Shoot First Ask Questions Later

Started shooting last week. Here are a few freeze frames from what we've shot so far. Mostly interviews and dialogue scenes. More to come as I get the locations I need.


Cutter about to miss the trash can again.



Greenly being Greenly.



Weir talking about depression and toothpaste.



Windows and Jack talk about Cutter's gun jamming.



Windows offers Jack suckers he made himself.



Jack reacting to Windows telling her he keeps them in his pants.



Nigel and Bryce discuss smiley faces.



Bryce puts a smiley face on Nigel.



The consequence of putting a smiley face on Nigel.





Shooting continues throughout this month and possibly into May. If you are someone I talked to a while back and you expressed interest in helping, and you think you'd never hear from me ever again, be prepared, cuz I'm frickin calling everybody to help me get this done. Yes even YOU.

- Patrick

I always expect it. I always know it's going to happen. But I still get surprised at how frustrating making a movie is, even if it is just a 22 minute pilot. I think it is even more frustrating because it is 22 minutes. Somehow if it were 5, it would be fine. Or if it were a 90 minute feature, it would be fine. But 22 minutes is kicking my ass.

Not a big deal. Just using the ole blog to vent. In actuality(sp?), things are going rather smoothly. I just get more and more antsy every time we shoot something and I cut it together onto the timeline. Just 27 more scenes to shoot and we'll have enough to fill 22 minutes.

Everyone pray it doesn't rain on Wednesdays and Saturdays for the rest of the month.

Holy shit. I don't feel like doin a goddamn thing today.

Shut Up Unicorn

XlntAds new assignment requires you to make a video to help promote the new Harold and Kumar movie. Harold and Kumar Escape from Guantanmo Bay. I immediately had an idea, but wasn't sure if or when I'd be able to get to it, as I am heavily involved with several video projects including, and most importantly, Monster Cops.

But with a little nudge from a friend, I went right into it. Took me one night. No footage needed to be shot. I utilized the assignment assets given to you when you register for the contest. Some publicity stills of Harold and Kumar, some logos. But for the remainder of my idea I would have to "borrow" from one of the Harold and Kumar marketing sites http://whatwouldnphdo.com It's a site that features actor Neil Patrick Harris aka NPH. Kind of sets him up as some sort of guru or religious idol. My idea would basically continue that theme, and the spirit of it's randomness.

I downloaded the wallpaper of Neil Patrick Harris sitting on a Unicorn. Did a little work in photoshop. Actually I didn't even bother with photoshop, I just used MS Paint. Cut his head out, cut the Unicorn's head out, stuck em in a green background ready for a chroma key effect, and after composing a bit of guru type groove music in Fruity Loops, I went to work.





I recorded the voice over directly into my camera mic and loaded them into Vegas, I didn't even bother setting up a mic. I had a ton of random things to whisper and I wanted to record them immediately. I already had the camera ready to go. Threw the images of static, and random color effects, had a heck of time multiplying Neil Patrick's head. Well there's a statement you don't read everyday.

After about 3 and half hours I was done. Uploaded it to XlntAds that night. Then I watched it and immediately thought it was a piece of crap. It's human nature to second guess your creations I guess. I guess we'll see if New Line Cinema likes it or not. The contest ends on April 13th. Ten prizes of $1,500 are up for grabs. Even if I don't win, I'm having a heck of time making this stuff. I cannot tell you the immense fun I had recording and editing around the phrase "Shut Up Unicorn."

Now if you'll excuse me, I have to get back to editing Monster Cops and trying to figure out how we're going to shoot exteriors while trying to avoid the rain. Oh look, my inbox is full of folks requesting to be a zombie. I swear everbody loves to play the monster.

Brilliant

Ain't nothin like editing

Really, it's very addicting. Manipulating images and sound to create art. Well in this case a Budlight commercial. Finished the ad today, and I'm quite proud of it actually. We came up with some great stuff and it all went together quite well. Can't wait to show it off, but now let's see if Budweiser approves. Once again, ya can't hold your breath on this kinda thing. You send it off, and forget about it. If something happens, great. If not, oh well.

Cut together Chris's Tech Interview, finished the Budlight Ad, worked on editing Monster Cops. Even had time to snag me one of these bad boys:



More later.

What kind of day has it been?

Today we worked on the Bud Light commercial for XLNTads. I think we all had several different ideas for the past week, but really we're coming late to the game and couldn't do alot as per Budweiser's Guidelines. Tonight we got quite a bit done. Came up with a nifty idea and knocked it out by about 9:30pm.

