Today's theme boys and girls. Inner City Blues by the late great Marvin Gaye.
Sometimes you feel like burning it all to the ground. Taking it all down. Getting rid of all you've worked on and start fresh. Because right now it looks like everything I've created just isn't that impressive to me. It's a horrible example of what I'm capable. Yet I can't seem to get to the greatness unless I do something to inspire people to help me get to that greatness. It's a vicious fucking circle.
Yes, I'm set to emo, down and out mode. I get this way when it looks like I have to place my future in other people's hands. It's not looking good. It never does. It only seems to workout when I rely on myself, and myself right now doesn't have the funding.
I'm more than halfway through editing this next Monster Cops episode. And I think it's neat. A few inches closer to resembling what I think Monster Cops is in terms of a good episode. We've got the monsters, the comedy, the conspiracy, and a nice little ending. But right now, it's just not enough for me. It's an alright episode.
Man I am so ready to make something that is more than alright. More than ok. More than just nice.
Jesus, this is getting old. How many more times am I going to blog about trying to make something amazing.
I'm just venting. Truth is I got a bit gung-ho about trying to get funding for Monster Cops. Thought for a second I could make a run for it, produce a bunch of episodes and make a DVD this year. But it looks like Monster Cops will stay right where it is. A side project that I'll be working on from time to time, til I die.
So I continue on with my list, clean the house, wash the car, get the CREEP website nice and shiny and as impressive as I can, and get that bad boy running in the next few weeks.
I'll see what else I can do for Monster Cops, but I really just need to quit asking for other people's help, go get me 3 jobs and raise the money myself. I've done it before. Course it's a little harder now, because I have a wife I'd like to see occasionally.
Perhaps I'll get the funding I need for Creep through some generous folks on the interwebs. A few of them have already messaged me to say that they will, and a few of you already have. Thanks for having faith in me guys. I've got to get that website as good as it can, before I spread the word on it.
Hang ups, let downs
Bad breaks, set backs
Natural fact is
I can't pay my taxes
Oh, make me wanna holler
And throw up both my hands
Yea, it makes me wanna holler
And throw up both my hands
- Marvin Gaye
Saturday, April 10, 2010
Wednesday, April 7, 2010
Are you the victim?
“As you think, so shall you become.”
- Bruce Lee
In the movie that is your life. Are you the victim? Are you the supporting actor in the background? Are you even starring in your own life?
Or are you the bad ass motherfucker that runs the show?
I watched a screener copy of an indie horror flick called Evil Things, directed by Dominic Perez.
You can read my full review here.
I liked it alot. It was scary. And it really made me think what I would do in alot of the situations the characters found themselves in. What would you do if you were being stalked by a madman? Would you stand by and let him terrorize you? Or would you take a good long look at your life, and realize how precious and wonderful it is, and worth fighting for. Maybe then instead of screaming bloody murder, you would have the fortitude to stand your ground and fight back with force and clarity.
Of course I'm not really thinking about a literal madman. As always I'm thinking about moviemaking, the stumbling blocks along the way, and my madman that continues to stalk me. Myself. I am my own terrorizer, my own stumbling block, the only one that prevents me from reaching the next level.
And what is this next level? There are two things I am concerned with right now. To make my cinematic masterpiece feature film, CREEP. And to make MONSTER COPS into what it is meant to be, a full fledged online series, DVD compilation, and known brand reaching the audience it was meant to.
Creep I'm confident I can raise the money for. I'm still working on the site to do some crowdfunding and we've already begun rehearsals as I do re-writes. I'm going to make that movie this year, period.
Monster Cops, I've decided to hit it hard. I also need funding for it. Serious funding, to really be able to turn it into what I know it can be. Produce several more episodes, have national screenings in several venues, and have a DVD and merchandise ready to sell before October of this year. The stories and vision I have for Monster Cops needs to be told, and it deserves to be marketed properly to the audience that wants and needs to see it. I know I've said it before, but I need restate what Monster Cops is. It's comedy and horror for sure. But more so, it's episodic cinematic story telling hidden inside a goofy comic horror web series. The one episode I've produced and the few minisodes I've put up, barely display the full depth, empathy, pathos, and thrill I wish to convey with Monster Cops.
I've got the one episode up, one more on the way, and I need the resources and funding to produce 5 more episodes making it a total of 7 complete 20 minute episodes. Many of them will be available online to watch, but all will be available for purchase on DVD, and many of them will be screened in different venues through the nation. With the right marketing I know I could turn it into something really special. That combined with the solid story telling and hidden inspiration behind all the monsters, action, and comedy, I think this could really be the series and brand that I envisioned so many years ago.
I'm tired of settling for this so called reality. I'm ready to create with all my heart and produce the right livelihood I deserve. I've been holding back and I just don't have the strength to hold back anymore. It's time for me to let loose and hit this as hard as I can, and really bring out the creativity and effort to bring the visions in my heart to life.
Because in the movie of my life, I am not the victim. I am the badass motherfuckin hero in this bitch, and I have the force and clarity to pursue my passions and achieve my goals.
So in your own life, in your own movie, are you the victim?
“As long as I can remember I feel I have had this great creative and spiritual force within me that is greater than faith, greater than ambition, greater than confidence, greater than determination, greater than vision. It is all these combined. My brain becomes magnetized with this dominating force which I hold in my hand.”
- Bruce Lee
Tuesday, March 30, 2010
Vacuity and Substance
"Never let 'em see you ache"; that's what Mr. Mayer always said. Or was it ass; "Never let 'em see your ass"?"
— Carrie Fisher
Every opportunity to fail is an opportunity to learn, to improve, so that next time you will not fail. Therefore there is no true failure, only valuable steps to take towards your success.
Taking a few lessons from Sun Tzu's The Art Of War. It's been translated in different words, Vacuity and Substance, Illusion and Reality, Weak Points and Strong Points. It's about recognizing and understanding what your resources are, and how it applies in battle.
It's a step just before the next step known as Engaging The Force. Reading that just now, I think of Star Wars, but I don't think that's what Sun Tzu was referring to. Or was it?
I now turn to advice from yet another old Asian war master. Miyamoto Musashi and his Book Of Five Rings. There are rules in learning his Military Science. Many of those rules can be easily applied to everyday life, and most definitely here and now in my current mind set.
