Showing posts with label After Effects. Show all posts
Showing posts with label After Effects. Show all posts

Sunday, September 7, 2008

Vampire Brides, Take 1

The Dead By Dawn episode requires three Vampire Brides. 2 of which I had cast for sure. The third, I'm still looking for actually. I wanted to stick with the traditional look of the Vampire Brides (aka Dracula's Brides) each girl very beatiful but with different looks. Normally each girl has different hair color, dark, red, and blonde. I have a few choices right now for a blonde, but I have yet to actually talk to those choices. We'll see how it works out.

Let's focus on the two we've got. Kelsey Granger, our dark haired vamp. And Cat Degroot, our red head. I was going to wait til I had found the blonde and shoot the three altogether, but Kelsey had to head back to school soon, so I decided to go ahead and shoot Kelsey and Cat together. Now I didn't have the location I wanted yet so I had to do something I was trying to avoid. Green screen.

Green screen means shooting your actors in front of a green (sometimes blue) screen, and then do composite work in editing. Meaning I remove the green screen from behind the actors, and then place any background I need behind them. I've seen it done very well, and I've seen it done badly, and I've done it both well and badly. Either way, for a project like monster cops where I'm trying to get the most realistic feel possible, using a green screen wasn't something I wanted to do (you never see any bad cg fx on Cops now do ya?). I was already rolling my eyes at the crappy cg'd gun fire I put in The Midnight Special. This time around, I was determined to keep any cg or compositing to a minimum, and try to do every single effect practical and on set.

But in some cases you are left with no choice but to do the best with what you've got. So some cg and compositing would now be required. The thing about The Midnight Special was, I didn't have the best computer resources in the world. I was using a somewhat satisfactory program for my fx work, and I'm quite surprised I was able to edit a 90 minute movie on that frickin computer (80 gigs/256 ram, I pushed it to it's limits.) Now I'm blessed with a computer that is entirely too powerful to exist, oh, and a little something called Adobe After Effects CS3. So now I'm ok with doing a bit of CG and composting if I can do it well and only where it's needed.

Did you hear that Hollywood? WHERE IT'S NEEDED!!!!

Majority of the FX would be done on set. Any monster fx, most of the blood squibs, any gore, etc. would be done live. CG would be used if absolutely necessary, and only as a tool to help tell the story or achieve the scene if we couldn't achieve it any other way, and not just for the holy hell of it (see Van Helsing 2004).

So a green screening we went. Sadly I had to use the same green material I used back in the days of Living Dead Girls. Does anybody remember my Living Dead Girls series? Either of the 2 of you reading this? No? Me neither. Thankfully the creases in the sheets won't matter much. The solid green background is going to be helpful enough in compositing. Also most of the pitfalls you get when green screening on a low budget can be avoided since many of the Vampire Brides scenes are fairly short, and also take place in deep dark hallways and tunnels. Hopefully you won't even be able to tell the difference when I actually start editing.

Here come the pics. Including a few frames where I decided to play with the compositing software a bit.

Two of the three Vampire Brides in front of our amazing green screen. Cat on the left, Kelsey on the right. Aren't they adorable?



Arlanda doing the make up thang.


Me directing Kelsey


I think I made some kind of joke about Vampires making bunny ears.


Could our green screen have anymore creases?



Not only does Arlanda do make up but she knows how to fix costuming issues as well. She rocks.


Still messing with the costume.


Cat is trying to seduce the camera.


Arlanda applying more make up to Kelsey's arms. Because a Vampire with a sun tan just isn't very realistic.


She had a very even tan.



Cell Phone Camera Pics.
The fangs are great, but ya gotta hold em in place forever.


If you didn't know already, there's always alot of waiting around on set. Brandon and Chris on set as well.


Cat being Cat.

Kelsey minus the green.


Threw in a bit of a glow here.


Cat minus the green. Although I do notice some of it, but that's me being picky.
Horrible edge work here, something you won't see in the final cut.