Got started at about 4:30, first with a few videos for actor Chris Plouffe. I'm working on his demo reel as well as helping him produce some videos for his acting profile. Then went into the Bud Light stuff.

Got home around 10:30 and continued back on what I started the day off with. Editing Monster Cops.

What's that you say? We've barely shot anything? Correct. Plenty of test footage, rehearsal video, and fx tests. Out of all that, there's maybe 2 minutes of footage I could use and sneak into the actual movie. But editing goes beyond just cutting footage together. There is quite a bit of graphic and titling work to be done, and I might as well get started on sound effects work.

This is basically a 22 minute series pilot we're working on. So I've already created an editing timeline in Vegas starting off with the usual, black tone, bars and tone, and a countdown.

Can you tell I use to work in Television? Does anyone even say bars and tone anymore. If you don't know what I'm talking about here's the run down. We start off with black tone, which is really just a black screen. We use to call it black tone, or black burst, because back in the days of analog 3/4 inch video you had to actually have a machine that produced a black screen (called black burst or tone) that you'd record on to your video tape. 30 seconds worth because back in the day you had to make sure enough video tape had run through because the very beginning of the tape was always more at risk to be damaged or degraded in a video deck. Nowadays you don't have to worry about that, so I do about 5 to 10 seconds of black, all on the good old computer machine ;).

After a black screen, we have the color bars and tone. You may have accidentally seen this on tv late at night. Color bars are there so whoever is playing back your video can adjust their equipment to the correct industry standard colors. Again back in the day a machine put out a color bar signal. Now all I have to do is click a setting in Sony Vegas. So easy. The tone part of bars and tone means a sound tone. One long sound in order to help whoever's watching adjust their volume accordingly.

Then of course the countdown. Self explanatory. A countdown is there to let the presenter of your video no where to cue it. That way your video is ready to go when the lights go down, or when the curtain comes up, or whatever. They hit play and it's ready to go. The countdown you see here is the typical start at 8 and ending at 3. Starts at 8 because honestly 10 is just too long, and ending at 3 because those last 2 counts should be black screen and then the actual start of the movie. I made my own countdown, full of color and hues, just for the heck of it.

The episode starts off with very official looking government office graphics. I'm using actual department seals and logos, along with the Shadow Company Unit number, file number, video number, etc. Really trying to give you a feel that you're watching something produced in secret by the government.

Got to specify that you are watching a training video of sorts. As if you yourself are being trained as a Monster Cop, or that you are somehow being treated to a sneak peak into a secret government project.

After all the graphics and ID flashes and such, we go right into the action. Starting with this text. Trenton County is a fake county I've used in previous productions. I've decided to set most of the Monster Cops action in the town of Magic Valley, USA. A creepy little town I've written quite a lot about. When you watch the episode(s) Magic Valley and Trenton County are going to look like a hybrid of The Triad and DFW.


Here's the main titles for the show intro. The following pics are freezes from the intro.



The intro as it is right now only has footage from rehearsals and test runs, as well as footage from the first movie. Look it's Roy and Tabije.

Speaking of Tabije, I'm glad to say that the boys in Texas had a successful shoot last Saturday. They knocked out quite a bit of footage from the pages I sent them for this episode, and I can't wait to see it all put together with the stuff I'm shooting here.

This wednesday I hope to work on the Bud Light ads more, get some work done for ExpoTv, and hopefully get into some Monster Cops footage. I NEED A CAMERA PERSON!

I honestly don't think I could be more excited...

about a summer movie season. Indy, Batman, and ...



Yeah, eat it Spidey.

Obstacles

I think the hardest thing about making a movie is holding on to that fire. It's not that the passion ever goes away. It's just that so many other things take place in life that make it hard to get back to that passion.

Again it's about Juggling things. But not just juggling, but juggling well. Really getting it all done. Putting as much of yourself into your work as you can. And all those other things you have to worry about when you're trying to achieve any goal, paying bills, worrying about your health, car troubles, etc. You have to try to keep up with all of that at the sametime.

This is all a part of the juggle. It's about trying to make that car payment, and keeping yourself healthy, while drawing up those production sheets. It's about making sure you've got all the birthdays covered, making sure you put in enough hours at the day job, make sure you reach your project deadlines, while thinking about what your lighting situation will be for a particular scene.