1. Think of what is right and true.
2. Practice and cultivate the science.
3. Become acquainted with the arts.
4. Know the principles of the crafts.
5. Understand the harm and benefit in everything.
6. Learn to see everything accurately.
7. Become aware of what is not obvious.
8. Be careful even in small matters.
9. Do not do anything useless.
Number 9 is what I'll be working on today. While things are being pondered and realized, I must do what I can to make sure I have a clean and efficient base of operations.
In others words, I'll be cleaning house.
And now RICK ASTLEY!
— Carrie Fisher
Every opportunity to fail is an opportunity to learn, to improve, so that next time you will not fail. Therefore there is no true failure, only valuable steps to take towards your success.
Taking a few lessons from Sun Tzu's The Art Of War. It's been translated in different words, Vacuity and Substance, Illusion and Reality, Weak Points and Strong Points. It's about recognizing and understanding what your resources are, and how it applies in battle.
It's a step just before the next step known as Engaging The Force. Reading that just now, I think of Star Wars, but I don't think that's what Sun Tzu was referring to. Or was it?
Maneuvering/Engaging The Force explains the dangers of direct conflict and how to win those confrontations when they are forced upon you.
- From SUN TZU's The Art Of War
I now turn to advice from yet another old Asian war master. Miyamoto Musashi and his Book Of Five Rings. There are rules in learning his Military Science. Many of those rules can be easily applied to everyday life, and most definitely here and now in my current mind set.
1. Think of what is right and true.
2. Practice and cultivate the science.
3. Become acquainted with the arts.
4. Know the principles of the crafts.
5. Understand the harm and benefit in everything.
6. Learn to see everything accurately.
7. Become aware of what is not obvious.
8. Be careful even in small matters.
9. Do not do anything useless.
Number 9 is what I'll be working on today. While things are being pondered and realized, I must do what I can to make sure I have a clean and efficient base of operations.
In others words, I'll be cleaning house.
"Timing is important in dancing and pipe or string music, for they are in rhythm only if timing is good. Timing and rhythm are also involved in the military arts, shooting bows and guns, and riding horses. In all skills and abilities there is timing.... There is timing in the whole life of the warrior, in his thriving and declining, in his harmony and discord. Similarly, there is timing in the Way of the merchant, in the rise and fall of capital. All things entail rising and falling timing. You must be able to discern this. In strategy there are various timing considerations. From the outset you must know the applicable timing and the inapplicable timing, and from among the large and small things and the fast and slow timings find the relevant timing, first seeing the distance timing and the background timing. This is the main thing in strategy. It is especially important to know the background timing, otherwise your strategy will become uncertain."
- Miyamoto Musashi "The Book Of Five Rings"
And now RICK ASTLEY!
Sunday, March 28, 2010
The Storm Is Here
It happens. In any sort of transition. There is friction, there is some discomfort, stress, pressure, and clashing. Such is the weather. Right now, Winter is transitioning into Spring. As one season moves in and another takes it's place, there is a small clashing in the transition. The lightning, the thunder, the rains, and the winds.
For a philosopher there is much to ponder, and for the local news, there is much to report. And boy does the local news love local happenings.
Anyhoo.
I am in a time of transition. It's not going to be pretty. Moving towards a life that you want to lead, and away from a life that has nothing left for you.
Simply put, I'm trying to make my living making movies.
It's been hard so far, and I only expect it to get even harder. But I'm confident I can get through this transition.
One obstacle I realize I must overcome, is that I am obviously not making it clear enough what it is I'm trying to create, and more so, just how driven I am in making this project happen.
It's obvious that I have to do something drastic in order to get the help I need to make this happen.
I'm not just talking about making a movie. I'm talking about making something amazing. I'm talking about making something mind blowing.
I've watched alot of indie movie trailers lately, and they look exactly like not so great. Amateurish, bad performances, bad direction, horrible writing. I hate to dog some of my fellow indies. It takes alot to get it all together and make something happen. I've been there before. And I know what it's like to struggle to create something when you have neither the time nor the money.
But alot of these trailers I've seen are from people who were able to raise $50,000, $100,000, $500,000. What that money was spent on? I do not know. Because the quality, the production, the magic, it just wasn't there.
I'm trying to keep costs low. I'm doing this bare bones. The budget I require is $11,730. And I'm still trying to refine it. I'm trying to put this together realistically, what is it that I need to make this happen. No trailers for amateur actors you've never heard of. No $15,000 Dolly system to give you smooth professional shots that I know I can do for less than $300.
If I had some of the money these folks have been able to raise, I would make something that would not only be a "good movie", I would create something that was on par with any professionally made Hollywood extravaganza. And I don't need $100,000. I don't even need $50,000.
Just get me that $11,730. Heck, to make it, I'm aiming to get the first round of funding, which is $7,280. That's what I need to actually shoot, edit, and produce this feature film. The rest of the money I'm confident we can raise after we have a finished product.
I don't know how else to convey how far I'm willing to go to get this made. I am literally at the end of my rope. I cannot let another year pass where I have NOT made a movie. I WILL make this movie IF IT KILLS ME.
And I think that's pretty much where I'm at. Either a movie will be made this year or I am going to die. Because it already feels that way. When you feel like you're born to do something specific, and you don't get to do it, then you're already dying. Little by little, you do things that you don't want to, and at the same time you know what you're supposed to be doing, a little bit of you dies. And dammit I'm ready to live. I AM READY TO LIVE! I am ready to create with all my heart and soul, and if no one will help me then I'll just have to keep doing what I've always done, help myself.
But there is only so much I can do with no money. I'm tired of no money. I don't want wealth, I don't want a million dollar budget, I just need this little bit to get me what I need, to do this properly, and I will take care of the rest.
I'm tired of holding back. If you're out there and you've been planning on doing something amazing, why are you holding back? If you're an investor and you've wanted to contribute, but you just haven't for some reason, why are you holding back? I will make this the best way I can for no money, but I need HELP.
I've done what I can for now, with CREEPMOVIE.NET. I plan on adding more and more to help display what this movie is and what I am trying to create. But please feel free to look it over. Tell me what you think, what else should I add, how else can I better explain, how else can I better get people to contribute?
Feel free to CONTACT ME. Or you can leave a comment on this blog.
I'll do more to start letting people know about the movie and about this site as I add more to it, but if you're reading this then please feel free to check out the site. There will be more soon. More videos to explain every bit of the movie and the site. I plan on shooting that first scene and posting it for all to see, maybe that will help generate more buzz.
