Filmmakers! Learn To Kill Your Baby.

No I'm not actually talking about killing a real baby.

It's the trap that many indies fall into, as well as most any artist starting out. You become so attached to your project that you don't see what needs to be cut out, or you refuse to cut something out because you worked so hard on it, or because you think it's just to awesome to omit.

But you have to.

You have to learn to really look at your work through your viewers eyes and understand that what they're seeing may not match what you are seeing. Sure you may think that long 22 second shot of the horizon you worked so hard to get is just so amazingly beautiful you have to leave it in. But through the audience POV it's a long as 22 second shot that's boring as hell.

You have to consider what moves the story forward. Everything within your movie has got to move the story forward. If it doesn't, cut it out.  Learn to understand what may be a potential dealbreaker with the audience. I don't care how beautiful the footage is, how funny, neat, or spectacular YOU think the scene may be, if it's not moving the story along chances are it's boring the hell out of us all.

I bring this up because as I go through what's left to shoot of the script for my feature REDD, I'm noticing things that could be combined, shortened, and tightened up. At the same time I'm going over scenes in editing trying to tighten things up there as well. There is one particular scene that just doesn't work. It's a scene between 3 main characters that is absolutely necessary to the plot. It's exposition that the audience needs to know. It's necessary. And it's boring me to death.

So I cut it and have come up with a new and simpler way to get the info to the audience without them having to stare at three people talking for an eternity (really just 2 minutes, but it felt like so so much longer.)

But there was a time, years ago, when I would have left it just the way it was. I would've thought about how I couldn't possibly cut this out because we worked so hard to shoot this. All the setups, the struggle to deal with the camera  overheating, us dealing with the heat, the long trek up and down hill to the location, the actors working hard to remember there lines and perform under heat and pressure. To cut this scene would mean all that work would have been a big waste.

But you have to find a way to push all that aside and stick to that one rule.

IF IT DOESN'T SERVE THE BEST INTEREST OF THE MOVIE, CUT IT.

But too many moviemakers starting out are too afraid to kill their baby.

"It's my creation, my masterpiece, my baby. I couldn't possibly butcher it."

Get over it. You have to.

Ok, so let's not refer to it as killing. You're sculpting. You're molding.

Like an artist chipping away at stone, you're chiseling away all the excess bits to get to the statue underneath. Does that artist pine and sob over every bit of rock he knocks away? No, and neather should you.

If your movie was really a baby, then you as the director have to learn to be a better parent. You're movie in it's earliest stages is just growing. You have to raise it. Mold it, guide it into the fully grown matured movie that it was born to be. Sure it's adorable when the kid runs around in it's diaper holding it's Cabbage Patch Doll (Wow, that's an old reference). Eventually your movie has to grow up.

It's your job to make sure your movie heads out into the real world fully formed minus the diaper and doll. You don't want to put your film out as an unprepared baby movie. What you want is to put out a fully erect adult film.

I mean, um. You know what I mean.

Patrick A. Prejusa

http://reddmovie.com

http://patrickprejusa.info

Just Keep Swimming

Have I used that title before? I think I have.

I'm a little Pixar inspired right now, well, actually I'm almost always Pixar inspired. I believe they are one of the few studios truly turning out great cinema and story telling right now. But I am more so than usual as I've watched the documentary THE PIXAR STORY for like the third time.

Pixar seems to really nail the essence of storytelling that I love in cinema. Something that I hope to really capture in my own movies. This is such a great documentary about the creation and evolution of Pixar Studios, and involves much talk about the making of Toy Story and Toy Story 2, and really delves into the creative process involved in telling great stories like they do.

Thank God for Netflix Instant Watch. Thanks to our brand spankin new Bluray Player, we're able to connect our big flat screen to the internet and watch anything off of Netflix Instant Watch. Technology just blows my mind.

It seems to be my only source of entertainment that I can squeeze into my hectic schedule. Well, that and my obsession with the Wii. I know, I know, everyone else has moved on to Playstation Move or XBOX 360 Kinect. Sue me, I'm not exactly a bit video game guy and as a newbie I'm blown away by the active fun of the Wii. I've even figured out a way to get a decent workout just by playing Wii Sports Resort.

My brother is ok, sort of. It's up and down right now. He can communicate. Some by speaking, but he can write notes perfectly well. I wish I could be there to see him, but I don't think I can make it back to Texas at least for a while. I am glad I was able to be there a few months ago.

That trip to Texas was an eye opener for me. I blogged about it once, and I wanted to get into more detail with another blog, but I've been too busy. Also, there was a sense of magic and mystic about that trip that I've been trying to hold on to, and I think I was partially afraid it would all go away if I spoke of it too much. Like making a wish, if I tell it, it won't come true.

I will say that I've been trying to hold on to those inspiring feelings, trying to combine it with the inspiration I already feel on a daily basis. Letting it fuel me and my work.

Speaking of work, REDD is moving along. I still need a few bucks, and I don't know where it's going to come from, but I'm gong to continue to get whatever footage I can. We shoot again this Friday and Saturday. I'm REALLY hoping we can get a good chunk of footage shot. I'm going to get back into more fundraising efforts soon for REDD, especially as we collect more impressive footage.

Been working on Ad jobs. Here's the latest Ad I shot for Yamaha Motors. Yes it involves paper crafts again. Seems to be my lucky charm.



Got a bunch more ads and projects to shoot, and this Saturday is going to be rather hectic. We've got the REDD shoot, The Dallas Mavericks are in game 3 against the Oklahoma Thunder (GO MAVS!), It's Judgment Day, AND Justin Timberlake is hosting Saturday Night Live. And if you have never seen JT host SNL, then you don't know what you are missing. FRICKIN HILARIOUS!

The following Weekend we're having a HUGE garage sale, in an effort to clean out clutter, make a few bucks, but for me really, it's about cleaning out that clutter.

Ok, now I have to think about making a commercial for DISCOUNT TIRES.