It is hard enough to have to do your own production design and props and costumes, but having to do all that while your trying to plan out what you're going to cook for the family that night, what groceries you'll need for that week, and whether or not you can get the laundry folded before you put in the next 3 loads. That's beyond juggling.

Of course much of this could be remedied by simply getting paid to make movies, but in order to get there you have to start with nothing. You have to work for free, in order to get to a place where you can work for yourself. The Midnight Special was the first step, the next Monster Cops project is another step, bringing us closer to working on a feature with a budget, or working on a web series with a budget, which ever comes first really.

But again you've got to do what you can to hold on to that fire. I'm convinced that's why so called "bad things" happen. It's the purpose of an obstacle. For something to get in your way, it should only fuel your fire. It's the unexpected bill, the unforseen car trouble, the shitty day job, and the people that tell you you can't do it. It appears to be the thing to bring you down, but it's fully designed to make you work harder for that dream.

So the next time something gets in your way, throws you off course, puts you down, or knocks you out, you use it as an excuse to get up and keep going. You embrace ambiguity. Welcome the fight. Instead of seeing an obstacle as just something in your way, see it for what it truely is. It is the thing that helps define you. It doesn't actually block your path, because when you go around it, it helps define your path. The rocks that were blocking your way are now the landscape that helps create the road way to your dreams.

In truth everything and everyone is actually conspiring to help you. So make your own path, fuel that fire, and keep juggling.

If you can find a path with no obstacles, it probably doesn't lead anywhere.
- Frank A. Clark

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.

Change before you have to.



In other words, don't wait for the plane crash.


And as you follow your own advice Mr. Prejusa, it would be a good idea to stay on track. So ...

- JB Video Project
- Bud Light Video Project
- Expo TV Ads
- Monster Cops
- H and K ads

In that order. And you're already behind on one of them.

XLNT ADS AMAZING PITCH 2

Xlnt Ads had this great idea to have a contest to see if they could find a really great pitch or trailer for a web series. And guess who got a runner up prize?

Yup, that's right, MONSTER COPS.

Monster Cops got a $500.00 prize as well as the possiblity to get sponsors to help fund future episodes. Awesome. Really I was just aiming for the $500.00.

See the XLNT Ads blog about it.

Check out the Video that was submitted yourself.

the love you take is equal to the love you make

Wanna make a movie? Learn to juggle.

From Wikipedia:

Juggling is a form of object manipulation. The most recognizable form of juggling is toss juggling, where the juggler throws objects through the air.

The word "juggling" derives from the Middle English jogelen to entertain by performing tricks, in turn from the French jongleur and the Old French jogler. There is also the Late Latin form joculare of Latin joculari, meaning to jest

Other definitions on the web:
- juggle: the act of rearranging things to give a misleading impression

- To keep (two or more objects) in the air at one time by alternately tossing and catching them.

- to engage in manipulation especially in order to achieve a desired end

But here's my favorite one, and the one that sums it up for me.

- Juggling is simply the manipulation of time and space to create the necessary patterns during a routine, or anything Else in life for that matter.

For me I'm equating the art of juggling with making a movie. And like learning to juggle (which I am still actually quite horrible at) you can't start out without dropping a few balls. (insert dirty joke here.)

And learning to juggle is frustrating. You hardly succeed in catching your "prop" in the beginning. And thus begins a series of endless moments where you drop things and then chase after them bent over forwards, your arm outreached, hand trying to grab it, as it rolls away from you. Not unlike learning to make a movie independetly and with no money.

You can't afford a production manager, or a prop master, or a location scout, or a script supervisor. Of course you can put the call out and find people willing to help you for screen credit and no pay, but in the end much of these things are so important to your production that you don't want to risk asking someone to take on a task and then not show up to do it. So you do it all, or as much as you can. And this is where it is very much like learning to juggle.

My first few attempts I was constantly dropping the ball. Not truely understanding that I needed to catch one thing, while tossing up another, and still keep my eyes on all 5 balls. It truely is about multiple manipulation of time and space. You've got to get the script done, coordinate meetings, schedules, costumes, locations, at the sametime, find time to cast extras, do rewrites, talk to the special fx guy, and then there's those pesky bills, day job, and everyday life and stuff.

When it comes to throwing balls in the air, I'm not so good. But when it comes to juggling the tasks of a nobudget indie movie, I've gotten the hang of it. You do something enough, you get use to it, you improve upon it, and you become better at it. And that's a good feeling. Like all things new to you, you reach that point where you start to get the hang of it. You find your footing, you're not so nervous about it, not so anxious, a little bit more at ease. You understand what goes first, what comes next, and how to keep the process in motion.