Pardon my dramatics, but I'm so focused on this I cannot think of anything else. I need to do this. I'm ready to burst if I cannot do this, and I am determined to make this happen.
So please, go and check it out, CREEPMOVIE.NET
Help me make something AMAZING!
For a philosopher there is much to ponder, and for the local news, there is much to report. And boy does the local news love local happenings.
Anyhoo.
I am in a time of transition. It's not going to be pretty. Moving towards a life that you want to lead, and away from a life that has nothing left for you.
Simply put, I'm trying to make my living making movies.
It's been hard so far, and I only expect it to get even harder. But I'm confident I can get through this transition.
One obstacle I realize I must overcome, is that I am obviously not making it clear enough what it is I'm trying to create, and more so, just how driven I am in making this project happen.
It's obvious that I have to do something drastic in order to get the help I need to make this happen.
I'm not just talking about making a movie. I'm talking about making something amazing. I'm talking about making something mind blowing.
I've watched alot of indie movie trailers lately, and they look exactly like not so great. Amateurish, bad performances, bad direction, horrible writing. I hate to dog some of my fellow indies. It takes alot to get it all together and make something happen. I've been there before. And I know what it's like to struggle to create something when you have neither the time nor the money.
But alot of these trailers I've seen are from people who were able to raise $50,000, $100,000, $500,000. What that money was spent on? I do not know. Because the quality, the production, the magic, it just wasn't there.
I'm trying to keep costs low. I'm doing this bare bones. The budget I require is $11,730. And I'm still trying to refine it. I'm trying to put this together realistically, what is it that I need to make this happen. No trailers for amateur actors you've never heard of. No $15,000 Dolly system to give you smooth professional shots that I know I can do for less than $300.
If I had some of the money these folks have been able to raise, I would make something that would not only be a "good movie", I would create something that was on par with any professionally made Hollywood extravaganza. And I don't need $100,000. I don't even need $50,000.
Just get me that $11,730. Heck, to make it, I'm aiming to get the first round of funding, which is $7,280. That's what I need to actually shoot, edit, and produce this feature film. The rest of the money I'm confident we can raise after we have a finished product.
I don't know how else to convey how far I'm willing to go to get this made. I am literally at the end of my rope. I cannot let another year pass where I have NOT made a movie. I WILL make this movie IF IT KILLS ME.
And I think that's pretty much where I'm at. Either a movie will be made this year or I am going to die. Because it already feels that way. When you feel like you're born to do something specific, and you don't get to do it, then you're already dying. Little by little, you do things that you don't want to, and at the same time you know what you're supposed to be doing, a little bit of you dies. And dammit I'm ready to live. I AM READY TO LIVE! I am ready to create with all my heart and soul, and if no one will help me then I'll just have to keep doing what I've always done, help myself.
But there is only so much I can do with no money. I'm tired of no money. I don't want wealth, I don't want a million dollar budget, I just need this little bit to get me what I need, to do this properly, and I will take care of the rest.
I'm tired of holding back. If you're out there and you've been planning on doing something amazing, why are you holding back? If you're an investor and you've wanted to contribute, but you just haven't for some reason, why are you holding back? I will make this the best way I can for no money, but I need HELP.
I've done what I can for now, with CREEPMOVIE.NET. I plan on adding more and more to help display what this movie is and what I am trying to create. But please feel free to look it over. Tell me what you think, what else should I add, how else can I better explain, how else can I better get people to contribute?
Feel free to CONTACT ME. Or you can leave a comment on this blog.
I'll do more to start letting people know about the movie and about this site as I add more to it, but if you're reading this then please feel free to check out the site. There will be more soon. More videos to explain every bit of the movie and the site. I plan on shooting that first scene and posting it for all to see, maybe that will help generate more buzz.
Pardon my dramatics, but I'm so focused on this I cannot think of anything else. I need to do this. I'm ready to burst if I cannot do this, and I am determined to make this happen.
So please, go and check it out, CREEPMOVIE.NET
Help me make something AMAZING!
Friday, March 26, 2010
Let's Talk Geek
I'm so amazingly happy someone had posted this video. This is from Harry Anderson's act from back in the day. I was a kid when I watched this and it made me absolutely love Harry Anderson more. I loved him on Cheers as Harry The Hat, and later on Night Court as Judge Harry T. Stone, but even more so I respected him as a magician and showman.
I memorized his book, watched his act on TV every chance I got, and when I saw the Needle Through the Arm trick, I had to learn how it was done. I actually found the trick at a magic shop and I just had to have it. I still have the kit with the instructions and the needle in my super secret magic stash somewhere round here. I pull it out and look it over every so often.
I don't know why, but for some reason, Harry popped into my head today. Got me to looking up old quotes of his, and searching for videos of him on YouTube. I needed to find that video and I didn't even realize it. I needed to see it. It was a reminder of my childhood, what I dreamt of back then, and how I'm still working towards that very dream today.
I also needed to be reminded of the one thing Harry would ever really teach me. It's about showmanship. It's about putting on a great show. And probably one of the most important quotes that applies to my current goals:
"If you put on a good enough show, people will be more than happy to pay the price of admission."
I wanted be Harry. Because of him I wore a hat, from my freshman year to my last year in college. I still have that hat around here somewhere. I don't wear the hat anymore, but I still think of how he shaped me and my ideals about my own goals.
Thanks for that Harry.
Ok, back to the grind. Updating CREEPMOVIE.NET getting it just right before I go round getting everyone on board to fund this movie. Also working on Monster Cops today as well. Tomorrow I'll hopefully finish the Werewolf and get started on REDD.
Wednesday, March 24, 2010
Getting My Stuff Together
NOTE: Be careful what you're unconsciously pretending to be, because you just might become it.
So here's where I attempt to use my blog as a to do list. Perhaps if I blog about it, it will happen.
1) Continue to update MONSTERCOPS.COM upload new episode and a new minisode.
2) Prep Monster Cops Pilot for submission to Hitvidi.
3) Prep One Spartan Pilot for submission to Hitvidi.
4) Update CREEPMOVIE.NET with videos, blogs and vlogs.
5) Begin Crowdfunding at CREEPMOVIE.NET once you feel confident that you have enough material to express your vision for the movie CREEP and that the website does a good job of communicating this movie.
6) Finish Re-Writes for Creep.
7) Shoot first scene for Creep.
8) Finish doing Recon.
9) Pre-Production Concept on Secondary Show.