Did a color correction just to see if I could bring out her hair color. Make it pop.

Just a little test to see what you can do with a green screen. Here are the two girls in front of our crease filled green sheets. Let's take out the green. You can see a bit of an outline of the green, especially around the hair, but it's fine.
Let's throw in a public domain photo of a cemetary.
And let's smooth it all out with a few filters. Black and white, with a blue tint. Went for that old, old, antique film look. Really we could have done much more, but you get the idea behind using a green screen.



A few more shots.






Overall I had a good time shooting that day. Hopefully the girls had fun too. They were wonderful to work with. I'm confident we got some great shots, and the footage should look fine in the final product. Ah the final product, can't wait to see what that looks like.

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Sunday, August 3, 2008

It's just an illusion



By 1984 my obsession with movies was in full throttle. Indy, Superman, Rocky, Bond, they'd all gotten good hold of my attention. When 85 hit and movies like Back To The Future and The Goonies came out, my obsession exploded. So when the hits kept coming in 86 I was headed over the edge, right over the edge into the passions of moviemaking, a movie titled FX would put me there.

The story of a special fx artist hired by the government to help fake an assasination. Of course the fake assasination turns out to be a real assasination, and our fx guy hero is framed for the murder. Now on the run from the law, he must use his special fx genius to defend himself and get back at the people who set him up.

How the hell was I not going to love this movie.



By 86 I had already read Tom Savini's Grande Illusion front to back and had every fx diagram memorized, I had watched every ILM documentary I could find, I had created my earliest form of blood squibs (using ketchup, tylenol capsules, and a sling shot. Yes, it hurt), and was already working with latex and make up appliances (my parents were quite confused when I'd ask them for money so I could buy liquid latex and spirit gum, when other kids were buying action figures.) I was at the very beginning of learning how movie FX worked. So of course this movie was right up my alley.

I was propelled back into those old nostalgic feelings when I was flipping channels only to find that FX the Movie was playing. I caught the tail end. It all came rushing back to me. Everthing. The first time I saw this movie. How excited I was. How much cooler it made me feel wanting to work on fx and make movies. The thrill of learning how an fx shot worked. And the fun of learning the hard way how one 10 second shot is usually accomplished through hours and even days of tedious work.

A valuable lesson I learned when I was a kid, something that would prepare me for my work now. Today in fact.

Currently working on some fx stuff for a project. Learning new tricks everyday, every minute, aplying them to the old techniques. It's kind of a fun time right now. Feels like 85, 86, 87, all over again. And in the end that's kind of what I'm working towards. Achieving those old nostalgic feelings I felt when I was kid. Trying to capture that old magic, put it in my own work, and hopefully share it with the world.

OK enough delay. This blog was partially just to get a break from the long and tedious work of keyframes and compositing. 6 hours of work for a 5 second shot. Just like old times.

Back to work.

Friday, December 7, 2007

Motion Tracking Research

One thing I know I need to work on in doing much of the effects for Monster Cops is the Motion Tracking.

What is motion tracking?Motion tracking is also known as Match moving. Here's Wikipedia's Definition.

In cinematography, match moving is a special effects technology to allow the insertion of virtual objects into real footage with the correct position, scale, orientation and motion in relation to the photographed objects in the scene. The term is used loosely to refer to several different ways of extracting motion information from a motion picture, particularly camera movement. Match moving is related to rotoscoping and photogrammetry. It is sometimes referred to as motion tracking.

Some of the more popular programs being used for Motion Tracking are:
3DEqualizer
Voodoo Camera Tracker
Maya
RealViz MatchMover
Icarus (I hear it's discontinued, but still floating around out there)
After Effects

After Effects seems to be fairly popular, and is what I will be using the most for specific effects. Here are just a few videos from YouTube on the subject of Motion Tracking mainly with After Effects.

EDIT: Instead of posting every video, I've compiled them into one vodpod. Click on a thumbnail to view a vid. So much more convenient.


get your vodpod

I'll update more info as I come across it.

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