Oh and if anyone knows of a Cave area and an Air Conditioned Warehouse we can shoot in (in and around the Winston Salem area) please let me know.

BUILDING A MYSTERY

My Brother is still in the hospital. He's on a respirator. They say he's slowly showing signs of improvement. So I continue to hope for the best.

Despite my worries I have to move forward.

I would like to thank the 11 folks who have pledged to REDD's Kickstarter so far.



I'm in the midsts of doing re-writes for the script for REDD. The reason the last blog post was titled Mystery Box was because I've had Mystery Boxes, Macguffins, Plotlines, and Twists on the brain. Specifically the idea of Mystery Boxes due to this TED talk from JJ Abrams.



I swear I could watch TED talks all day. It's so enlightening and inspirational to hear intelligent, thought provoking, dialogue from passionate people.

JJ Abrams talks about his obsession with magic, design, technology, and making mysteries inside of making movies and telling stories.

This speaks volumes about what I find interesting about what I'm doing. I am building a mystery. And I often do. 24 hours a day 7 days a week. If I'm not thinking about how much I love my wife, I am thinking about stories. Movies play in my head. If you ever spy on me when I'm alone in a room, you'd think I was insane. I talk to myself. characters speak through me, I act out scenes. If not, then I'm sitting, zoned out, staring into nothing, watching the secret screening room in my head, piecing together the puzzle that is the movie that I want to make for you.

The earliest memories of me doing this were in church. 8 years old, sitting in the pew, as the Catholic Deacon reads today's passage, I was choreographing fight scenes in my head and coming up with witty dialogue. Fast forward 28 years later. Not much has changed. Even as I write this, my brain is still working out scenes. I build Mystery Boxes all the time. I place them in scenes in hopes that it will finally reach you from inside of my movie, and when you open it, you'll be taken in and blown away all at once.

And JJ Abrams is right, with today's technology, a no-budget filmmaker can do almost anything. So what ever scenes I work out in my head, I know I can make it happen.

Sort of.

I have to keep myself tethered to whatever assets I have or can get. And I've blogged about this, making movies on what you've got, it's the very essence of Guerrilla Filmmaking. The very essence of Guerrilla Warfare. (As I've done before) I quote Gene Hackman from ENEMY OF THE STATE.

In guerrilla warfare, you try to use your weaknesses as strengths. If they're big and you're small, then you're mobile and they're slow. You're hidden and they're exposed. Only fight battles you know you can win. That's the way the Vietcong did it. You capture their weapons and you use them against them the next time. That way they're supplying you. You grow stronger as they grow weaker.

In Guerrilla Filmmaking you do the same. You could see your lack of money as a weakness. But in reality it's an opportunity for you to push yourself creatively. I can't afford a prop department to build my gun props, I have to make them myself out of plastic bottles and hot glue. I couldn't afford a really expensive Werewolf costume, so I made one out of materials I already had, cardboard and duct tape.

And when you're building a Mystery Box guerrilla style, it gets even more interesting. And that's where I'm at now. There is a sense of mystery, magic, passion, and cleverness I'm trying to instill in this Mystery Box called REDD. And I'm doing it Guerrilla style. Perhaps we'll be able to get ahead production wise if we can raise the money from Kickstarter, but in the end it's still about doing this with what I've got and not letting it hinder my creative process, but letting it inspire the creation of the Mystery.

Building the Mystery Box. It's a conundrum that I love to fascinate over. I love playing the detective, solving a case with no solution. Puzzling over a riddle that has no answer. The only true answer is the one I come up with, but it has to be one that resonates with me. Only then will the entire movie truly resonate with the audience.

Inspiration is the key to opening and creating the Mystery Box, even and especially when you're doing it guerrilla style. I turn to the great words of Jim Jarmusch.

Soft Launch

I've started up a Kickstarter for REDD. I've launched it, but I have yet to really push the marketing for it. I wanted to get the ball rolling and have it out there before I was fully ready. But the next step is to put together a good pitch video for Kickstarter. A video that fully explains the movie, how it's going to be made, where it's going to go, and most importantly why it's important to give the project money.

Even though I'm setting donations as low as $1, you still need to convince people, get them excited. I don't want just their donations, I want their support. I want this movie to have fans. It's part of the reason I produced the first 4 minutes and the teaser. To give people a taste. Now it's time to really show people the movie, before I can even make the movie.

Hopefully I can get to that video tomorrow. I also hope to shoot a video blog and say hello to all the Facebook fans. We've gained a few in the past week, and it's a good idea to say hello, and really keep the freshness of the page up with new content.

Oooh, hold on, lemme check YouTube real quick.

Yup, we're at about 24,898 views. Not too bad for 3 weeks. And I've gotten alot of positive messages and feedback. So a good start, I think.

So here's a list of what I need to get done.

1) Make Kickstarter Pitch Video.
2) Make Video Blog for Redd.
3) Make a Video Blog for Monster Cops about Redd.
4) Personally message all my closest supporters about Kickstarter and hope to God they can donate at least $1.
5) Send out emails and press releases about Kickstarter.
6) Post on Facebook and Twitter.
7) Finish Concept Trailer and post it everywhere, especially on Blogger, Facebook, Youtube, and Twitter.
8) Push Kickstarter while at the sametime pursue offline funding. Dayjob, begging on the street, pawning everything, local sponsors, etc.
9) Complete Full Package. This means finish re-writes, get cast and crew, locations in place. Make sure everything is ready to go.

I wanna thank the fine folks over at Night Of The Living Podcast. They've been nice enough to talk about REDD and help get some buzz going. Check them out here:
http://www.notlp.com/
They're a Horror Podcast and they are quite funny.

I posted the DIY Werewolf FX Tutorial at Instructables, in an attempt to get more attention to our YouTube vids for REDD.
http://www.instructables.com/id/DIY-Werewolf-Costume-A-Werewolf-Army-for-47/

Ok, I've got to sleep. Get up, run errands, work on a client's project, work on another project, then hopefully get to something on that list above.