10) REDD
It's an exciting, strange, glorious, and scary time. Right now, anything can happen, one thing's for sure. I'm going for it. For real.
So here's where I attempt to use my blog as a to do list. Perhaps if I blog about it, it will happen.
1) Continue to update MONSTERCOPS.COM upload new episode and a new minisode.
2) Prep Monster Cops Pilot for submission to Hitvidi.
3) Prep One Spartan Pilot for submission to Hitvidi.
4) Update CREEPMOVIE.NET with videos, blogs and vlogs.
5) Begin Crowdfunding at CREEPMOVIE.NET once you feel confident that you have enough material to express your vision for the movie CREEP and that the website does a good job of communicating this movie.
6) Finish Re-Writes for Creep.
7) Shoot first scene for Creep.
8) Finish doing Recon.
9) Pre-Production Concept on Secondary Show.
10) REDD
It's an exciting, strange, glorious, and scary time. Right now, anything can happen, one thing's for sure. I'm going for it. For real.
Monday, March 22, 2010
You've Been LOST ROLL'D
I've been making birthday videos for my wife for a while now. Started a few years back when I realized I had no money and nothing else but editing skills and a random sense of humor. The videos always contained inside jokes and themes for whatever fandom, celebrity, or show me and my wife were into that year. One year me and some of our friends did our version of SNL's DIGITAL SHORT "Dick In A Box"
I hadn't done one in a couple of years we've been so busy. This year I knew she wouldn't be expecting it, so I put one together. This time it was LOST themed. Using Sony Vegas 9 and several stolen photos, I animated several LOST characters lip syncing to Queen's Bohemian Rhapsody. A few guest appearances from some of her fav celebs as well as some of our friends.
This won't mean much if you don't watch LOST. But you may find it mildly amusing if you like Star Trek, Conan O'Brien, The Office, or Rick Astley.
Enjoy the randomness. This is the edited version minus all the Bday greetings at the end from some of our friends.
I hadn't done one in a couple of years we've been so busy. This year I knew she wouldn't be expecting it, so I put one together. This time it was LOST themed. Using Sony Vegas 9 and several stolen photos, I animated several LOST characters lip syncing to Queen's Bohemian Rhapsody. A few guest appearances from some of her fav celebs as well as some of our friends.
This won't mean much if you don't watch LOST. But you may find it mildly amusing if you like Star Trek, Conan O'Brien, The Office, or Rick Astley.
Enjoy the randomness. This is the edited version minus all the Bday greetings at the end from some of our friends.
Labels:
Animations,
Juli,
Lost,
Rick Astley,
Rick Roll'd,
Sony Vegas
Saturday, March 20, 2010
Friday, March 19, 2010
Time to indulge in Brazen Gazing
bra·zen (brzn)
adj.
1. Marked by flagrant and insolent audacity. See Synonyms at shameless.
2. Having a loud, usually harsh, resonant sound: "sudden brazen clashes of the soldiers' band" (James Joyce).
3. Made of brass.
4. Resembling brass, as in color or strength.
tr.v. bra·zened, bra·zen·ing, bra·zens
To face or undergo with bold self-assurance: brazened out the crisis.
gaze (gz)
intr.v. gazed, gaz·ing, gaz·es
To look steadily, intently, and with fixed attention.
n.
A steady, fixed look.
I don't really feel like holding back anymore. But is it wiser for me to hold back when my instincts think it is necessary, or perhaps to indulge flagrantly. I'll just have to play it by ear. In the mean time, I feel like picking a fight with fate.
Now if only I wasn't so damn sleepy. This project is about done. Two more to work on, then I can give my feature film the full attention it deserves. Purchased the domain name for the movie, but I haven't put much up on it yet. I'll put the word out once I have my shit together.
In the meantime I've been instructed to indulge in some brazen gazing. And it sounds like a great idea.
EDIT: 1:16 am. DONE! This super secret Birthday Video is done.
Yes that's what I've been working on. It's my wife's 30th Birthday today (Friday March 19th) and I made her a super special Birthday Video. I'm rendering it now and I will show it to her hopefully in the next hour.
Whew. I'll post more details later, but now, I'm going to faint.
adj.
1. Marked by flagrant and insolent audacity. See Synonyms at shameless.
2. Having a loud, usually harsh, resonant sound: "sudden brazen clashes of the soldiers' band" (James Joyce).
3. Made of brass.
4. Resembling brass, as in color or strength.
tr.v. bra·zened, bra·zen·ing, bra·zens
To face or undergo with bold self-assurance: brazened out the crisis.
gaze (gz)
intr.v. gazed, gaz·ing, gaz·es
To look steadily, intently, and with fixed attention.
n.
A steady, fixed look.
I don't really feel like holding back anymore. But is it wiser for me to hold back when my instincts think it is necessary, or perhaps to indulge flagrantly. I'll just have to play it by ear. In the mean time, I feel like picking a fight with fate.
Now if only I wasn't so damn sleepy. This project is about done. Two more to work on, then I can give my feature film the full attention it deserves. Purchased the domain name for the movie, but I haven't put much up on it yet. I'll put the word out once I have my shit together.
In the meantime I've been instructed to indulge in some brazen gazing. And it sounds like a great idea.
EDIT: 1:16 am. DONE! This super secret Birthday Video is done.
Yes that's what I've been working on. It's my wife's 30th Birthday today (Friday March 19th) and I made her a super special Birthday Video. I'm rendering it now and I will show it to her hopefully in the next hour.
Whew. I'll post more details later, but now, I'm going to faint.
Tuesday, March 16, 2010
I need to hear some sounds that recognize the pain in me...
I wasn't really a HUGE John Mayer fan. My wife is the big John Mayer freak. It was my fault because back before anyone knew who he was I was jamming to Why Georgia. Since then my wife really took off with it. Went to one concert of his a couple years back. Really great show, but I wasn't yet a true fan.
I didn't even want to go to this one tonight. But my wife bought the tickets months ago, and it is her birthday, and the only reason I was dragging my feet at all is because my mind is completely on making this feature and trying to save as much money as possible. Which means if I have a day off from work it's going to be working towards doing this movie.
But it's her birthday. She's excited about it, I knew she'd love it, and she deserves all things great for her. And I knew deep down that I was going to enjoy it. How can any decent open minded human being not enjoy any kind of live professional performance? I get inspiration from everything, and the last time I say John Mayer I got a bit of inspiration from those first few opening blues riffs. Throw in the light show, and the overall energy of a good excited crowd, and you have no choice but to be inspired.
