Showing posts with label DIY Distribution. Show all posts
Showing posts with label DIY Distribution. Show all posts

Monday, November 16, 2009

Shut up and put your money where your mouth is!

I have a rather larger to do list for the rest of the year. I've done this before, and I'm familiar with the drill. As much as I would love to get all of the projects done on my list before the end of the year, I know it's just not possible. We're almost into December. We'll have the weather to contend with soon. Most of my stuff is exteriors, and we don't have a studio at our disposal.

I know we're most likely going to be delayed on everything. Redd will most likely be finished by March. Monster Cops will probably not have a new episode til after New Years. And Bobby's Closet will probably be pushed to late summer, most likely because of problems with fund raising. And the sad part isn't not finding the funds to raise, it's having time to actually make the effort. Life just catches up to you and rearranges your schedule.

But this doesn't mean I won't try to get the list done. I've had some practice at this, and it all comes down to anticipating problems, and planning for the worst. We may only get one production day a week through January, which means I have to work to get each and everyday as productive as possible.

Yes this all changes if I can raise some money, get some studio space, and free up my work schedule. But no funds will be raised if I don't put together proof I can produce something truly cinematic to go with our killer business plan, and I'm having a heck of a time doing that since my work schedule and lack of studio space prevents me, which would be easy to remedy if we only had the money, which would be easier to get if I can .... yadda, yadda, yadda.

It's a vicious circle, and I could spend all day whining about it and how I'm trying my best.

John Mason: Are you sure you're ready for this?
Stanley Goodspeed: I'll do my best.
John Mason: Your "best"! Losers always whine about their best. Winners go home and fuck the prom queen. 
- The Rock (1996)

Point is, I know what I'm capable of, I know I can create something absolutely amazing (could I be any more impressed with myself?). I'm confident I can raise the money to make Bobby's Closet (and possibly even a feature length REDD.) But I've never been one to wait for someone else to give me the opportunity. I'm use to making my own opportunities. And even though someone might write me a check to get the studio space, pay the cast and crew, and make a cinematic masterpiece. Part of me likes the no budget low end.

Maybe I'm a masochistic. Maybe I'm addicted to movie-making poverty.

I think mainly I wanna make it on my own steam. And not just make it, but make it big. Not make it big as in some big studio gives me a big distribution deal. I mean I make something truly great, distribute and market it myself, and reap huge benefits from it. Millions of dollars from an indie movie with a low budget, enough to pay everyone that needs to be paid, raise a hell of alot of money for Cancer Charities, and have enough left over to make another one, and so on and so on. All with no permission from any studio of any kind.

I know I talk about it all the time, but it's completely possible. It's all in the business plan for Bobby's Closet. Go on ASK ME FOR A COPY! It's in there. The means to market and distribute are all available for anyone with a movie to sell. You don't need a distributor if you've got sites like Create Space or Filmbaby.

Marketing is all word of mouth. If you make a great product and get it in front of people through YouTube, festival screenings, even downloaded for free through torrent sites, then they'll be willing to put up the money to get a copy for themselves. And that's the key. Make something so good, that even though people steal a copy, they'll want to pay for it. Like the great Harry Anderson always said,

"If you put on a good enough show, they'll be more than happy to pay the price of admission."

The word spreads like wild fire, through YouTube, Twitter, Facebook, Myspace, etc. It's gotta be that good that people talk about it. The best advertising is word of mouth. If you've got the right amount of money you can supplement all that with a few print ads in the right cities, some TV time, pay per click ads on Yahoo and Google.

But you gotta make that amazing piece of cinema. You've got to create the product first.

And like I said, I'm not one to wait for someone to give me the opportunity. Part of me doesn't want the money (this is Patrick's sensible side, no no, he really does want the money). Part of me wants to see how far I can take this no-budget thing. I think we've done some pretty good things with no money. Fake guns shoot real with visual fx software, I made a book of the dead out of duct tape, built a Werewolf out of cardboard, created guns with orange juice bottles. Part of me wants to know what else I can do with no money and few production days.

The money makes it easier to create the magic, but easy isn't where the creativity is.

Yes, the money will give me the freedom from the day job, so I can have the time. But what can I do with what I've got. No money, minimum time, a decent camera, and a computer to edit on. How far can I take it? How big can I make it?