A Nice Pace

Monday I posted about 800 views on YouTube for our Red Riding Hood Action Horror Short.

As I've just checked it, it is now at 9,572 views.

Not bad. And we seem to be gaining views at a nice pace.

And what's great is I'm actually applying alot of what I've learned about Viral Marketing to get more views, and each time I do, I can actually see those views come in.  But to reach 9,572 views since Tuesday, that's a pace I just wasn't expecting. The video has been up for 2 weeks, and we're close to 10,000 views.  I've never had a video reach 10,000 views that fast.  So let's hope the viewers keep coming in, and not only that, but they remember what they see, this will all help with the overall marketing of the movie.

Seems to be helping already. The REDD Facebook Page had only 80 likes just a few weeks ago. Now we're at 135 likes.  Again, not bad.

I'm really beginning to see the potential here, and how it all works together into actually making and marketing the full feature film.  I'm excited to go further with this.  Thankfully I'm feeling better. I was sick, then got better, then relapsed, and now I'm slowly getting better again.

Been hacking away at re-writes for the feature film.  Been trying to streamline it, make sure we're going to make a quality movie, and not spend too much money.  I'm so very excited to make this movie and get it out there for people to see. It's going to be fun and unique.

Of course the next step is to create the full concept trailer. Which I'm hoping to get back on next week, depending on my schedule. Still gotta work and try to get some money in.  With the Concept trailer we will explain the full plot, and what you can expect from the feature film.  I may very well cut together a pitch trailer, with me explaining the plot, just so I can get the online fundraising going.  I'm anxious to start up the kickstarter and start fundraising the first round of money. Wish me luck.

Paint By Numbers

 The first 4 minutes of REDD are done. Completely finalized. Even uploaded a semi final cut so a few folks could see just so I could gauge reaction.  I can only hope that the rest of the world has the same reaction as everyone else.

The first 4 minutes is the actual scene that starts off the feature. When we do the actual feature there may be some minor differences and some amped up action, but it's pretty much going to be the same scene. The Fairy Tale introduction of our Red Riding Hood aka REDD, then the reveal of what kind of movie this actually is. It's straight up action horror and complete fun.

Now it's all about the next 4 minutes, which is the trailer portion, that explains the basic plot of REDD. I expect to get a good portion of it shot this weekend, with possibly 3 more shooting days in the next few weeks. This will be wrapped up before February, weather and reality permitting.

Other things in my life are being turned up a bit, which is kind of pressuring me to really get REDD finished and online and get the fundraising started. I'm planning on doing 3 phases of fundraising. The first phase being a very small amount. Possibly around $500.

The final budget looks to be about $11,000. But honestly I'm going to aim for much more as I'll definitely need about $5,000 specifically for Distribution and Marketing.

Right now it's all connect the dots and paint by numbers. Just follow the steps that are laid out, and we'll have a finished product to get ourselves towards an even more finished product.

This year is all about making REDD into a feature film.

The truth is, I want my short film REDD to go Viral.

Photo taken from http://marketingblog.net

What does that mean? It means I want to post the full short on Youtube and get a million views.

But Why? Because a high view count is precious to an emerging filmmaker. It'll be easier to raise the money I need if I can point to one of my video's and showcase it's popularity. Also because if I were to turn Redd into a feature, we'd have a head start on building buzz and building a following.

So how does that work? How does one make a video go viral. I've been seriously studying this for the past 3 years. I've tested the waters here and there with a few videos ever since I joined YouTube 5 years ago, but I've never made a full attempt til now.

There are several resources I can point to that pinpoint the best ways to make a viral video go, well, viral. There are very many points to consider, and no matter who you read or talk to, no matter the varying opinions on how it's done, the one caveat that I cross is this:

MAKE A GOOD VIDEO

Yes there are some videos out there with a million views that may not qualify as a good video. Those videos have a niche of some sort, and are, at the very least, entertaining. (Was that a total mis-use of commas? Hmmm.)

REDD is a short film, so I can't very well put my project in the same category as David After Dentist or Bed Intruder (Much love Antoine Dodson and the Gregory Brothers!)

I always look to videos like BATMAND: DEAD END, 405, The Hunt For Gollum, The Raven, and Street Fighter: Legacy.


The majority of those videos already have a niche. Fans of Street Fighter, Batman, or LOTR form a built in audience for any tributes or parodies. All they had to do was make a good video, and they are very good. Great execution.

With The Raven and 405 it's the impressive filmmaking and great payoff. I put mine more akin with those two movies. I don't know if the Red Riding Hood tale has the same fanbase as Batman, if it does, I'll be sure to put in all the necessary keywords and marketing for that niche, but realistically, this is an original story, where, once again it's about making a good video. Or as I just stated, it's about impressive filmmaking. However there is the new Red Riding Hood movie to consider, which I could use to build some steam for my own video.

However, I don't want to deceive anyone (too much), not like I did with my REAL WEREWOLF VIDEO. It's currently at over 180,000 views and although I do fess up to it being a fake in the description, and I have gotten some great positive comments, it's still working off the steam of the deception.




Besides my Real Werewolf vid, I've only had one other video I would consider a semi Viral success. That was my Paper Rose video. It was a tutorial on how to make a paper rose from a napkin. I posted it on Metacafe back in the days of their Producer Rewards Program (Rest In Peace). They paid for every 5,000 views. And since my video reached past 250,000, I did get a nice monthly check there for a while, and I got my first taste of how it feels to have a video go somewhat viral.


I'll follow the majority of rules and techniques I've learned. I'll be sure to market as usual on Twitter and Facebook. Tell all my friends and family. Email everyone on my contact list. Use proper tagging and keywords, of course. In the end it does come back to the filmmaking.

Is this going to be impressive enough to attract attention (views!)?

To be honest, right now, we don't quite have it, yet. YET.