I finalized the script this week, and now I immediately move to script notes, actors meetings about dialogue, production sheets, cast reports, location reports, scene reports, and additional casting. And I feel good about it. Mainly because I remember when this was about the time I would drop the ball. I remember finishing the script, and then being happy about it, and then not knowing what the next step to take was. But now I get it. I understand this process more, and it may not be the same process other filmmakers, or other productions, but it's the process that works for me. It's how I know things get done for my movies, and it's working out well.

Haven't dropped the ball yet, and I don't think I'm going to. I may not be all that great at juggling, but I understand the concept. I understand what it takes to manipulate things in order to achieve the desired end. And when I've got my act together I hope that everyone will enjoy the show. And then I hope to jump right back into it all over again.

I hope one day I can make movies as good as this guy juggles.

"The beginning is always today."

- Mary Wollstonecraft

so true.

Production Update March 10th

After months of toiling with it, rewrites, re-rewrites, and re-re-rewrites. The script is finalized and ready to shoot. I still have a ton of people to contact. If you were one of the people I talked to months ago and you haven't heard from me in a while, I apologize, but I will get back in touch with you soon and let you know what is what.

And can you believe it, I'm still casting, but that notice will be out soon enough. In the meantime, I've secured most of the main cast, and the ones that I've been accesible to (meaning the ones that live near me) I've been doing some rehearsing with, trying on the gear, just generally getting use to folks, getting them get use to eachother, and getting them use to myself. Here are a few pics of what's been going down.

The completed MKX300 Gun Prop.

Side shot of the completed prop.

Brandon holding the weapon, while wearing a costume I mistakenly thought was a good idea at the time.

The incomparable Greg Romeo, playing the part of Carl.

Greg and Brandon.

Greg Romeo, Chris Plouffe, Will Atwood, Danielle Motley, Brandon White. Most of the main cast.

And when I asked them to pose sexy, this was the result.

More later.

Black Ops Patches

A bit on MSN I found. Here's a link for future research.

http://www.newsweek.com/id/118841?GT1=43001

"It is during our darkest moments that we must focus to see the light."

- Aristotle Onassis

Sick and tired of being sick and tired.

Hello, I'm sick. Nothing major, just a sinus infection. Nothing so bad that it's life threatening, but just bad enough to be annoying and distracting. And just as I'm trying to finalize this script that needs to be shot ASAP.

But that is how it goes. I need to write and work on music and I'm too sick to do so. But that's ok because 5 documents crucial to the script have been deleted and so have their back ups. Also one of my cameras decided to die, leaving me with 2 cameras.

All is not lost. Oh poor Patrick now you only have 2 cameras and access to a few more. And as far as the script is concerned, I'll just take it as a sign that I need to rethink the direction I was going in. I've got the story down in my head, so no prob putting it on paper. Now if I can just stop being sick and regain my concentration.

But it could be worse. I could have problems that I hate.

Diablo steals the Oscar!

So very proud of you my dear.

Google "Diablo Cody wins an Oscar" if you haven't a clue as to what I'm talking about.

It's all coming back to me now

The actual trailer will be avaiable online soon. But if you can't wait, check out the bootleg now.

That feeling came back to me when I was watching it. That magic that makes you want to make movies. Like the first time you see the grand canyon, the statue of liberty, the kremlin, your first broadway show. Like being in church and being swept up in the spirit, like God was touching you.

This is my church.

I've gone back in time

There's huge buzz about the new Indiana Jones trailer debuting tomorrow. Check it out if you go see the Spiderwick Chronicles. It should be online shortly after that. I'm hella excited of course, but it's all so odd to me. All this talk about the next Indiana Jones, more talk about the next Batman. I came home the other day and saw back to back commercials for Knight Rider and American Gladiators.

I've certainle entered some sort fo timewarp. Now if you'll excuse me, I've got to put on my members only jacket, slip on my reeboks, get on my schwinn, and meet up with some friends over at Mazzio's Pizza where we'll spend the next few hours playing Commando and trading Garbage Pail Kids cards.

Heaven's gonna need a bigger boat!!!

Thank you for all you've done. Thank you for the wonderful body of work. Thank you so very much Mr. Schieder.

I'm quite sad about this.