And I'm not talking about a Blair Witch or a Paranormal Activity. Yes those were great concepts and executions with documentary style formats. I'm talking HUGE. Cinematic. Can I make Gone With The Wind with no budget? Can I make something as good as a Hollywood Blockbuster or better with my crappy tripod and some duck tape.

You wanna know what I did this week? I built a camera crane out of cardboard tubes, an old tripod, and duck tape. SERIOUSLY! One thing I know I needed for REDD was big sweeping cinematic shots. I need a crane for that. So I made one with stuff I already had, it literally only cost me 6 bucks for the extra duck tape.

Those videos and tutorials are everywhere. Indy Mogul, Film Riot, and videos all over YouTube have people making expensive movie gear that would normally cost thousands, and they're doing it for hundreds and less. Dolly's, cranes, steadicams, etc.

But I want to go even further. I have to ask the question, "has anybody made a truly great cinematic experience that is completely mind blowing with DIY (Do It Yourself) gear. Can I make the Matrix or Die Hard or Pirates Of The Caribbean with DIY equipment. YES! I think I can.

I don't think I've ever truly tested myself. I don't think I've pushed myself hard enough. I don't think I've truly seen how far I can go or how big I can make this. And I think it's time I put my money where my mouth is. Someone told me once that I was truly driven in my goals of being a movie maker. I don't think I'm driven enough. I don't think I'm trying hard enough.

Don't give me any money, don't give me any people, but give me freedom, and I'll give you a movie that looks gigantic.
- Robert Rodriguez


And that's what I'm going to do. If you're reading this and you wanna give me money, great. I'll take it and I'll make something absolutely amazing that will make a bunch of money. But even if you don't, I'm going to do it anyway. And I'm going to do it with cardboard, duck tape, my trusty camera and computer and the few days a week I've got. I'm going to try harder. No wait, ya know, I think I've actually been trying too hard. I'm not going to try anymore. I'm just gonna do it.

Do or do not... there is no try.
- Yoda

Tuesday, November 10, 2009

"It's all part of the plan"

;) 
Because it still seems like you don't completely get it yet.

Indie Movie Explodes on BitTorrent, Makers Bless Piracy

Today's Big Question: What Do You Give Away for Free?

Distribute Your Movie Yourself

Create and distribute your film or video

Using Social Networking to Market Your Film

Indy Mogul

Film Riot

Filmmaker IQ

Kevin Smith - Great Filmmaking Advice


In guerrilla warfare, you try to use your weaknesses as strengths. If they're big and you're small, then you're mobile and they're slow. You're hidden and they're exposed. Only fight battles you know you can win. That's the way the Vietcong did it. You capture their weapons and you use them against them the next time. That way they're supplying you. You grow stronger as they grow weaker.

- Brill "Enemy Of The State"

Tuesday, July 24, 2007

To The Bone

and that's how I'm playin it.

Been working, both at the day job as well as on the indie movie front. Right now deciding exactly what needs to be worked on next. Working on the feature script, the one I hope to shoot soon. But still seeing how I can workout doing a Monster Cops episode. Many factors are involved, not making any of this easy. But hey, these are the problems I like having. And for further annoyance I keep getting emails from distributors I have already told no to, several times. And their deals don't get any better either. The more they persist, the more I feel going full DIY is the right direction.

Still marketing Monster Cops: TMS. Still trying to get the word out about the DVD. But I get the feeling we'll have more of a response towards Ocotber. I am so very anxious to produce something else. That feeling of really wanting to show what I can do, is really getting to me. I just can't wait to have the budget to unleash my full potential, or even my half potential.

Today Monster Squad hits DVD and I will be getting my copy. And I just found out that The Dark Knight teaser will be on The Simpsons movie, so double excitement. Also the Walking With Dinosaurs Live Show is headed this way, even more excitement. Jeez, Monsters, Batman, Simpsons, and Dinoaurs. Jesus I am a nerd.

Thursday, June 28, 2007

An interview with ... well ... me

Here's a small excerpt from my interview. Click the link below to read it in it's entirety.

"The Office" Meets Zombies, Werewolves and Vampires
An Interview with Patrick Prejusa, Director of "The Midnight Special"
By Kelly Keltner


"Hollywood is crap. I could make a better film than they could."
A lot of people are guilty of saying this exact line, but just how many people actually attempt it?

Not many. It's usually those that have a love of film and respect the medium that go on to make successful films. The ones who grow up loving both the good films and the "bad." A guy like Patrick Prejusa.