April's performance as our title character has been impressive, I do love the footage we've got, but until I get the rest of the shots in, and most importantly, get the Werewolf footage knocked out, I really can't say for sure. If I can get it close to the way I see it in my head, then we'll be fine. I mean, so far so good, but is it a homerun? Not yet. But I am going to try.

As much as I would love a million views, realistically it may take a whole year, maybe even a few, but I'll settle for 100,000 views in a few months. If we get 10,000 views in a week, I'll be ok with that too.

Aside from working on views and our presence on the internet, I am going to submit to specific festivals and screenings. It is going to be very short, around 6 to 8 minutes, but there are venues for it. Perhaps that will help with the general buzz.

So what's the full plan?

Get as many views as possible on YouTube.
Submit to fests.
Really get it out there for everyone to see.
Put together the script, package, and budget for a feature length version.
Start up some crowd funding (Kickstarter or IndieGoGo, not sure which yet).
Pursue sponsors and investors.
Push to get the feature length REDD made early 2011.
Market and Distribute late 2011.
Make enough money to sustain and make another movie (Possibly Bobby's Closet).

Will it work? We shall see. But we're gonna make a run for it, that's for sure.

Check out the official site/blog for REDD

LIINKS AND TIPS FOR MAKING VIRAL VIDEOS:

- 7 Tips For Successful Viral Video Production And Distribution

- 10 Youtube URL Tricks You Should Know About

- 37 Essential Viral Video Tips, Posts and Sites

- What Makes a Video Go Viral?

- 10 Tips on making viral videos Strategies from successful examples

- Making Your Viral Video

- Making A Viral Video - Things To Consider!

- The Future of Hollywood… User Generated Films?

Thinking About A Werewolf

 One of the major components in what's going to make The short film REDD impressive is how the creatures look. Specifically the Giant Wolf Beasts. 

The creatures vary in the actual feature script. We'll see some zombies, vampires, demon like creatures, but since it's a spin on Red Riding Hood, then it's the Wolf Beasts that must be our heroine's "Stormtrooper."



I'd like to show that there are all manner of Wolf Beasts in this dark and evil forest, quadrupeds, bipeds, wolf-men, wolf-women, smaller wolf like creatures, and giant beasts of all kinds.  Right now, for the short, I can really only express one kind and I want it to be the biggest, and most menacing.

I've posted some of these pics before on my progress. Built the head out of cardboard, duct tape, and faux fur, and fashioned the giant claws out of giant monster gloves I bought on sale, and stuffed them with paper and cardboard.

Then I did some test shots with Brandon White so I could get a feel for how I needed to fashion the rest of the body.

And here are shots of Richard Gaither being goofy next to April Crum. I needed to get a live perspective on how tall the head would be next to April. It already towers over her without Richard being on the stilts.

It's just that pesky body and torso I need to get around. One thing's for sure, we'll have a complete Werewolf before December.

Really this post is just so I could lay out what I've got so far, and really look at what needs to be done.

Red October

So much going on, and it's October as well. Thankfully we've been able to take the time to enjoy the October/Halloween activities. Visited some Haunts, Pumpkin patches, enjoyed the Dixie Classic Fair.

Now we're heading into the final week of October. I'm wishing I was able to attend the Rally To Restore Sanity. Also wish I was able to go see my Rangers play live in the World Series. But I'll settle for the occasional Horror Movie night with my wife as I keep an eye on these great events.

And work as well. Never a time to stop working. Much going on. Working on that Documentary still, working on some reels, and I may be editing a feature film.  Also Monster Cops may have some potential distribution, so the pressure is on to get a few more episodes finished.

And of course there is my beloved REDD. Which I've worked into a feature script, if the money men decide that's the direction they would like to go in. The feedback I've been getting on the footage posted so far has been great. And it seems to be generating exactly the kind of interest I was hoping. If I can create the close to 8 minutes I see in my head, it will definitely be an exciting project to promote.

The feature version of REDD will be even better. But right now I need to be in kind of a zen mode as far as future projects. Expect anything, prepare for everything. There seem to be alot of promising things on the horizon, but I know how that can all change in a heart beat.

We're back to shooting REDD November 8th. Still got a Werewolf to finish for it, as well as the rest of the footage from the ensemble cast.

Ok, I need to shoot a wine commercial now.

REDD Test Cut

First cut of some of the footage we've shot for REDD. Trying out some cuts, some color grading, and experimenting with the score. April Crum is our title character, our bad ass Red Riding Hood. Also features Richard Gaither, Amanda Elizabeth, and Ron Rice throws the knife. Nice shot Ron.



Canon T2i
Canon EFS 18-55mm Lens
Nikon 180mm Lens
Fotodiox Adapter
DIY Slider
Sony Vegas Pro 9
Pro Scores and Sony Acid

Much more footage to shoot. Finishing up April's stuff Monday. And as soon as we get the Werewolf finished we may have one more day with her. Still have the other leads and supporting cast to shoot, a Werewolf transformation, some Vampires, Zombies, and then some explosions to work out. This short should be done by December and will be about 8 minutes long. May do a 15 minute version for festivals, and I've worked out a script for a feature length version, if we somehow get the money for it.

The Redd Ghost

First official day of shooting on Redd with the star April Crum. Got behind schedule due to some issues with the sun going down entirely too fast, and me not being prepared for extra lighting while using new and more powerful lenses. But lessons learned, and we'll be back at it on Monday. I swear I'm so anxious to get these action shots of April in full costume. The photos below should show how bad ass she looks in full regalia.



If you're not aware, Redd is my short/mock trailer, about a post apocalyptic world and a village under attack by evil creatures and wild wolf beasts coming from the nearby dark forest. Our heroin appears to save the day and fight off the evil. My little spin on Little Red Riding Hood. A little more gothic, horror oriented, and definitely more action and adventure.

I'm hoping that this little 6 to 8 minute short/mock trailer will really display some cinematic power utilizing the Canon T2i and alot of our DIY Moviemaking resources.