And I was right. Tonight was amazing. I feel sorry for anyone that has never been to any kind of live performance. And I mean anything. I've been to Broadway shows, comedy shows, seen garage bands play, even sporting events. Never underestimate the power of a crowd of like minded individuals united in the want and need to be entertained, and the spirit that rises when they get that need filled.
John Mayer in general is an amazing guitarist, and his last few albums I've really gotten a more adult bluesy vibe. One of his latest singles "Assassin" is one of my favorites. The song really feels like it came from the end credits of a late 80's action spy flick starring Burt Reynolds or even Wings Hauser. Yes that's right, I just mentioned Wings "Mother Effin" Hauser. Bet you never read that name in blog, bet you don't even know who he is!
Anyhoo.
I was blown away by the great music of course. I could write volumes about the amazing sounds, what it all meant to me, what I feel like God and The Universe was communicating to me through the energy and feel of the moment on a powerful transcendental state of euphoric mind bullets and some shit, but I digress. It was really amazing stuff. But as always, as a former techie/grip, I truly appreciate all the stage theatrics and lighting.
What an amazing setup. Some great ideas with video projection. The lighting was phenomenal. I was especially taken with the setup for Assassin. A graphic and video background of house layouts, cross hairs, gun sight scopes, very Mission Impossible. All of it matching the very bluesy rock groove of the song. If Jason Bourne was live and in concert this is what it would've felt like.
Here's a sample of that performance I took with my little panasonic 6.0. Note the great light cues and cool background.
(John Mayer. Live. Greensboro, NC. 3/15/2010)
I think it's safe to say that I'm a pretty big John Mayer fan now. I don't really give a shit about any personal crap I hear about in the news. I don't read US Weekly. I'm not into gossip or entertainment buzz. All I know is, this guy really knows how to bring it in a live show.
I also want to point out the drummer. STEVE JORDAN. What an amazing performance. I've seen some truly great drumming, but this guy blew my mind. Seriously on his solo my mouth was open the whole time. I really felt his performance. What an amazing drummer. Even got to talk to him for a bit after the show, let him know how amazing he was. It was really awesome for him to even acknowledge me. He really let me know he appreciated it.
And of course the movie maker in me not only noticed the number of camera phones, but also the high number of DSLR's. Many of them equipped with mics, led lights, and LCD screens. Alot of high quality HD footage was caught tonight, and as many people were screaming at John Mayer, I was drooling over the HD gear. Can't wait to play with a DSLR.
I wish I could go into more detail about everything that blew my mind, but I'm so tired. I will mention that he did play Say What You Need To Say. A song that really speaks to me for some reason. It actually made me tear up a bit. The words of that song always feel like some power up there in the heavens are communicating with me, telling me it'll be ok. Saying not to worry, you'll get there, you'll make your movie, and you'll get your chance to really say what you need to say. Hearing it live, it was like the mouth of God was speaking directly to me. As many times as I've heard that song and felt what it was saying to me, tonight, live, it was being burned into my brain, my soul.
"Say what you need to say." I needed to hear it, to feel it.
Also John Mayer covered a song that has always inspired me, always driven me, and has always come on right when I needed to hear it. Journey's Don't Stop Believin. That song hits me like nothing else. You hear of people getting caught up in the spirit at church, or even seen people possessed by the beat of a song at a club. This song hits me like that. It always has. It brings me to tears, because those words don't just speak to my ears, it speaks to my soul.
And that's what we all sort of look for in those large auditorium experiences, at church, at a comedy show, at a theatrical performance, at a concert, and even at the movies. We need to stand in a room full of strangers and feel something that is bigger than us, speak to our souls to remind us, we're all in this together. We're all just shadows searching in the night, searching for something to recognize the pain in us all.
And that's the kind of movies I hope to make. Sure they may sound like amusing B movie throwaways. Monster Cops is about soldiers that make jokes and kill monsters. The log line for Creep is: "A gun slinging super detective, a young blonde escape artist, and a guy in a giant teddy bear outfit have to solve an ancient mystery and fight vampires." It all sounds ridiculous, like some sort of direct to DVD piece of crap, but somewhere in there, I hope to create something that speaks to your soul. Something that not only recognizes your pain, but reminds you that greatness, great storytelling, enlightenment, and inspiration can come from anywhere and most often from where you least expect.
Tonight I stood with a crowd of people and experienced an amazing show, where we felt the things we were all hoping to feel and had our souls ID'd by the powers that be, to remind us of the greatness that is humans being human. I needed it. I needed to be reminded what it is I am working towards.
To make something amazing.
So back to work on making that something amazing. Got rehearsals coming up this Wednesday, so one of the first VLOGS for Creep should be coming up soon.
Oh and I have to say, the opening act was this amazing group. MICHAEL FRANTI and SPEARHEAD.
WOW! What an amazing performance! It's truly great when you can see someone new and get a show that really makes you want to buy their album. I was truly impressed, check them out here: http://michaelfranti.com/
Labels:
Amazing,
CREEP,
John Mayer,
Michael Franti,
Monster Cops,
Spearhead
Monday, March 15, 2010
Sunday, March 14, 2010
The Dog Days Are Over
First off I want to thank everyone for their prayers and well wishes about my brother. He's doing fine.
Second I want to thank Marcellus Suber for helping me out with some post production problems I've been having. Thank you sir everything is working out nicely.
Also want to thank Brandon White for allowing me to use his Canon HF20. That's the camera I've been testing out, and the video above is comprised entirely of all that test footage. It's completely capable of delivering the kind of quality I need to shoot this next feature, and I'm grateful his allowing me to use it.
The video above was shot on Brandon's Canon Vixia HF20. I occasionally used my Kenko Wide Lens. I shot on 30 progressive and then cut and rendered in Sony Vegas Pro 9 to 24p. Tried out Vegas 9's masking tools at the end where I tried to clone both Deanna Kelly and Sarah Vroom. You'll see alot of shaky shots, quick zooms, etc. Wanted to really push the movement, see how it would all look. No scanlines, maybe a small bit of ghosting, but nothing you can't fix in post. Overall I'd probably use this camera to cover alot of static shots. But we shall see. Great camera though.