When I first "met" Patrick online a few years back, he was still working on his film, "The Midnight Special." Day after day he juggled filming his masterpiece with a real life job, his marriage and life's own nasty setbacks. Today, however, he finally has something to show for it all: a finished film.


Read the whole interview here.


Sunday, May 6, 2007

Holy Crap!

It's been alot of hurry up and wait trying to get through the details of putting this little indie film on DVD. And after trying to get the DVD cover design just right, deciding on the disc graphic, proof reading the hell out of everything, double and triple checking the disc, sending off to CUSTOMFLIX, and then awaiting the proof copy for my approval, FINALLY, we are on DVD.

Got the proof copy yesterday, a week late, but I'm not complaining, I'm just so excited to have my work more widely available to the public. Woke up just in time to see the FedEx truck guy pull up. Met him outside where he gleefully handed me the package. The sun was shining, rainbows formed over head, and a blue bird sat on my shoulder as I accepted the package. It felt good, that package. Nice and firm. A real feeling of excitement and satisfaction holding that package. This is sounding bad isn't it? Mr. Blue Bird flew away as I headed inside. Lemme tell ya, was I excited. I almost didn't want to open it just to prolong the excitement. I love getting mail anyhow, and this was just quintuple all that. Tore into it to find what I've been dying to see.

Understand I designed the cover and the disc design, the menu, the disc layout, etc. I give them the files and master disc, they make the entire packaging happen. Once they make it happen they send me the proof, which is exactly what the customer will recieve when they order it. So not only do I get to finally see the movie I've been busting my ass on for years now reach the next level, but I also get to see what was once just files on my computer, turned into a full professional package, as well as experience what the customer will experience, though I doubt any of you who may purchase my movie will be jumping up and down in your kitchen doing old school Arsenio Hall dog barking noises and gestures, as I was doing yesterday.

I'M A DORK!!!!
HELL YEAH!!!

Lemme tell ya, Customflix is a dream come true for us DIY, Indie Moviemakers. Through them our movie will be listed on IMDB, it's going to available through Amazon.com in a few weeks, it'll be available for download to your home computer, through your XBOX, or if you have a TIVO. Thanks to Customflix for all that, and also without them the following pics would not be possible.

Ooooh, spine labeling, SEXY!
:D

That's right bitches, a REAL LIFE BARCODE!
:)

No crappy computer printed sticker labels here!
Uh!  Take that!

Check out one of the ad banners, which I'm sure you have, if you're on my Myspace. Yes, that's right, a dollar from every DVD sold goes to a Cancer Charity as per our mission to create and heal!


More dorkiness.
DORK!!!!

And now all we have to do is tell the world about it. So there is much much much much work to be done.

Do me favor, and tell everyone you know about it. Check out our site MONSTERCOPS.COM, to see all the trailers and clips, and decide for yourself if you'd like to get a DVD copy of our little Comedy Horror flick. Fair warning though, it's actually more of a Comedy. But it's funny as hell.

Pardon me, I have to go tell the world about it now.

Ahem.... scuse me, um... world?


Wednesday, April 11, 2007

DVD RELEASE APRIL 27th


Monster Cops: The Midnight Special was initially supposed to be on DVD by the end of this week, Friday The 13th (woulda been cool) but due to a few set backs (as always) we'll be pushing back the official release to April 27th.



Friday, March 9, 2007

Wednesday, January 31, 2007

9:00 am

And I still haven't gone to bed yet. Why? Because I'm obsessed with movie marketing and self distribution.

My father has made a full recovery. So now that I can breath a little easier about that, I can continue to pester myself about details on the current front.

Just a few notes. As soon as I go to sleep, I'll have to get up 6 hours after that to run errands. Good things it's my day off. Also have to settle a few details, but it looks like maybe hopefully possibly we've got a lead on a screening here in Winston Salem, NC. for The Midnight Special. We shall see how and if it happens. Hopefully today also marks the day I get to actually begin to work on updating some videos and the sites. This means new trailers for TMS and a ton of footage that's begging to be turned into two video blogs and DVD extras for TMS. We are also one step closer to bringing TMS to DVD. After today I'll know for sure if it's going to be March or April for a release date. And we begin the process of platform theatrical releases and screenings. But more on that later.

A couple of notes as far as marketing is concerned. I'm taking a few notes from foureyedmonsters.com and theindywoodproject.com.