Some of the props need touch up work, and I definitely need to repaint her giant gun at the end there. Oh yeah, and I should get the Werewolf costumes together shouldn't I.

I swear if I can get this done before December, that would be awesome.

Quick Reel 2010

Been working on a site for WTW Productions. Wanted to have some sort of demo available, so I threw this together. It will of course improve and lengthen the more footage we get in with the T2i. But a neat little start so far.

Adapt, Improvise

Made a few moves to try to get back on track. Sort of made my own canvas, if you will.  Point is, my comp is still out for a few weeks, but I've found a way to edit on my wife's laptop. So, not a screeching halt, more of a slow burn, but at least I can move forward.

Good thing too, because I was anxious to test out the test shots from Tuesday.  Here's a few of those shots in a very short, quick edit. Using Sony Vegas, here's my run at the "Sin City" Effect.  The entire short won't be like this, but parts of it will. Amanda Elizabeth is standing in for April Crum. April will be down next Wednesday for her shots.

Monster Cops Vlog: The Office Part 2

No Budget Moviemaking From Script To Screen

Right now Real Vampires is on hold while I catch up on Monster Cops. I'm still planning out auditions and working out casting, but my main concentration is on these Monster Cops episodes. Real Vampires auditions will have to wait for a week.

Just finished re-writes on the episode titled CHIMERA. I'm editing the episode called DREAD as well as planning insert shots for that. And next week we'll get all the office shots for CHIMERA, as well as for DREAD, and DEAD BY DAWN. So yes it's looking like 3 more complete 20 minute episodes before Oct. This hopefully means a DVD with 5 episodes to complete series 1. But things happen when you self distribute, so we shall see.

I'm not even going to talk about the Werewolf Episode, titled BLOOD MOON, which I have yet to do re-writes on. This may have to wait for Series 2 DVD, as I am only halfway through the Werewolf Costume.

Right now I'm concentrating on Chimera. Now that the script is finished, it's been emailed to some of the cast, and now I have to send specific pages to the rest of the cast and the crew. What do you do once you have a complete script? What needs to be done to get it shot.

LOCATION, LOCATION, LOCATION
First is figure out which scenes have the most cast members in it. Let's knock that out first. The office scenes have 4 to 6 characters talking at once, with many extras in the background. Time to find out if your location is available. Our office set is free next Wed, Thu, and Fri after 5pm. I may not need all those days, but it's best to plan for that anyways. Now it's time to contact everyone to see who is free on that schedule.

CAST AVAILABILITY
This is no budget moviemaking. You aren't paying anyone. So you are at the mercy of work schedules and personal problems. They show up because they want to and if they can. So plan for something to go wrong. Everyone I've contacted is free except for one actor. This person just so happened to have a lot of lines, but he has several scheduling conflicts, so that's a no go. Note: I'm not at all angry about it. Because I fully planned for this to happen, also I fully respect my actors and their own schedules. I've planned it so his lines would be easily transferable to another actor, so no major change in plot. So I call one of the other actors to let them know they have more lines.

Another problem. I have a scene between two actors but they aren't available on the same schedule. One is only free on Thursday, where the other one is only free on Wednesday and Friday. What do I do? Cut the scene. If there is an important plot point or message in that scene that is pivotal to the story, then those lines get transferred to another scene. No problem.

PROPS AND COSTUME
Now figure out what scenes you are shooting at that location. Highlight those specific pages. Start making notes on the side next to the start of each scene. The two main lists are PROPS and COSTUMES. Make a list for each scene what props are required, what costumes. Again we are no budget, so everyone brings their own costume. It's office attire mixed with police and military gear. So contact those who are in office attire let them know what to wear. Anyone in police or tactical gear, all they have to do is wear black or camo, I've got the majority of the tactical vests (yay Ebay). Since this is a multi departmental agency mixed with all military branches, For further authenticity I ask any local cops or soldiers I may know if they want to show up on set with their gear on. Many of them are more than happy to.

I've got majority of all props, but I send out an email with a list to see if anyone can fill in the blanks. Thankfully nothing is needed specifically for the storyline, just for the look, so if we don't get it, no biggie.

SHOT LIST
When I write I keep the shots in mind so I often times write in specific camera directions. Although I've shot at this location several times, prepare for anything and everything to go wrong. Maybe a room you were hoping was available is closed off. Or they painted the walls in the hall you wanted to use, and it's going to take a week for it to dry. I keep this in mind when I write out the shot list. At the start of each scene next to your props and costumes list, I right out the shot list. This is just the basic shots and angles I need to convey the action in the script.

Script Action:
"Close up of hand as it turns the door knob. The door swings open revealing the evil monster behind it."

Shot List:
- CU/LA Hand to knob. (That's Close Up / Low Angle Hand to Knob)
- XCU Knob turning. (Extreme Close Up)
- WS behind actor door opens (WS= Wide Shot)
- Rev Shot Reaction (Reverse Shot meaning shot of the actor from behind the door)
- MS Monster Growling (Medium Shot)

Mind you this is just an example. Monster Cops is shot documentary style so the shot descriptions are more complex than this. Also there are some abbreviations that I use that you may not learn in any film school. It's short hand to myself, because I'm pretty much the only person that reads the shot list.

I make a list of the basic shots (meaning the bare minimum of what I need in case I can't get what I really want), with side notes to any more creative shots that I might be able to actually get. Often times I don't have enough room for my entire shot list for each scene, so I write it out on a separate sheet and attach it to the script.

I have software that pretty much does all of the above, but I hardly ever use it. I'm so use to writing it all out myself. Also I do have call sheets, schedules, and all the traditional movie forms, but again, I hardly use them. With the exception of the releases.