Technically the Dog Days haven't even begun. Dog Days usually refers to the hottest days in the summer. But the phrase "Dog Days Are Over" usually refers to getting through the toughest phase of something. It's the name of the song I used in the above video, performed by Florence and The Machines. I used it because I thought it went nicely with the first bits of HD footage I was shooting. I had no idea that it would end up really meaning something.
Slowly, carefully we put the pieces together to get to making this movie. I'm in the middle of re-writes. I'll have the official CREEP web site up soon, and I start rehearsals for one of the scenes this week. So things are going smoothly.
For now, I've set up a quick page on my site until the official site launches. Find out more about the plot and our progress there. http://www.patrickprejusa.com/creep
Here's a quick log line for the movie: "A gun slinging super sleuth, a cute blonde escape artist, and a guy in a giant teddy bear costume have to solve an ancient mystery and fight vampires."
Sounds like a heck of a plot. I know I'd wanna watch it. ;)
Sunday, March 7, 2010
Wednesday, March 3, 2010
Round 3: A little at a time
That's how it's going to have to be. Just a little at a time. If you wanted something badly, and you found out that you could have it, but it would take a very long time taking many long tedious steps to get to it, would you go for it? Or would you give up because it looked too hard?
If your answer was the latter, then you either don't deserve, don't really need or want it, or both. Me? With this particular goal I'm aiming for, I'm going for it. And it will take several excruciatingly long and tedious steps to get it. But it's still mine for the taking.
Anyone who has ever had to edit a video, or compose an effect that involves key frames, knows exactly what this is like. And the bigger picture of trying to create a worth while feature film, is exactly the same, especially when you're DIY on a 0$ budget. Sure we'll raise some money, but that's just to make sure those tedious steps are little less and a little shorter. But the steps are there to take nonetheless.
This is just yet another personal reminder to myself of just exactly how much work needs to be done in order to get this thing right where it needs to be. It's going to be hard, but it has to be, otherwise you're not doing it correctly. I was reminded of all this reading this little snippet from Rob Brezny.
From the window of my office I look down on a blackberry bush whose berries are now ripening. In the last 20 minutes, I've watched a sparrow figure out the best way to feast. At first the bird tried to land on the flimsy branches of the bush, but after a few tries it realized they couldn't hold its weight. Its revised strategy was to grab a single berry in mid-swoop and alight on the branch of a nearby apple tree so it could relax with its meal. It did this 10 times.
Are you willing to collect your reward a little at a time?
Yes I am and I will.
In the meantime here is a sample of what we've accomplished so far with the new equipment. This is pretty much the opposite of what I've just written.
Yeah, how's that for productive?
If your answer was the latter, then you either don't deserve, don't really need or want it, or both. Me? With this particular goal I'm aiming for, I'm going for it. And it will take several excruciatingly long and tedious steps to get it. But it's still mine for the taking.
Anyone who has ever had to edit a video, or compose an effect that involves key frames, knows exactly what this is like. And the bigger picture of trying to create a worth while feature film, is exactly the same, especially when you're DIY on a 0$ budget. Sure we'll raise some money, but that's just to make sure those tedious steps are little less and a little shorter. But the steps are there to take nonetheless.
This is just yet another personal reminder to myself of just exactly how much work needs to be done in order to get this thing right where it needs to be. It's going to be hard, but it has to be, otherwise you're not doing it correctly. I was reminded of all this reading this little snippet from Rob Brezny.
From the window of my office I look down on a blackberry bush whose berries are now ripening. In the last 20 minutes, I've watched a sparrow figure out the best way to feast. At first the bird tried to land on the flimsy branches of the bush, but after a few tries it realized they couldn't hold its weight. Its revised strategy was to grab a single berry in mid-swoop and alight on the branch of a nearby apple tree so it could relax with its meal. It did this 10 times.
Are you willing to collect your reward a little at a time?
Yes I am and I will.
In the meantime here is a sample of what we've accomplished so far with the new equipment. This is pretty much the opposite of what I've just written.
Yeah, how's that for productive?
Labels:
DIY,
Independent Film,
Movie Production,
One Spartan
Tuesday, March 2, 2010
Practice
Today so far has been all about figuring it all out. What can be done? When can it be done? And how can it be done?
Doing a number of camera tests today. Trying out different filters in post. Also writing out the initial score. Yes this is for Creep, but sadly my brain is set on high, so I'm also contemplating another feature idea. Once again I'm walking that actor/director line. I think Creep will be great, but it does require me to play the lead, which I know I can do. But this new project that I am contemplating keeps me behind the camera, which is where I kind of want to stay just to make sure all goes smoothly.
Especially looking at the camera tests so far and working through this footage. This is going to require some real tender, love, and care. All my projects do (well most of em), but if I'm really trying to create something in the cinematical aces, then I really have to put extra care into the behind the scenes work.
Thankfully the internet provides some help with that. There are a slew of folks who've already done the work for you. Do a search on Vimeo or even Youtube for whatever camera you plan on testing, and chances are you'll find someone has already tested it for you. Light tests and all.
At some point today I will breaking to make a meatloaf. Then I will watch LOST. Then I will return to tests, scoring, and then re-writes. If you've been a previous cast member in anyone of my projects in the last few years, you may very well get a random message from me today or tomorrow.
Someday, it won't snow, so I can shoot outside. Someday.
My Indy Mogul episode is still getting me some great feeback. The episode itself is actually a recut of a video tutorial I did back in 2008. Since then a few folks have felt inspired to work on their own DIY Necronomicons, many of them blow mine out of the water. And that's what it's all about isn't it? To post your tutorial in the hopes that someone out there will be inspired and improve upon your techniques. Because of what I've seen in these vids, I'm going to revisit my prop and improve on mine.
Feel free to visit these videos, rate them high, and subscribe to these folks.
From SkullProduction97
From x0fx3
From ddexpress
Seriously great work guys!
Doing a number of camera tests today. Trying out different filters in post. Also writing out the initial score. Yes this is for Creep, but sadly my brain is set on high, so I'm also contemplating another feature idea. Once again I'm walking that actor/director line. I think Creep will be great, but it does require me to play the lead, which I know I can do. But this new project that I am contemplating keeps me behind the camera, which is where I kind of want to stay just to make sure all goes smoothly.
Especially looking at the camera tests so far and working through this footage. This is going to require some real tender, love, and care. All my projects do (well most of em), but if I'm really trying to create something in the cinematical aces, then I really have to put extra care into the behind the scenes work.