Hey look. A bed.

Wednesday, January 24, 2007

Uncharted

I try not to do anything unless I research it to death. And lemme tell ya I think I know more about cable advertising and media buying then I ever wanted to know. All this research is part of the marketing plan. No, no, don't expect to see any Monster Cop commercials anytime soon. But perhaps in the future. Just trying to flesh out every bit of the agenda. You can add on top of all that the current research on guerrilla marketing that I've been brushing up on. I've always been a fan of Jay Conrad Levinson. I feel I've learned much about marketing from all of his books.

I found myself wondering around the book stores and libraries today before going into work. I realized that there was really nothing for me to look for. Most of the research I needed has been online. If it is in book form, I've already read it. After perusing most of Mr. Levinson's teachings, which I had actually read years ago, I realized that there was nothing left to learn. Ok, well that's not true, there is always something to learn. But as far as a book on filmmaking, independent movie making, movie marketing, low budget production, digital production, and DIY distribution? I don't think there is anything left for me to read.

I flipped through the usual mags, Filmmaker, Moviemaker, yadda yadda. Don't get me wrong, great mags they are, but I don't need another article telling me how easy it has become to self distribute. Every article, every book, every piece of paper that had anything to do with movie making or distributing, I had already read, or already knew what it was going to say.

The thing is much of that info is obsolette. I picked up a book on No budget distribution, published just last year, already the data in it was outdated. It is after all January 2007. Technology is moving fast and the opportunities for DIY movie making and distribution are growing faster than can be documented. It's pretty easy to find publications that already have it wrong just weeks after they've been published. It's come down to it. The knowledge has caught up to the present. Nothing in books can prepare me. It's all about the current trends being reported now.

It was just today that I learned of 2 new trends in technology and marketing that will be quite useful for the indie distributor. Hopefully I'll get to utilize them soon. All the old data I've already consumed, and the new stuff I'm keeping an eye on. The preliminary research is over, and it's time to start taking some very big steps. We're most definitely off the map here, and perhaps soon, instead of me reading the news, I'll be making some.

This whole DIY distribution thing is some scary shit.

Ain't it cool?

- P

Monday, January 22, 2007

Without A Box

The Golden Globes. Yeah, I forgot about em. I was at work.

The Superbowl. I'll probably forget about that too.

The Oscars. I really don't care.

The Superbowl, well, that has to do with me not keeping up with any sporting even that didn't involve cards, pool, or free form fighting this past year. As far as awards. I'm at the point where I don't really care what movie wins an award, because I've got my brain wrapped around making and marketing my own. However I am quite happy that Jennifer Hudson won. And it's about damn time Eddie Murphy received something as well as Forest Whitaker. So good for them. And Sacha Baron Cohen, yes I am happy you won too. But I'm still envious that you get to bang Isla Fisher with frequency. So congrats and screw you.

I didn't care to tune in, cuz I'd rather be working. I'm glad for the winners, but I don't find myself taking nights off for award shows or TV events anymore. Unless there is some sort of segment on Indie Self distribution, I most likely will not be tuning in to the Oscars. Especially if I'm working, either at the day job or my real job.

I find myself lately surrounded by budget sheets and scrap pieces of paper covered in scribbles of numbers and prices and costs and sales figures. I'm trying to take a note from a wise piece of advice Lance Weiller (The Last Broadcast) said in an article on DIY Distribution. "Don't lose that same empowerment that you felt when you picked up the camera and shot the film in the first place."

So very true. It doesn't end when the movie is in final cut. That is honestly only the beginning. And since that final edit last year, it's been a bumpy road that hasn't really alloted me the chance to get going. But I've got my second wind back, and I'm ready to get going on distribution.

I'm aiming for a DVD release date of March, but in reality it may be more like April. This is also going to coincide with Festival Screenings as well as separate theatrical screenings. Any place I can show this movie I will and at the same time let people know that they can own it on DVD. This is also going to coincide with some fundraising for the sequel. I'm going full steam ahead on MONSTER COPS the movie. The series will come after. I fully garuntee an interesting and fun fundraising and marketing ride. Get the bail money ready, cuz I've got a plan.

I've got 5 packages to send out. Each with a DVD screener/press kit/promo kit. I already did one video about the basic DVD screener creation and what that entails, but I'm documenting the creation of the full kit and promo materials. I hope to have that up in a few weeks.