SCHEDULE
Over a period of 3 days, starting at 6pm til 9:30pm, I need to get the shot list done. This is how you break it down. You're no longer following the script, you're relying on the shot list. Everyone should know their lines, everyone should have the proper costume, everything else is about getting the shots. So I double check that everyone will be there at about 6pm. And of course they are not. Some of them can't be there til 7:30 or 8pm. Not a problem. Figure out which scenes you can shoot with the actors that will be there at 6pm. Can't do it? Then figure out which shots you can get with the actors you'll have. Maybe you can knock out all of their Close Ups or Medium Shots. You can probably get their dialogue out of the way. Then when the other actors show up, you get their shots, then do the master shot, or wide shot, so we can see everyone in the same scenes.

So write out the times you need to get started, what scene or shots you can get at specific times. 6pm pages 4, 5, and 8, Close Ups of Martha, Jane, and Nathan. 7pm pages 7, 10, and 13 Medium Shots of Jones, Cutter, and Weir. And so on. Honestly, it never works. Why? Because people show up late. They drop their lines (especially me) and they get to laughing, alot. So your 6pm shots end up finishing at 7:30pm. And you have to push your schedule back. But it's fine, because it's good to prepare, because if you're not prepared you may be screwed. If everyone does show up on time and gets their lines right, and you're the one who's not on the ball, chaos will ensue. Chaos with a big group of people, in a location that you do not own. So keep your shit together.

This is everything I'm working on now. Soon I'll be contacting everyone to double check their schedule, and make changes to my lists and schedules as needed.

Other things you want to keep in mind when shooting your own scenes with several cast members.
- You can't afford to feed anyone, but a few snacks, candy, and definitely bottled water should be considered.
- Make sure there is a bathroom. This should be common sense. Also people need a place to change in and out of their costumes.
- Bring your own trashcan and trash bags. We are borrowing somebodies office. It's best to leave it the way you found it, which means keep and take out your own trash. This is true especially if you have a very large group of people in your cast and crew.

Here's my on set checklist. What I need to remember for every shoot:
Alot of this is common sense, but when you're juggling so much, you'd be surprised what you forget when you're in a rush. Making lists saves my life on a daily basis.
- Camera
- Batteries
- Plug Adapter / Extension Cords
- Tripod
- Lights
- Digital Audio Recorder
- Lav Mic
- Extra Batteries for both
- Tape Stock or Memory Cards
- Script / Shot List
- Energy Bar / Water (Gotta keep your energy up / stay hyrdated, think like you're running a marathon)
- Prop Box
- Costume Box
- Releases (Photo Release/Group Release) Anyone you're shooting must sign. It must be clear that 1) They are doing this for credit only, no money. 2) They give you permission to use their likeness and voice in anyway you see fit, thereby giving you the freedom to create what you need to. Also this helps tremendously when you're typing out the end credits.

This is all about organization and communication. Whatever your method is, whether you stick to traditional forms used in studio filmmaking, or you have your own techniques, in the end it's all about organization and communication. Make whatever lists you need to help keep you in order, and be sure you're in contact with your cast and crew, let them know what they need to know. Get them times, dates, directions to the location, details on make up and costume, and of course their script pages.

Do whatever it takes to help keep your shit together.

LINKS
Monster Cops The Series http://monstercops.com
Patrick's Blog http://patrickprejusa.com

That's what a ship is, what it really is

Elizabeth and Jack : [singing and dancing around a fire] We're devils and black sheep and really bad eggs. Drink up me 'hearties yo ho! Yo ho, yo ho a pirate's life for me.

Jack : I love this song! Really bad eggs! Ooh. [falls] When I get the Pearl back, I'm gonna teach it to the whole crew, and we'll sing it all the time!

Elizabeth : And you?ll be positively the most fearsome pirate in the Spanish Main .

Jack : Not just the Spanish Main , love. The entire ocean. The entire world. Wherever we want to go, we'll go. That's what a ship is, you know. It's not just a keel and a hull and a deck and sails that's what a ship needs, but what a ship is, what the Black Pearl really is, is freedom.

- Pirates Of The Caribbean: Curse Of The Black Pearl

I've got my computer back. They only had to replace the motherboard, so the hard drive remained intact, everything is right where I left it. I was without my computer for a little over 2 weeks, and although I was able to use my wife's laptop, it was very hard. She needed it for her own projects, sharing it with her, meant I had less time to work on things that needed to be worked on, and my computer is a little more powerful, where I felt like alot of the video editing I was doing on hers was going to break the damn thing.

Also I missed my set up. My monitor is bigger, the way I have my desk positioned, and my entire workflow was missing. To finally get it back meant an overwhelming sigh of relief as I feel I am back in full form, able to do things I couldn't for a while. All because, for some reason, my video out put was burned out.

But I believe such mishaps may be necessary. Helps put things in perspective.

When my wife and I first got married, we didn't have much of anything. I had my old Gateway desktop, but it was dying, and we eventually sold it. So now we had nothing, and I dreamed of eventually getting one, and being able to edit video.  Thanks to a friend I was able borrow their mac and use Final Cut Pro to do the last and final cut to my feature Vampire Killer so I could finally put it out on DVD.

Somehow we managed to scrape together about $400 and we bought a desktop from Walmart. 256mb Ram, 8gb HD, and a very average AMD Processor. I called this computer The Black Pearl. In the first Pirates Of The Caribbean, the title The Curse Of The Black Pearl referred to the curse of the Pirates on that ship, how they would remain undead and zombified as long as they had kept the gold coins away from the cursed treasure. In reality their curse was related to the treasure itself.  In truth I always felt that The Curse Of The Black Pearl referred to Jack Sparrow's curse. How his destiny was to always be the captain of the Black Pearl, and how fate would always keep him away from it.

Captain Jack yearned for his freedom to sail the ocean. Freedom was signified by The Black Pearl. For me I yearned to make movies, and for a while it was signified by a decent computer to edit on. The computer would be my Black Pearl.