Thankfully the internet provides some help with that. There are a slew of folks who've already done the work for you. Do a search on Vimeo or even Youtube for whatever camera you plan on testing, and chances are you'll find someone has already tested it for you. Light tests and all.
At some point today I will breaking to make a meatloaf. Then I will watch LOST. Then I will return to tests, scoring, and then re-writes. If you've been a previous cast member in anyone of my projects in the last few years, you may very well get a random message from me today or tomorrow.
Someday, it won't snow, so I can shoot outside. Someday
My Indy Mogul episode is still getting me some great feeback. The episode itself is actually a recut of a video tutorial I did back in 2008. Since then a few folks have felt inspired to work on their own DIY Necronomicons, many of them blow mine out of the water. And that's what it's all about isn't it? To post your tutorial in the hopes that someone out there will be inspired and improve upon your techniques. Because of what I've seen in these vids, I'm going to revisit my prop and improve on mine.
Feel free to visit these videos, rate them high, and subscribe to these folks.
From SkullProduction97
From x0fx3
From ddexpress
Seriously great work guys!
Labels:
Book Of The Dead,
DIY FX,
DIY Props,
Necronomicon Ex Mortis,
production
Friday, February 26, 2010
We're Gonna Do What They Say Can't Be Done
It's a line from my childhood. The song is Eastbound and Down. The artist, Jerry Reed. The movie, Smokey and The Bandit. Kinda hard to be a kid in Texas in the 80's and not love that movie. Back then I didn't really know what it was all about. I just knew that Bandit was the hero, he drove a really cool car, and he drove fast. That's all that mattered to me.
Never really paid attention to the lyrics of this classic song. I was quite familiar with singing the lyrics. Although I knew the words, I didn't actually pay attention to them. My wife had loaded up her iPod with some new and old tunes. Occasionally we like to listen to random things in the car, just for a laugh or to reminisce of when we were kids. I was surprised to hear Jerry Reed blasting through the speakers. That old familiar banjo intro. My childhood came rushing back.
And for the first time in a long time I sung along with the lyrics. "Eastbound and down, loaded up and truckin. We're gonna do what they say can't be done. We've got a long way to go and a short time to get there. I'm eastbound just watch ol' Bandit run."
The lyrics refer to the plot of the movie, where Bandit and Snowman must deliver a diesel trailer full of beer to Atlanta from Texarcana in less than 24 hours. But hearing it now for the first time, in a long time. Those words meant something different to me.
No, I'm not trying to truck beer past old smokey. But I am trying to make a movie for practically nothing. The words, "We're gonna do what they say can't be done" really hit me. As always, it was yet another sign, a signal that often hits me right when I need to hear it. What I'm trying to do, I'm going to do.
I'm in awe still, of the positive comments and feedback I'm still getting from my Indy Mogul audition. On top of that, a few very wonderful things have happened just in the past few days. Due to a few good friends and supporters the budget for my movie has been reduced significantly, and I'm several steps closer to doing what needs to be done in order to make something great.
This past few weeks have been such a blessing, and it's been wonderful especially since the start of this year has been rather hard. I've gotten some unexpected help from some supporters, and I've gotten help getting a few of the things that I need to accomplish what I need to do. I thank those people whole heartedly.
Never really paid attention to the lyrics of this classic song. I was quite familiar with singing the lyrics. Although I knew the words, I didn't actually pay attention to them. My wife had loaded up her iPod with some new and old tunes. Occasionally we like to listen to random things in the car, just for a laugh or to reminisce of when we were kids. I was surprised to hear Jerry Reed blasting through the speakers. That old familiar banjo intro. My childhood came rushing back.
And for the first time in a long time I sung along with the lyrics. "Eastbound and down, loaded up and truckin. We're gonna do what they say can't be done. We've got a long way to go and a short time to get there. I'm eastbound just watch ol' Bandit run."
The lyrics refer to the plot of the movie, where Bandit and Snowman must deliver a diesel trailer full of beer to Atlanta from Texarcana in less than 24 hours. But hearing it now for the first time, in a long time. Those words meant something different to me.
No, I'm not trying to truck beer past old smokey. But I am trying to make a movie for practically nothing. The words, "We're gonna do what they say can't be done" really hit me. As always, it was yet another sign, a signal that often hits me right when I need to hear it. What I'm trying to do, I'm going to do.
I'm in awe still, of the positive comments and feedback I'm still getting from my Indy Mogul audition. On top of that, a few very wonderful things have happened just in the past few days. Due to a few good friends and supporters the budget for my movie has been reduced significantly, and I'm several steps closer to doing what needs to be done in order to make something great.
This past few weeks have been such a blessing, and it's been wonderful especially since the start of this year has been rather hard. I've gotten some unexpected help from some supporters, and I've gotten help getting a few of the things that I need to accomplish what I need to do. I thank those people whole heartedly.
Friday, February 19, 2010
Lessons In CREEP
First off I'd like to say how very flattered and still greatly overwhelmed I am by the response I'm still getting from my Indy Mogul Audition. Over a thousand comments on YouTube and the majority of them very positive. I've also gotten alot of messages from people with their support for me being the new host of BFX. Thank you all for that. It means alot. It's huge boost to my confidence in my own abilities.
My wife asked me if I was nervous about this whole Indy Mogul business. Honestly, I'm not. I think I've gotten pretty good at not expecting much anytime I submit to any kind of contest, or job interview for that matter. I'd love to be the new host, but in the end, they will pick who ever they're going to pick and I'll be fine with it. It's not the only thing I've got going on right now anyhow. Although I'd love to be the new host of BFX and I know I could do a great job, the only thing I can do is be proactive in my own goals. If it happens it happens. If not, hey, I'm still alive and I'm still on a mission.
That mission in question is.... Ok, well if by mission I actually mean project in which case I should say mission(s) as their are a few projects. The main thing on my mind right now is CREEP. I do need to work on REDD, but I had to push the Werewolf Costume fitting to next week, so right now I'm all about CREEP. Yes of course I need to work on Monster Cops so I can make that May deadline, but right now my head is on this feature film, specifically crowd-funding, more specifically producer rewards.
What are these words you use Patrick? Crowd-funding? Producer Rewards? Lemme splain.
