen wasn't something I wanted to do (you never see any bad cg fx on Cops now do ya?). I was already rolling my eyes at the crappy cg'd gun fire I put in The Midnight Special. This time around, I was determined to keep any cg or compositing to a minimum, and try to do every single effect practical and on set.

But in some cases you are left with no choice but to do the best with what you've got. So some cg and compositing would now be required. The thing about The Midnight Special was, I didn't have the best computer resources in the world. I was using a somewhat satisfactory program for my fx work, and I'm quite surprised I was able to edit a 90 minute movie on that frickin computer (80 gigs/256 ram, I pushed it to it's limits.) Now I'm blessed with a computer that is entirely too powerful to exist, oh, and a little something called Adobe After Effects CS3. So now I'm ok with doing a bit of CG and composting if I can do it well and only where it's needed.

Did you hear that Hollywood? WHERE IT'S NEEDED!!!!

Majority of the FX would be done on set. Any monster fx, most of the blood squibs, any gore, etc. would be done live. CG would be used if absolutely necessary, and only as a tool to help tell the story or achieve the scene if we couldn't achieve it any other way, and not just for the holy hell of it (see Van Helsing 2004).

So a green screening we went. Sadly I had to use the same green material I used back in the days of Living Dead Girls. Does anybody remember my Living Dead Girls series? Either of the 2 of you reading this? No? Me neither. Thankfully the creases in the sheets won't matter much. The solid green background is going to be helpful enough in compositing. Also most of the pitfalls you get when green screening on a low budget can be avoided since many of the Vampire Brides scenes are fairly short, and also take place in deep dark hallways and tunnels. Hopefully you won't even be able to tell the difference when I actually start editing.

Here come the pics. Including a few frames where I decided to play with the compositing software a bit.

Two of the three Vampire Brides in front of our amazing green screen. Cat on the left, Kelsey on the right. Aren't they adorable?



Arlanda doing the make up thang.


Me directing Kelsey


I think I made some kind of joke about Vampires making bunny ears.


Could our green screen have anymore creases?



Not only does Arlanda do make up but she knows how to fix costuming issues as well. She rocks.


Still messing with the costume.


Cat is trying to seduce the camera.


Arlanda applying more make up to Kelsey's arms. Because a Vampire with a sun tan just isn't very realistic.


She had a very even tan.



Cell Phone Camera Pics.
The fangs are great, but ya gotta hold em in place forever.


If you didn't know already, there's always alot of waiting around on set. Brandon and Chris on set as well.


Cat being Cat.

Kelsey minus the green.


Threw in a bit of a glow here.


Cat minus the green. Although I do notice some of it, but that's me being picky.
Horrible edge work here, something you won't see in the final cut.

Did a color correction just to see if I could bring out her hair color. Make it pop.

Just a little test to see what you can do with a green screen. Here are the two girls in front of our crease filled green sheets. Let's take out the green. You can see a bit of an outline of the green, especially around the hair, but it's fine.
Let's throw in a public domain photo of a cemetary.
And let's smooth it all out with a few filters. Black and white, with a blue tint. Went for that old, old, antique film look. Really we could have done much more, but you get the idea behind using a green screen.



A few more shots.






Overall I had a good time shooting that day. Hopefully the girls had fun too. They were wonderful to work with. I'm confident we got some great shots, and the footage should look fine in the final product. Ah the final product, can't wait to see what that looks like.

And if you haven't yet please help us out by registering at project breakout and voting for the monster cops WOLF HUNT short. Everyone get's 15 votes a day, so feel free to vote for us 15 times every day. Click the banner below.

Monday, June 30, 2008

Weapons Training

Here are pics and freezes from the MKX 300 Weapons Training scene.

First a few action figure poses.

Agent Windows.

Agent Weir.

The Vampire Keels.

The Vampire Keels again.

The MKX weapon prop, nights before. I had just purchased some led tap lights and had glued them on using welder glue (amazing glue). The gun itself is a mix of Simply Orange bottles, gray cable, bolts and washers, great stuff, red and white led lights, and an old video camera, all spray painted with black and silver.

The fully finished weapons prop. Although I realize now that it was missing a few lights that day.

Getting ready to shoot the MKX 300 scene. Aaron Plouffe is our test zombie.

Weapons Training Graphic.

Nigel.

Nigel introducing the MKX Weapon.

Windows about to demonstrate the weapon on a test zombie.

The test zombie.

After the zombie has been killed.

The Vampire Keels.

The Vampire Fangs.

Holding the vampire back

The vampire in restraints as Windows explains how to kill a vampire.

The MKX 300 lcd screen.

The Vampire Keels hit with an MK 9mm Silver and Garlic Bullet

The Vampire Keels hitting the bloody wall.

Always follow up your bullet hit. Weir with the wooden stake. Windows with the sunlight emitter.

.