This would be the computer I would learn to use Sony Vegas on (back then it was Sonic Foundry's Vegas). I edited the first and last of the Living Dead Girl's episodes, and build the first WTW DVD featuring Vampire Killer. This would be the same computer I would edit an entire feature film on. Monster Cops: The Midnight Special. I took this computer with me to NC. Along with the ginormously heavy monitor. I learned Final Draft on it, would get a taste of After Effects and 3D Studio Max, and build the first of many websites and blogs on it. I pushed it too it's limits, and sailed it til it just couldn't sail anymore.

One of the last projects I ever made with that computer would be my contest entry into Harold And Kumar 2's Video Contest. I won that contest, and the money I got from that, I would use to buy the next incarnation of my Black Pearl. My current computer. HP, 4gb Ram, 500gb HD, Intel Pen Dual Core Processor. I rarely had a problem with it. It was a monster, is a monster. No stalling, no crashing, and super fast.

I've only had it for a year and a half, when it finally experienced it's first real problem two weeks ago. That's when I sent it in to be repaired. And in those two weeks I learned to really appreciate what I had, or rather didn't have. Made me remember a time when I swore I would make great things if I had a machine like this. Well, now I have it back. And I will make great things with it, I feel I've already begun. I really love that last Monster Cops episode, and now I work to create more great things, even better things, and help me get to the next level in my evolution in moviemaking.

What a ship is, is freedom, and I have that freedom. I've had that freedom for a while now. I think I just needed to remember I had it.

Tabula rasa

  I don't like being put in a position where I am basically begging.  Part of the reason why I haven't really been blogging in a while.  I've found myself looking for opportunity instead of creating my own.

I was teased with the prospect of what crowd-funding might bring, and although I knew it was a possibility nothing would happen, I was pushed to hoping something would due to my current situation.

Money's been tight, work has been slow, and for a while there things weren't looking good. Mainly because I chose to look through helpless eyes.

I chose to.  My choice. My situation, my responsibility and no one else's.

My situation is of my own creation. Yes, maybe some things may have happened that I have no control over, but in the end you do have full control of how you react to those situations.  I chose to react with despair. Why? Because that's what human's need to do every once in a while. When you get knocked down, you have to pause for a second while you're on the ground, really look at your situation, feel it out, so when you rise, you have a better understanding of what you're rising for.

Things are better. Although much of my situation is not resolved, there is hope, but there's always hope.  I can't rely on hope.  I can only rely on me, and what I'M capable of doing, if I get help along the way, or if certain opportunities make themselves available, then great, but I still have to rely on what I can do, and with what I've got.

I've often blogged about doing the best with what you can. But in all honesty, I have to aim hire than that. I have to do something amazing with what I have. That way if I miss the target slightly I'll at least have something at a higher level.

One pledge today (Thank You Marcellus).  I'm working on one editing job that may lead to more, but again, I can't hold my breath on it. And I'm working towards putting together Monster Cops on DVD, getting it out to screenings, as well as working on a new project which I can hopefully get out to audiences later this year.

Re-focused on what I need to do. Want to help? There are a number of things you can do.

Of course, we would love your pledge. New perks, including a DVD's, T-Shirts, as well as ways to actually participate in episodes.  Click here and check it out:
http://www.indiegogo.com/Monster-Cops-The-Series

You can also help spread the link around. Tell everyone you know about Monster Cops. Get folks to check out the site http://monstercops.com

Also, the entire episode MONSTERS Vs. COPS, is up at Big Star's Short Film Contest. Please visit the link, give us a high rating (you'll be directed to register, but it doesn't take long) then please forward it to everyone.
http://www.bigstar.tv/film-contest/mockumentary-2009/3132

And The Hits Just Keep On Comin

From my experience I've come to learn that the following is so very true.

When you become clear about what you want to accomplish, when you decide for sure what goal you want to reach. As you begin your journey towards that goal, everything that is the exact opposite of that goal will come into your existence.

I had a moment of clarity about Monster Cops. What was going to be accomplished and what needed to be done. Not only that, but I understood exactly what needed to follow after those certain goals for Monster Cops were reached. It was time for me to make another feature film, but only after I was able to put out Monster Cops Series 1 DVD this Fall.

And of course there is the fundraising, which is going slow, but it is going. See the widget and if you can please click on it and make a pledge.



Right now as far as income, I take what ever commercial work, ad work, video editing work I can. So it's already a roller coaster, not really sure where the next check will come from, but it's something.

I picked up a job today. Editing a reel for an actor. It looks to pay pretty good, and the material I would work with seems fun. It's always good to get a job that pays and you can get excited about.

Of course, after the meeting, I get home to turn on my desktop, and it will not boot up. Nothing, it sits there and hums. It was working perfectly fine just a few hours before, but here there was no functionality, no process beeps, just the quiet hum of the fans cooling a processor that wasn't doing anything.

So a dilemma. Not just because I can't do my job, but also I can't work on Monster Cops, the project I'm trying to turn into my job. I do have my wife's laptop and I have all my files backed up to a hard drive. The down side, my normal software is all on the desktop, and none of it will install properly on my wife's laptop.

It's disconcerting, yes, but on some level I saw it coming. After my moment of clarity, I knew something was bound to happen. That something that tries to deter you. That tests you. That makes things fall apart. The opposite of your goal has to happen so you can better experience what it the goal itself. Up cannot exist without down, nor right without left, nor having without the feeling of not having.

Very Zen, I know. And it does put me in somewhat of a positive mood. But it still sucks ass.

But it's ok. I'll figure it all out like I always do. I'll get the job done, I'll get my desktop fixed, and hopefully we can get some support for our little indie web series. So if you please, and if you can, make a pledge, tell a friend about monstercops.com. And please watch the episodes. I think they are quite good and I am very proud of them.

Other things have transpired today. Other things that are the opposite of my goal. Other things that are better left unblogged about, except to say, this is getting harder. And all indications say that things aren't going well, that things will fail, that things are not going in a positive direction.

But I don't care. Because I've been here before. Because if you can hold out past all that is the opposite of your goal, eventually you will reach your goal. You just have to believe, you have to hold on, you have to not give up.

Is this me giving myself a pep talk? You bet your ass.