I really don't know what I would do without WITHOUTABOX. If you're an indie filmmaker and you're not utilizing Withoutabox.com, than you are just plain missing out. It's a festival data base and a one stop shop for entering festivals online. No need to fill out any paper work, now you can find the fest or fests you want, submit your info and press kit details, have your entry form and applications filled out automatically online, pay all of your entry fees online, and all you have to do is mail your DVD screener in. Entering fests have been so much easier since Withoutabox came along a few years back. It's also a huge help that you get discounts on many of these fest fees.

And they've really grown too. Almost every fest on the planet has signed up with them, making it easier to enter fests in one shot. Now they also provide DVD on demand delivery. They will burn and send in your DVD everytime you enter a fest online. Soon they will be much like Indieflix or Customflix where indies can distribute there DVD's on demand. They've even started something called AUDIENCE. It's pretty much MYSPACE for Filmmakers. Got a movie to promote, you can start your own Audience Page and upload pics, info, and trailers. Check out THE MIDNIGHT SPECIALS AUDIENCE PAGE. Many films have already used Audience to build buzz about their movie.

I'll tell ya though it's getting hectic having to keep up with all these promo pages. Audience, Myspace, Indieloop, etc. But it's worth it everytime I see how many new hits there are on monstercops.com. How the hell are we so popular in Germany? Everytime I check the stats, there's 20 new hits from Germany. I don't think I've even sent a screener out that far. Whatever, as long as they spend as much time as they do on the site getting to know the movie, I'm cool with it.

As posted on the WTW Blog, there will be some major changes to monstercops.com and whethertheweather.com. Got some major work to do.

Saturday, January 20, 2007

When dealing with distributors ...

it's always a good idea to consult the people they are already distributing.

Got a few emails from some people I contacted about a few of these distributors that keep tugging at me. And boy am I glad I contacted them. I've learned some very interesting things about some of these fairly popular companies. Now I'm not gonna name any names, or give away too much, that would just be bad business karma. But just know, over the next year, I'll be helping out my fellow indies by getting the word out about their product. I swear some of these guys just plain got screwed by their distributor. And these are some VERY good movies.

One indie filmmaker in particular made a deal with, let's call them Company A. Company A has had there movie for about 4 years now and they've barely done any marketing and have only sold about 500 copies. I'm hoping to God their contract is up with Company A soon. This particular movie is EXTREMELY marketable and a decent distributor should have no problem at least clearing 10,000 copies a year. Let's say you sell 10,000 DVD's at about 11 dollars each, that's $110,000.00 a year, and if the contract is 70 percent of profits to the distributor and 30 percent to the filmmaker, after the expenses have been recouped we're talking at least $24,000.00 to the filmmaker for one year. In 4 years that should have been a total of $96,000.00 that should have been paid to the filmmaker. In this case since Company A has only sold 500 copies in 4 years, the profit goes to recouping expenses of the distributor first. Which basically means this particular filmmaker hasn't seen a dime.

Tip: Be sure there is a stipulation in your contract with the distributor that says if they don't earn you X amount of dollars within X amount of time, then you retain all rights.

And what's even sadder is that we are only talking about DVD sales. What about pay-per-view, digital download, mobile video, cable, even theatrical? Your distributor should be busting his ass getting your movie out there. He should be hitting the pavement screaming to people about the catalog of great movies he has including yours. I swear talking to some of these filmmakers and really hearing these horror stories, just confirms my beliefs. Why am I going to hand over my movie to someone who is only going to do what I can do myself? The problem with DIY distribution is that you may not have the clout and weight of an experienced distribution company, but I've got the contact info for the pay-per-view folks, I know that I can easliy make my movie available on DVD, online, and even in some retail outlets, I can put my movie up for digital downloads, and I'm not that far off reaching basic cable. And as far as marketing is concerned, hearing the inside track of what alot of these companies do to get marketing done, is basically what I was going to do except I won't have to pay someone else to do it.

Unless a distributor can come up to me and offer me something that I can't do, then maybe I'll work with them. But for alot of these companies that I've been dealing with, I've been doing the research, I've been getting the info, and it doesn't sound like you can do any better job than I can. As a matter of fact it sounds like I can do a much better job than you, because I've got the full passion of this project. I love this movie. It's my baby and who better to take care of it than the baby daddy. Yeah that's right, I got fuckin ghetto on your ass.