I need to raise 12 grand to make CREEP. In order to do so I'm going to use every method in the book. I'm saving up much of my own money. I will be working extra hard and extra hours to earn the extra cash I need. I'm going to sell almost everything I have, including all my DVD's, my entire poster and banner collection, I'm even considering selling my car. I'm also going to make a big sign that says "TRYING TO MAKE A MOVIE, PLEASE HELP" and wear it around town while holding out a coffee can. No seriously. But one of the main ways I will raise this money is through a little something called CROWD FUNDING.
It's exactly what it sounds like. Instead of the usual approaching of a few investors to contribute large amounts of money, I will approach a large amount of people (everyone I know, and do not know) and get them to contribute small amounts of money. This method is called Crowd Funding and is being used by several different filmmakers to make their movies. I feel that this is possible if you can do the following:
1) Be clear about what you need the money for. Transparency is key. I will post the budget, how much we need, and what we need to spend it on.
2) Keep the budget low. Alot of moviemakers have been successful in raising 50,000 to hundreds of thousands of dollars. I only need $12,000.
3) Properly communicate the vision. Really let people know what it is you're trying to make. I'll post the plot, script pages, art work, vlogs, we will even shoot some scenes to communicate what kind of movie this is.
4) Create an experience. Get people excited about this movie. Get them to WANT to help you make this movie happen. Don't just sell the movie, sell the experience of making a movie, and the experience of the movie itself.
5) Producer Rewards.
AHA! There it is. There's that other phrase. What indeed IS Producer Rewards?
That's what I'm working out right now. If I'm going to ask you for $20 I want to be able to give you something for it. A copy of the movie on DVD? Of course. How about a Special Thanks credit in the movie? Why not? Producer Rewards is providing unique incentives to people that contribute money to your movie. Anybody will be able to buy this DVD or download it digitally when we distribute it. But if you contribute to the Crowd Fund, you'll get something no ordinary customer will get. Perhaps it's an autographed poster along with your DVD.
Right now I'm working out a list of different incentives matched with specific dollar amounts. The higher the contribution, the bigger the incentives. And I've been busting my ass on it for a few days now. I'm running out of unique incentives. Right now if you gave me 12 grand I think I would straight up just be your personal man whore.
I'm in the middle of working on the script for CREEP, and I'm so very excited about this. It's just one outrageous scene after another and really CANNOT WAIT for you to see this.
Already we're hitting some stumbling blocks. The make up artist I wanted to use has moved away (but is considering coming back for the shoot, so Yay!) My lead actress maybe moving as well. This might all work out if I can raise the shooting budget before summer. If not I'll be holding a casting call. Cest la vie.
I hope to have a script done in the next few weeks, along with the budget, the crowd funding plan, and full list of producer rewards.
My wife asked me if I was nervous about this whole Indy Mogul business. Honestly, I'm not. I think I've gotten pretty good at not expecting much anytime I submit to any kind of contest, or job interview for that matter. I'd love to be the new host, but in the end, they will pick who ever they're going to pick and I'll be fine with it. It's not the only thing I've got going on right now anyhow. Although I'd love to be the new host of BFX and I know I could do a great job, the only thing I can do is be proactive in my own goals. If it happens it happens. If not, hey, I'm still alive and I'm still on a mission.
That mission in question is.... Ok, well if by mission I actually mean project in which case I should say mission(s) as their are a few projects. The main thing on my mind right now is CREEP. I do need to work on REDD, but I had to push the Werewolf Costume fitting to next week, so right now I'm all about CREEP. Yes of course I need to work on Monster Cops so I can make that May deadline, but right now my head is on this feature film, specifically crowd-funding, more specifically producer rewards.
What are these words you use Patrick? Crowd-funding? Producer Rewards? Lemme splain.
I need to raise 12 grand to make CREEP. In order to do so I'm going to use every method in the book. I'm saving up much of my own money. I will be working extra hard and extra hours to earn the extra cash I need. I'm going to sell almost everything I have, including all my DVD's, my entire poster and banner collection, I'm even considering selling my car. I'm also going to make a big sign that says "TRYING TO MAKE A MOVIE, PLEASE HELP" and wear it around town while holding out a coffee can. No seriously. But one of the main ways I will raise this money is through a little something called CROWD FUNDING.
It's exactly what it sounds like. Instead of the usual approaching of a few investors to contribute large amounts of money, I will approach a large amount of people (everyone I know, and do not know) and get them to contribute small amounts of money. This method is called Crowd Funding and is being used by several different filmmakers to make their movies. I feel that this is possible if you can do the following:
1) Be clear about what you need the money for. Transparency is key. I will post the budget, how much we need, and what we need to spend it on.
2) Keep the budget low. Alot of moviemakers have been successful in raising 50,000 to hundreds of thousands of dollars. I only need $12,000.
3) Properly communicate the vision. Really let people know what it is you're trying to make. I'll post the plot, script pages, art work, vlogs, we will even shoot some scenes to communicate what kind of movie this is.
4) Create an experience. Get people excited about this movie. Get them to WANT to help you make this movie happen. Don't just sell the movie, sell the experience of making a movie, and the experience of the movie itself.
5) Producer Rewards.
AHA! There it is. There's that other phrase. What indeed IS Producer Rewards?
That's what I'm working out right now. If I'm going to ask you for $20 I want to be able to give you something for it. A copy of the movie on DVD? Of course. How about a Special Thanks credit in the movie? Why not? Producer Rewards is providing unique incentives to people that contribute money to your movie. Anybody will be able to buy this DVD or download it digitally when we distribute it. But if you contribute to the Crowd Fund, you'll get something no ordinary customer will get. Perhaps it's an autographed poster along with your DVD.
Right now I'm working out a list of different incentives matched with specific dollar amounts. The higher the contribution, the bigger the incentives. And I've been busting my ass on it for a few days now. I'm running out of unique incentives. Right now if you gave me 12 grand I think I would straight up just be your personal man whore.
I'm in the middle of working on the script for CREEP, and I'm so very excited about this. It's just one outrageous scene after another and really CANNOT WAIT for you to see this.
Already we're hitting some stumbling blocks. The make up artist I wanted to use has moved away (but is considering coming back for the shoot, so Yay!) My lead actress maybe moving as well. This might all work out if I can raise the shooting budget before summer. If not I'll be holding a casting call. Cest la vie.
I hope to have a script done in the next few weeks, along with the budget, the crowd funding plan, and full list of producer rewards.
Labels:
Backyard FX,
CREEP,
crowd funding,
DIY,
Indie Film,
Indy Mogul,
Redd
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