It's opposite day, and I'm holding out til its over.

Gotta go solve some software problems, log some footage, and figure out how I can Macgyver my way through one editing job, two commercials, and eventually get back to working on Monster Cops. We only have a few pledgers, but we have pledgers nonetheless, which means we owe them a decent product in this Monster Cops DVD, which I fully intend to deliver and then some.

You want a Monster Cops DVD, then please, click the widget above, and make a pledge.

Clarity

“The two things that matter the most to me: emotional resonance and rocket launchers. Party of Five, a brilliant show, and often made me cry uncontrollably, suffered ultimately from a lack of rocket launchers.”

 - Joss Whedon

It's becoming very clear. I'm going to have to do a major overhaul with Monster Cops. Ok well maybe not a "major" overhaul, but reorganization is necessary in order to reach a specific clarification on what the exact goals are and how they can be achieved.

Vlogs will proceed, as will the fundraising (duh), but retooling what the minisodes are and what episodes can and will be produced, is a must, in order to understand what direction we are going in. What content will be available online, what will be available on DVD, what is going to screen in theaters, and how we can apply our marketing strategy to that.

Yes, jumbled words in cryptic tone, I know, but this is how I roll when I'm sorting it all out.

I need to be very clear about how to proceed here, as well as to exactly where I am proceeding to.

The current Minisodes don't really convey the right tone for what I think Monster Cops truly is, and what it maybe becoming.  I'm trying to stick to my own advice here and understand what I call the Franchise Discipline.  I know what I'm writing, but I have to be aware of how the audience is perceiving it, and how to improve upon that perception in order to truly tell the essence of this story as well as provide an optimal entertainment experience for the audience.

It's my fault of course. I went in with an idea, and could only really execute comedy with The Midnight Special. With these next few episodes, I was able to convey a little more of the action, horror, and drama. But now I need to clarify that although there is comedy here, this is not all we have to offer. There is horror here. There are Monsters here, and there is Gravitas and Depth for you to experience, even if on more subtle levels.

Yes, Patrick, but could you get any deeper about this?

Hey, I can't help it. I'm trying to make something real here. Well, as real as the illusions will allow.

So yes, I'm about to do a bit of filmmaking Feng Shui in this Moviemaking House.

"I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important."

- JJ Abrams

"Organizing is what you do before you do something, so that when you do it, it is not all mixed up."
- A. A. Milne

WIlford Brimley is staring at me

My wife randomly cut out a picture of him from a diabetes ad and stuck to my bulletin board next to my desk. I didn't realize it was there for a while. When I finally noticed it it kinda scared me. I jumped a little bit. Nothing like Wilford Brimley staring you down to start your day.

Happy Father's Day to all you Father's out there. And to those that have lost your Dad's too soon, I'm so very sorry and hope today passes with a bit of ease. I know how Mother's Day is for my wife since she lost her mom, and it makes me feel for anyone who has to go through such pain. I'm very thankful my parents are still alive, although I haven't seen them in years. One of these days I'll be able to make the trek to go see them and the rest of my family.

It's been an adventurous few days. There was the PeeWee Herman incident. If you haven't seen the last few posts, I will break it down. I tweeted I was going to make a ball of foil (this is for an ad for Poptent.net). Molly Bendall (twitter friend and fellow blogger) re-tweeted it to PeeWee. PeeWee re-tweeted it and posted it on his Facebook. Then my inbox, Twitter, and Facebook exploded with messages about the coolness of making a giant foil ball. Then I made the foil ball with pictures and Blogged and Vlogged about it, after which PeeWee retweeted and reposted on Facebook. My site immediately got over 700 hits (which is way more than the normal 30) and it's still going today.

So thank you Molly and PeeWee for the attention. Please see the previous Blog post, and take a gander at that Vlog Here.

And by all means, check out Molly's Blog as well.

And of course the site of the great supercool PeeWee Herman.

Rest assured I will be adding to the foil ball to make it super gigantic. And YES I will use recycled foil as well as recycle it once I have no use for it.

Speaking of Vlogs (was I?)

Here's the latest one for Monster Cops. Yes it is indeed more of me begging for money for our kick ass Horror Comedy Web Series.




Currently I am editing a new Minisode, prepping for the next Episode, and trying to get more pledges into our FUNDRAISER, so we can cover some costs including the fees and what not to get our submission into the New York TV Fest. I am submitting the episode Monsters Vs. Cops as a pilot to display that our series would indeed be great on TV. You can watch that episode HERE.

Thank you so much to our recent backers it is a huge help, but of course we still need more. So please if you can CLICK HERE TO SEE OUR INDIEGOGO FUNDRAISING PAGE. You make a pledge, you get great rewards, including the Monster Cops DVD coming this Fall.

Other than that, I am working on doing some guest blogging for the International Trailer Festival. I blog about moviemaking all the time, but of course now that I need to, I'm running dry. It's cool, I've got a few things I hope they'll like. I mean, if I'm going to be a geek about moviemaking might as well share it with everyone right.

Other than that, I've been doing camera research. For the longest time I've been pulling for the Canon HV40, but now I'm thinking about DSLR's. The HV40 price has gone up, so I might as well go DSLR and get a Rebel. The Rebel has really been impressing me. If I want more affordable then I could get the Olympus Pen E-PL1, but the video I'm seeing is only impressive in diorama mode. The jelloing effect is bad even in slow pans. Still pictures look great, but I'm looking for HD Video. So right now, I'm all about the Canon Rebel T2i.

Of course, this is me day dreaming. I have a decent camera to work on my web series. First things first, get Monster Cops going and as much content produced as possible, get that DVD out, then we can worry about cinematic cameras and my next feature film.

Again, it comes back to pledges. We need the funding to supplement production costs, setup screenings, screen at fests, and market the heck out of this series. So please check out MONSTER COPS, and if you like what you see, help us out, pledge and or spread the word.

Ok, I swear, Wilford Brimley just winked at me.