Bottom line is, if you want something done, you gotta do it yourself.

ya-ya ya know it!

And yes I've been listening to the Ghostbusters 2 soundtrack.

AND SPEAKING OF GHOSTBUSTERS! Look what was leaked recently.

GHOSTBUSTERS 360 BITCHES!!!!


But apparently there are some licensing issues, so there is a possibility this is as close to a game (or a sequel) we'll ever get. I'd also like to note that this is similar to the look I'm going for with MONSTER COPS / SHADOW COMPANY. For a few of the action scenes that is.


Checkout More Here at Team XBOX

Wednesday, January 17, 2007

Liberation is near enough; there's no need to rush.

Today's tip boys and girls: Be cool.

Dear Patrick,

Don't rush. First timer's rush. There's a bit of experience here. You're no first timer. You've done this before. Nice and easy wins the race. No, no, I'm not saying stop the plan, or not do anything. I'm saying take a pause if need be, but while in motion, be cool baby. You can't run outta hell, the demons will snatch you up quick. If you can be cool and walk, they won't even pay you any attention. Be cool.

So you've got this movie. People seem to like it. A few distributors seem to want it. But you've decided to self distribute because you wanna keep the rights to your own work and you've got a solid plan in place. Cool. But things start to fall apart. Are they really falling apart? Is this the time to panic? No. It's time to be cool. Let the chips fall where they may, and then find your way around it. Be cool. Oh, what's the big deal? The computer's fuckin up? It won't let you burn DVD's. It's being immensely slow. Well of course it's being slow. It's a 4 year old computer with a shitty processor. You use the damn thing for everything from editing movies to composing music, what did you think was going to happen.

So go get it fixed. What? It costs too much and you might as well get a new computer? Well then get a new computer? What? You can't afford one. Then save up for it. Stop whining Patrick, and save up for it. Just like everything else you've had to do, work for it, save for it, but for God's sakes, stop bitching and just be cool. Plus, it's not like you're not making money. Stop being a stingy assed bastard with the dough, be financially smart, wait a few weeks, and I'm sure you'll be back on track, but until then I'm sure there is plenty for you to do that doesn't involve the computer. Yes, yes I know you've got a ton of emails from people wanting a screener. Am I supposed to feel sorry for you. Oh poor Patrick, people want to see his movie. Shut the fuck up. At least you've got people wanting to see it. Email them bitches back and let em know there is a delay. Until then get off your whiny ass.

Yeah, yeah, you're panties are all in a bunch because it's been an emotional year, and so many tough things, SHUT THE FUCK UP! WE KNOW it's been a tough fuckin year. Stop crying about it and stop using it as an excuse to give up or make amateur mistakes, and get on with the real plan. The computer problem will be fixed, just like when the camera broke in the middle of production. What did you do? You spent two weeks working on graphics and titles until you could finally get a new camera. See all better and you got other shit done at the same time. Same situation, it's just happening now at the distribution and marketing end. It'll be all ok in a matter of weeks, so stop it. So shut up and be cool.

Yes I know other things are going on here as well. Emotional stuff, family stuff, personal stuff. But don't you dare make this an excuse to stop doing the other things that need to be done. You've got some shooting to do. You've got plenty of shots to get and that doesn't require a computer, so go get em. Um, also I believe there are a ton o press kits for you to piece together. And rewrite that frickin press release already. And stop watching Dick In A Box, I know it's funny, but it's getting a little gay you watching it so many times, and you're eventually going to get yourself in trouble when you finally sing it too loud at work. And get a hair cut.

Today's word is:
foofaraw: excessive or flashy ornamentation; also, a fuss over a trivial matter.

In other news, my theatre is going totally digital. By Thursday there will be only three 35mm projectors and that's only as back ups to three of the digital houses. For the most part all theatres will be completely digital. The upside is, that as a projectionist my job just got mega easy. The downside is that as a tech my knowledge of 35mm projectors is out the window. And believe me I've been studying my ass off on every manual I can find on these digitals. This is a whole new world and a whole new era. Exciting and surreal all at once. No more hum from the projector motors. No sound of 35mm film running through loops in the projector head. No more sounds of squeaky platters spinning. Now it's all about pixels, sattelite uplink, and hard drive ingestion. But I'll post more on that later. I actually may end up doing a video about it for CurrentTV. If time permits.


In perpetuity. So bad ass.

.