Writing Research for Monster Cops

Don't mind me. These videos are just notes for me to remember as I finish writing this episode of the next Monster Cops.

Monster Cops Vlog 020908

Visual FX Test 2808

Gunfights are mandatory in Monster Cops. But good gunfights are a requirement. In all honesty you can't beat the real thing. And when I say real thing I actually mean blank firing guns. I've used them in the past and they are just amazing. I am fascinated by the use of prop nonfiring guns and then later compositing gun fire over the footage, but with blank guns you get the same realism you'd get with the real thing. The smoke, the blowback, the shell ejecting, and just that overall feel and sound.

However I do have to run tests to look at my options, because putting the gun effects in after the footage has been shot costs me nothing. Now I do have blank guns, but some of these scenes call for more than one gun firing within a shot. So here I am testing it out, gun flash composites, nightvision filter, I even threw in a neat little blast just for the heck of it. Let's see the 20 second test shall we.



So what do I think. I think it's rather neato to watch, but I still think it's not up to par for what I want. First of all I haven't put in the shells being ejected and for me that's a big minus. I like to see the actual action on the gun and the shells pop out with each shot. I think some of the flashes look fine, but too long on the shots and they look too produced. The gun sounds are fine, seeing as how I recorded them myself from real guns. I like the nightvision, should fit in fine with our other nightvision footage. The blast really sucks. Heck I'm looking for perfection here and I haven't found it. However some of this in small spurts cut in with the actual blank firing gun footage should do fine. Vince DeNiro I wish I could afford ya. Perhaps when we do the feature.

In other news I'm actually finished with casting for this episode, but if you were looking to be cast, not to worry, I've got so many great resources and people now that I've just got to do 2 or 3 more, so I'm actually still casting for two more Monster Cops shorts. But more on that later.

Video blog coming up on locations, fx, casting, rehearsals, and all of the behind the scenes goodness that is Monster Cops.

Our tripod was a napkin and a coaster.

A great article from Studio Daily about some of the VFX work on Cloverfield.

Cloverfield Carnage
How Double Negative Smashed Up Manhattan
By Bryant Frazer

And an interview with Matt Reeves from Shocktilyoudrop.com.

The way Cloverfield was shot is a good example of how I want Monster Cops to feel especially with the monster and battle scenes, minus the puking factor of course.

Work For Yourself

Sometimes it feels like we all underestimate our own freedom. We get so use to the routine in our day to day lives that we condition ourselves to feel like this is all there is. That nothing could get as good as we've got it now. And that we have to settle for business as usual. I also believe that often, not always, but often, fate deals us a hand in life to get us all shook up so that we may reconsider where we our in context to what are dreams are or were, as compared to what we've settled for.

Think of the man who surrendered his dreams of being a painter for 30 years as a corporate exec, only to survive a near fatal plane crash. Because of his brush with death he rethinks his life and reignites the passion he once had for art. Other examples aren't so extreme but are just as powerful. The day in day out 9 to 5 job that you've settled for, the one that was supposed to be a stepping stone, a temporary exile to help you pay some bills while you pursue that dream of yours whatever it may be. The one that has now consumed you to the point that you're working beyond full time, and that dream has faded away. Then one day you get fired or layed off, and you realize that you need that job. Although it's made you so bitter and programed to the routine that all you do is dream of quitting, but yet you fear the idea of losing that job because you think you need it to pay the bills you don't want to pay but you think you have to because it's how you "survive" or "get by." But maybe losing the job was fate telling you to lose your inhibitions, that it's time for something new, or time for something you'd forgotten about.

And there is the extreme reaction. You get all gung ho. Decide you're tired of working for "the man" and you quit your job in the spirit of revolution, rebellion, and going for your dreams. But you end up sitting on your broke ass, not looking for a job, and failing at your dreams, because "shit" cost money. You know "shit". Instruments, amps, brushes, canvases, cameras, art school, cooking lessons, or whatever minutia you require to pursue whatever it was you needed to become that great cook, artist, rockstar, rapper, writer, filmmaker, etc. So you go back into the grind to try to get your "shit" together. Pay those over due bills, the back rent, or whatever money hungry slips of paper you were ignoring while you were "rebelling." And you get hammered down. You're back in the routine, and before you know it, cuz often times people never know it, you're settling for the day in day out again, and those dreams fall by the wayside. Heck, at this point a plane crash would do you great.

It's really become the norm. Everything above is typical of what goes on in the world. Granted there is a good percentage of people actually achieveing their goals and doing what they love, but there is a great percentage of people constantly in and out of the routine, always missing their opportunities. There are a percentage of people who do get the "plane crash" wake up call, get gung ho about going for the gold, then completely forgetting about the mission weeks later. I'm not writing this for them. Those people would never read this, and if they do they'll forget about it as soon as they breathe.

I think that in most cases a rebellion is in order. If you're stuck in your routine and you know it, and you want to get out of it to pursue your dreams, then the rebellious thing isn't to quit and say fuck you to the job. I think the thing is to keep working. Start saving, figure out what you need money for, cuz let's face it, everyone needs money for something especially your "shit". Work for it. Get caught up on the bills, get a nice savings for yourself going, and then start saving for your dreams. And once you've got enough to do your dreams, then take some days off and go for it until your dreams become what you do for a living. Sure it'll take months, maybe even a few years, but the alternative is for you to sit around and bitch about what you shoulda coulda woulda done for five years, or actually work for it and have something to show for it in the same amount of time or sooner.

The rebellion isn't in the defiance of the job or the routine, the rebellion lies in what everyone else isn't doing. I see alot of people that say they're going to chase after that goal and just quit their job to do it. Rebel against rebelling. The truely unorthodox method is discipline. The discipline to keep working while keeping your eyes on your prize. To have the discipline to set aside the money to do what you've always wanted to do. To "work for it". I know you work at that job that you hate, or it just gets on your nerves, but when it's all you've got and you're trying to get to somewhere or some dream, then it's a precious thing.

You have to have the discipline to work the job and keep it separate from your real life and your true dreams. It's not only giving you money, but it's part of the climb that makes reaching the top of your dreams all the more sweeter. If it's that bad then quit and find another one, but do what you can to make the routine your own. Your days off are your days off, your job is not your life. Stop thinking of it as working for someone else. If you've got a goal to work for then anything you do is actually you working for yourself.

You have the freedom to stop making yourself feel like all you do is "survive" or "get by." No matter what, do what you have to do to get your "shit" together. Don't wait for fate. Don't wait for the plane crash.

Move over Max Adams

As far as screenwriter chicks are concerned I've harbored a crush for years on Max Adams. I'm fairly certain that this crush has been moved over to the incredibe Diablo Cody. If anything, for the fuckin kick ass pen name.

Cody on Letterman.



Check out Diablo's myspace.

In all fairness please see Max's website: SEEMAXRUN.COM

Shocked

That last picture is of him in his greatest role. My heart goes out to his family.

Monster Cops VLog 011808

Working it.

Figured I'd post some pics of what's been going down for the past month or so. Next I'll post the first Monster Cops Video Blog.

I'm still in the middle of casting, but below are pics of some of the actors that have for sure been cast.

Brandon White, showing off in one of the new costume pieces.


The Adorable Nicole Nastazzio


Comedian Greg Romeo


Doug Hanks, who is also loaning us the use of his guns as well as gun expertise and a location to fire these guns at. Thank you so much Doug.


Danielle Motley has been cast in the much sought after role of Greenly. Yes Danielle I'm using your headshot, and yes I stole it off your myspace, get over it.

And if you're one of the many actors who were looking to audition for the role of Greenly I'm sorry, but I am still actively looking to fill other female roles and will continue to keep in contact with all of the actors who have been emailing me.

Others cast but not pictured:
John Burcham
Lisa Molenda
Will Atwood
Jamie Bertman
more to come.

Secured almost all of the locations. Special thanks to Kelly Emerson for giving us her ranch to shoot at, which has an amazing backwoods area. She also put me in touch with the person who can get us in to shoot at this massive warehouse in downtown Winston.


Kelly's been a real Godsend, she's also contributing some possible props/costumes as well as giving us an in to a Helicopter.

I've been hard at work at creating one of the prop guns for the movie. I felt the Monster Cops needed a specialized weapon, not unlike the Ghostbusters proton pack, or the Plasma Rifle from Aliens. I took my inspiration from Indy Mogul. Everytime I see empty bottles now, I just see gun parts. A full video on how I'm making this will be done later.



Here it is with a final paint job, but still without the final parts and accessories added.


Here's our Special FX guy William Stine working on the Werewolf FX. I'm not going to post too many photos of it just yet, don't want to completely give it away. William you're doing an amazing job.





Still going through casting, still looking at locations, alot is still up in the air, but so much has fallen into place. Can't wait to shoot this one.